Charles Paul Renouard

Sleeping Ballerina - Original etching, Signed

1893

Paul RENOUARD Ballerinas Having a Rest - "Repos", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMATION : Limited edition of 20 copies se...

Paul RENOUARD Dancing Class - "Classe du Premier Quadrille", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMA...

Paul RENOUARD Ballerina Playing the Piano - "Danseuse au Piano", 1893 Original etching Printed signature in the plate On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMATION : Li...

Paul Albert LAURENS Bath of Nymphs Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Pari...

Robert ENGELS (1866 - 1926) Two Women and a Knight Original litograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : P...

Maurice ELIOT Spring Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Paris, 1897-1899 a...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove paper With the stamped signature, as issued Image Size: 8 5/8” x 5 1/3” Fine strong and tonal impression with full margins The most famous etching...

With 15 (8 signed) coloured original etchings and aquatints by C. E. Uphoff. Original vellum with gilt cover vignette in private linen case with gilt title on spine (stained due to m...

6 plates from the Lobel- Riche books, Les Bars depicting pre- war Paris fashions in the bars and nightclubs.

A very fine copy of "Les Bars," an album of ten original etchings by the master Lobel-Riche, representing fashionable women in various Parisian social settings. This album, part of a...

Three graces. Paper, etching, 12x11cm

L'Angellus (The Angel) Etching, engraving and acquatint on Arches paper, 1908 Signed lower right by the artist (see photo) This is a first state impression printed in a brown/black ink There was also a color edition of 50 impressions published by Sagot Reference: Wurzer 27 Provenance: Edmund Sagot, the publisher Sagot Heirs Condition: Rich impression. Verso: print has staining. Printer's crease visibile from verso only. Image/Plate size: 19 1/4 x 15 1/2" (48.9 x 39.37 cm) Sheet size: 24 x 17 3/8 inches From the British Museum: "Colour etcher. Born in Livorno from a family of wealthy Swiss cotton merchants, studied with Giuseppe Ciaranfi and Michele Gordigiani in Florence. In 1886 exhibited with Fattori, Achille Lega and Tommasi in the Prima Esposizione delle Belle Arti in Livorno. In 1888 he and his family moved to Paris, where he studied first with François Flameng until 1892 and later with Carolus-Duran. Müller remained in the French capital until the outbreak of the First World War, taking French citizenship in 1913. He worked in the countryside at Barbizon, Suresnes and elsewhere, but also made frequent visits to his native country, where he exhibited regularly in Florence with the Promotrice Fiorentine. His early work was indebted to Fattori and Plinio Nomellini, but he soon became interested in the Impressionists and was credited by the critic Mario Tinti with introducing the luminism of Monet into Italian art. Müller was a member of the Société des Artistes Indépendents and exhibited regularly in the Paris dealer...