David Avery

Safe, Clean, Cheap

2016

This is one of six cowboy images completed by the artist. Chicano artist Viramontes is known for both political subject matter, as well as more personal s...

Signed self portrait, completed around 1980. Suzzoni exhibited throughout Europe beginning in the 1970's. He studied at Académie Frochot from 1965-1968 , and graduated from the Écol...

Signed, titled, and numbered from the edition of 15. Image of a young girl with a bird perched on her head while someone takes her photo. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilities. Young women and their relationships to shoes, food, and fashion provide much of Hiratsuka’s subject matter. Another group of his prints focus on landscape, flowers, and floral patterns. Hiratsuka’s graphic work has been exhibited in the Americas, Europe and Asia. He has received numerous awards in international competitions. During the last four years he has had 14 solo shows in the United States, and international solo shows in Gabrovo, Bulgaria, Munich, Germany and Geneva, Switzerland. Partial list of public collections: The British Museum, UK Tokyo Central Museum, Japan Panstwowe Museum, Poland The House of Humor and Satire, Bulgaria Cincinnati Art Museum, OH Jundt Art Museum, WA The Portland Art...

Signed and titled by the artist from the edition of 40. A print from early in Houtin's career A fanciful unstructured poem, with plants, designs and words flowing through the image...

Skein Flock, by Kelvin Mann Medium: Woodblock with silk screen and flock fibers Image size: 29.5 x 29 inches Edition of 50 Kelvin Mann's "Flock" prints are made by screen printing ...

Medium: Etching Year: 2021 Image Size: 7.9 x 13 Edition Size: 50 Lawlor's early etchings were often landscapes combining elements from old Master paintings. Later he started to in...

Etching with relief printing Edition of 45/50 Signed on the front, numbered on the back Mint Published by Manifold Editions, 2021 Our mission is to connect art collectors to opportu...

Aquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

Pissarro, Camille. COUPLE DE PAYSANS. D.125. Etching and aquatint on laid paper. Unsigned. From the posthumous edition of 10 printed in 1923. 4 3/4 x 3 1/8 inches, 118 x 78 mm. (plat...

Etching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...