Caroline DurieuxMorning1953
1953
About the Item
- Creator:Caroline Durieux (1896 - 1989, American)
- Creation Year:1953
- Dimensions:Height: 15.5 in (39.37 cm)Width: 11.5 in (29.21 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU84136376192
Caroline Durieux
Caroline Durieux was a printmaker, painter, satirist, innovator and social activist. She was born in New Orleans and was already making sketches, by the age of four. Her formal art training was at Newcomb College (1912–17) and the Pennsylvania Academy of Fine Arts (1918–20). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero and later, worked with Diego Rivera and the other Mexican masters. Her lithographs of the 1930s and 1940s rank as some of the finest satirical pieces ever made. Durieux joined the art faculty at Newcomb College and taught there from 1938–43. She also served as the director for Louisiana’s WPA Art Project, which she administered without regard for the race of the participants, within a segregated society. In 1943, she left New Orleans to teach at Louisiana State University, wherein in the early 1950s, she began experimental work on electron printmaking, demonstrating the peaceful use of atomic technology. She also successfully produced the first color cliché verres, while simultaneously, perfecting her technique for making electron prints. Durieux’s work is exhibited in the Museum of Modern Art, the Chicago Art Institute, the National Gallery of Art, the New Orleans Museum of Art, the Library of Congress and the Philadelphia Museum of Art.
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- SurvivorBy Caroline DurieuxLocated in New Orleans, LACaroline Durieux's "Survivor" is a pencil-signed lithograph created in 1947 in an edition of 20. It is illustrated in Carl Zigrosser's book on the artist published in 1949. Durieux on Survivor "An extra-terrestrial spotlight falls on this battered subhuman figure; he does not look directly into the light but away from it, raising his hand to it like a beggar. The worn pads on his hands and knees shows that he has walked on them, like an animal, for a long time. There is nothing to suggest that he can stand. The beam of light looks cold, machine like, impersonal. Scornful satire marks the limit of comedy for '. . . there is nothing funny about scorn which comes round again almost to the attitude of divine comedy.' Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...Category
1940s American Modern Figurative Prints
MaterialsLithograph
- Playboys (2 American male refugees from the Gatsby era preen on Mexican beach)By Caroline DurieuxLocated in New Orleans, LAIn these beady-eyed playboys, Durieux pokes some fun at the pride and pretensions of the Great Gatsby class. Here are two Americans pretending to be macho on a Mexican beach. Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...Category
1930s American Modern Portrait Prints
MaterialsLithograph
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Early 2000s American Modern Portrait Prints
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- Untitled (Portrait of a young woman - wife of the artist)By Francisco SoutoLocated in New Orleans, LAThis is a self portrait of a young woman who is the wife of the artist. Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...Category
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- Mexican Barber Shop (Getting a shave amidst revelry of community)By Irwin D. HoffmanLocated in New Orleans, LAIrwin Hoffman created a lively scene of a Mexican barber shop that serves as a focal point of the community's life. A man is being shaved as people cook, eat and revel in the camaraderie of the scene. This print was issued by Associated American Artists and is in the permanent collection of the San Francisco Museum of Art. Born in East Boston...Category
1930s American Modern Figurative Prints
MaterialsEtching
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- Fruit Tree (Japanese-American, Sculptor, Print Maker, Cultural Identity, Iconic)By Akio TakamoriLocated in Kansas City, MOAkio Takamori Fruit Tree, 1993 Medium: 4 Color Lithograph Edition: 30 Paper: Rives BFK, White Paper Size: 33.5″ x 15″ Image Size: 29.5″ x 11″ Signed, dated, numbered and inscribed by...Category
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- Selected Tales of Guy de Maupassant, the complete portfolioBy Adolf DehnLocated in Middletown, NYTwenty hand-signed, numbered, and titled images based on the selected work of Maupsassant. Portfolio containing 20 lithographs based on selected tales by de Maupassant, printed on h...Category
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- Tourists, Garden of the Gods, Colorado Springs, Colorado, 1930s Lithograph PrintBy Charles LockeLocated in Denver, COPhoto Opportunity (Tourists, Garden of the Gods, Colorado Springs, Colorado; edition of 30 is a lithograph circa 1935 by Charles Wheeler Locke (1899-19...Category
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Late 20th Century American Modern Figurative Prints
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- Chelsea RagsBy James Abbott McNeill WhistlerLocated in Storrs, CTChelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...Category
Late 19th Century American Modern Figurative Prints
MaterialsLithograph
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Late 19th Century American Modern Figurative Prints
MaterialsLithograph