Items Similar to Marlene, Blue Green
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Andreas ReimannMarlene, Blue Greenc.2000
c.2000
About the Item
This artwork titled "Marlene, Blue Green" is an original color silkscreen by noted Austrian Artist Andreas Reimann, b.1965. It is hand signed and inscribed A.E in pencil by the artist. The image size is 32.5 x 28.25 inches, sheet size is 39.5 x 32.25 inches, framed size is 44.35 x 36.35 inches. Custom framed in a wooden black lacquer frame and white backing. It is in excellent condition, the bottom side of the frame has very minor light scratches that are not visible from the front. they are practically unnoticeable.
About the artist:
Andreas Reimann was born as the son of a couple of graphic designers and the grandson of Hans Reimann . After his father's flight to West Berlin in 1953 and his mother's suicide in 1954, he was taken to a children's home. 1955 Death of his father under unexplained circumstances in West Berlin. From 1956 on he lived with his grandmother in Leipzig.
From 1963 to 1965 Reimann completed an apprenticeship as typesetter and in 1965 began studying literature at the "Johannes R. Becher" Institute for Literature in Leipzig. He was due to an unfavorable attitude towards the cultural politics of the early 1966 SED expelled . In the same year he was called up for military service in the NVA and released after attempting suicide. After that he was a freelance writer and editor.
In the summer of 1968 he took part in the Leipzig reservoir reading . On October 1, 1968, he was arrested in connection with his protest against the breaking up of the “Prague Spring” and sentenced to two years imprisonment for “dangerous agitation” . After his release on October 1, 1970, he worked as a transport worker, brewery assistant and payroll clerk. In the 1970s he published two volumes of poetry, after which he was unable to publish until 1989.
- Creator:Andreas Reimann (1965, Austrian)
- Creation Year:c.2000
- Dimensions:Height: 44.35 in (112.65 cm)Width: 36.35 in (92.33 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1999
1stDibs seller since 2017
684 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: San Francisco, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- PearsBy Donald SultanLocated in San Francisco, CAArtist: Donald Sultan (American, born 1951) Title: Pears Year: 1989 Medium: Color silkscreen and lithograph Edition: Numbered 87/125 in pencil Paper: Arches 88 Image size: 12 x 12 inches paper size: 22 x 23 inches Signature: Hand signed in pencil by the artist Publisher : Parasol Editions Press L.T.D. Portland, Oregon. Condition: Excellent Frame: Framed in a custom wooden maple frame, with fabric bevel and matting. Description: From the suite, Fruits Donald Sultan is an American painter, sculptor, and print maker, well-known for large-scale still life paintings and the use of industrial materials such as tar, enamel, spackle and vinyl tiles. He has been exhibiting internationally in prominent museums and galleries, and his works are included in important museum collections all over the globe. Donald Sultan rose...Category
Late 20th Century Pop Art Figurative Prints
MaterialsScreen
- Jenny ReeferBy Robert IndianaLocated in San Francisco, CAArtist: Robert Indiana (American, born 1928) Title: "Jenny Reefer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- Indiana ElliotBy Robert IndianaLocated in San Francisco, CAArtist: Robert Indiana (American, born 1928) Title: "Indiana Eliott" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- AnneBy Robert IndianaLocated in San Francisco, CAArtist: Robert Indiana (American, born 1928) Title: "Anne" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items. Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design. The work of Robert Indians...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- Jo the LoitererBy Robert IndianaLocated in San Francisco, CAArtist: Robert Indiana (American, born 1928) Title: "Jo the Loiterer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- Angel MoreBy Robert IndianaLocated in San Francisco, CAArtist: Robert Indiana (American, born 1928) Title: Angel More Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x ...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
You May Also Like
- The souper dressBy Andy WarholLocated in Jerusalem, ILA wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.Category
1960s Pop Art Figurative Prints
MaterialsTextile, Screen
- Beautiful Bedroom KateBy Tom WesselmannLocated in Ljubljana, SIBeautiful Bedroom Kate. Original color silkscreen on Museum Board, 1998. Edition of 90 signed and numbered impressions on Museum Board. Tom Wesselma...Category
1990s Pop Art Portrait Prints
MaterialsScreen
- Marcel Duchamp's World Tour - DC Thomson Reunion at the Tower Ballroom BlackpoolBy Peter BlakeLocated in Norwich, GBHeralded as the ‘Godfather of Pop Art’, Sir Peter Blake was knighted in 2002 for his invaluable contribution to contemporary art. Blake began his career creating collages from photographs, cigarette packets and matchboxes. This new approach to the creation of visual art – taking found imagery from Pop culture – was spearheaded in Britain by Blake and continues to inspire contemporary artists today. Best known for creating the iconic cover to the Beatles’ 1967...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsScreen
- American Trilogy, Elvis, Black and Silver GlossBy Peter BlakeLocated in Norwich, GBLimited edition of 150. Three American icons: the stars and stripes, Elvis Presley and Coca Cola are combined to create American Trilogy, a classic pop art image by Sir Peter Blake.A...Category
20th Century Pop Art Figurative Prints
MaterialsGiclée, Archival Pigment, Screen
- Still Life with LobsterBy Roy LichtensteinLocated in Tallinn, EE”Still Life with Lobster”. Signed, dated and numbered rf Lichtenstein ’74 2/100. Lithograph and screenprint in colours, I. 81.7 x 78.8 cm, S....Category
1970s Pop Art Figurative Prints
MaterialsScreen, Lithograph
- Mildred ScheelBy Andy WarholLocated in New York, NYScreenprint in colors with Diamond Dust Signed in graphite "Andy Warhol"Category
1980s Pop Art Figurative Prints
MaterialsScreen
Recently Viewed
View AllMore Ways To Browse
Blue Green
Green Bottom
Marlene Signed
Lacquered Wooden Screen
Giacometti Bird
Henri Matisse Jazz
Antique Brilliant Cut Glass
Green Flower Pot Modern
Jewel Catalogue
Contemporary Large Wall Hangings
Vintage Picasso Exhibition Poster
Midcentury Easter
Vintage Embroidery Framed Art
Giacometti Birds
Milking St
Sculpture Crucifixion
St Gerard
Exhibition Poster Louvre