Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

David Salle
HOW TO SEE Looking, Talking and Thinking about Art (hand signed by David Salle)

2016

About the Item

David Salle HOW TO SEE Looking, Talking and Thinking about Art (hand signed, dated and inscribed), 2016 Hardback monograph with dust jacket (hand signed and inscribed to Kevin) Hand signed, dated 12/6/16 and inscribed to Kevin by David Salle on the title page 9 × 6 × 1 inches Unframed Provenance signed and inscribed by David Salle for the present owner at a special event sponsored by 192 Books (run by Paula Cooper Gallery) This hardback monograph with dust jacket is hand signed and inscribed by David Salle for the present owner at a special event sponsored by 192 Books (run by Paula Cooper Gallery) Makes a superb gift - collectible when hand signed! Hand signed, dated 12/6/16 and inscribed to Kevin by David Salle on the title page Book information: Publisher‏: ‎W. W. Norton & Company; 1st edition (October 18, 2016) English; Hardcover; 288 pages with 30 color and bw illustrations Publisher's blurb:A master class in contemporary art by one of the preeminent painters of our time. How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates the work of many of the most influential artists of the twentieth century. Engaging with a wide range of Salle’s friends and contemporaries―from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others―How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye. Reviews: "If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored." ― Salman Rushdie "David Salle’s brilliant canvases changed everything, and now his luminescent eye and voice have married in a book that is destined to alter not only how we look at art, but the language we use to describe it. His essays are a gift that, in addition to feeding one’s process of intellection, nourishes one’s art loving soul. Transcendent." ― Hilton Als "David Salle is widely known as one of our most daring and intelligent painters, but he is also an eloquent critic. How to See is a marvel of incisive and intimate observation. For all his audacity as a painter, Salle seems touchingly proud to be a part of the family of art and to derive his pictorial forms from what he calls the ‘the shared DNA of art,’ raising the possibility that all masterworks are in fact a group project." ― Deborah Solomon "David Salle’s thoughtful, intelligent, beautifully written essays inspire us to think about, and look at, art in wholly new ways. He makes difficult subjects (and artists) seem effortless, transparent, and he wears the depth and breadth of his knowledge of art and art history so lightly that we hardly notice how much we are learning. How to See is a pure pleasure to read." ― Francine Prose "David Salle writes about art with a joyous lucidity that is both bracing―nothing, absolutely nothing, escapes his notice―and utterly disarming. He guides his readers through the complex world of contemporary art with a rare generosity of spirit, a dazzling skill at description, and a radiant honesty that are as challenging as they are irresistible." ― Ingrid Rowland "David Salle asks of other art not, where does this belong? but, what does this make me feel and think about? Salle subtly and persuasively reminds us that all art, even the most seemingly recalcitrant, is there to be looked at, and that what artists do is, exactly, teach us how to see." ― Adam Gopnik "David Salle has a sharp, thrilling eye and an uncanny ability to reorder and make new the act of seeing. These perceptive, far-ranging essays are drawn from deep knowledge and experience―reading this book feels like having a conversation about art with the smartest person in the room." ― Emma Cline "Wonderful." ― Joan Juliet Buck "Lovely to read… [How to See] is serious but never solemn, alert to pleasure, a boulevardier’s crisp stroll through the visual world." ― Dwight Garner, New York Times "An upbeat, non-combative approach to art criticism… [F]resh, engaging." ― Roger White, New York Times Book Review "Witty, chatty, intimate, sharp." ― Lorin Stein, The Paris Review "[Salle] writes about art that he admires with passion and a discerning eye… Illuminating." ― Glen Roven, Los Angeles Review of Books "A trenchant and light-on-its-feet collection of critical essays... about art, artists, fame, and, if you read it closely enough, what it’s like to have been David Salle for all these years.”" ― Carl Swanson, New York Magazine "A remarkable painter whose writing is as fresh, vital, and startling as his canvases, Salle… talks about artists and their work in witty, jargon-free, and eminently accessible prose." ― Tirdad Derakhshani, Philadelphia Inquirer "How to See is an exhilarating and cathartic experience… an offering of passion and generosity, and a pulsing invitation to the reader to find the same in the act of seeing." ― Simone Grace Seol, The National Book Review "[A] breath of fresh air… Salle is the perfect art tour guide: literate, thoroughly entertaining, and insightful." ― Kirkus "Sharp insights and an affable tone make this collection equivalent to a hearty discussion with a mentor―recommended for anyone interested in visual arts." ― Publishers Weekly About David Salle: Born in 1952 in Oklahoma, David Salle grew up in Wichita, Kansas. In 1970, he was part of the foundational class at the California Institute of the Arts in Valencia, where he studied with John Baldessari. After earning a BFA in 1973 and an MFA in 1975, both from CalArts, Salle moved to New York, where he has lived since. Like many artists of his generation, David Salle initially drew inspiration for his rich visual vocabulary from existing pictures, often from the worlds of advertising and graphic communication. He sought out images that, as he put it in a 1981 interview, “understand us.” Distinct from others of his generation, the mainspring of Salle’s imagery has always been his own photography, the carefully staged and lit scenes that appear in his paintings like telexes from the unconscious. Since the mid-80s, his paintings have continued to expand their emphasis on dynamic, relational composition. A typical Salle painting is one in which the viewer’s eye is kept moving; the structure and placement of images create internal rhythms that pulse with energy. Salle’s paintings often contain allusions to artists of the past – from Velázquez and Bernini, to Picasso, Giacometti, and Magritte, as well as to American art both post and pre-war. However, a catalog of references can be misleading; sources do not a painting make. The meaning of Salle’s paintings lies in the way images are contextualized and presented, with the poetry of their juxtaposition, and, more than anything, with how they are painted. Salle’s paintings have been shown in museums and galleries worldwide for over 35 years. Solo exhibitions of his work have been held at the Whitney Museum, New York; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, Chicago; Stedelijk Museum, Amsterdam; MoMA Vienna; Menil Collection, Houston; Haus der Kunst, Munich; Tel Aviv Museum of Art; Castello di Rivoli, Turin; the Kestner Geselshaft, Hannover; the Guggenheim Bilbao. He was the subject of solo exhibitions at the Dallas Contemporary in 2015 and the Centro de Arte Contemporáneo in Málaga, Spain in 2016. He has participated in major international expositions including Documenta 7 (1982), Venice Biennale (1982 and 1993), Whitney Biennial (1983, 1985, and 1991), Paris Biennale (1985), and Carnegie International (1985). Salle is also widely recognized as one of the most trenchant and original critical voices of the past decade. He is a regular contributor to the New York Review of Books, and is a member of the American Academy of Arts and Letters. A collection of his essays, How To See was published in 2016 by W.W. Norton. - Courtesy of Skarstedt Gallery
  • Creator:
    David Salle (1952, American)
  • Creation Year:
    2016
  • Dimensions:
    Height: 9 in (22.86 cm)Width: 6 in (15.24 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    There is overall shelfwear (scuffing, creasing, etc) to the covers, front and back, but the interior pages are in excellent condition.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745213546162
More From This SellerView All
  • Monograph: Philip Glass Words Without Music (book hand signed by Philip Glass)
    Located in New York, NY
    Philip Glass Words Without Music (hand signed by Philip Glass), 2015 Hardback monograph with dust jacket (hand signed by Philip Glass) Hand signed by Philip Glass on the half title page 9 1/2 × 6 1/2 × 1 1/4 inches Hand signed by Philip Glass on the half title page. Makes an excellent gift! Book information: Publisher: Liveright Publishing Company, 2015 English; Hardcover; 432 pages; 32 pages of photographs Publisher's blurb: The long-awaited memoir by “the most prolific and popular of all contemporary composers” (New York Times). A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet here in Words Without Music, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. "If you go to New York City to study music, you'll end up like your uncle Henry," Glass's mother warned her incautious and curious nineteen-year-old son. It was the early summer of 1956, and Ida Glass was concerned that her precocious Philip, already a graduate of the University of Chicago, would end up an itinerant musician, playing in vaudeville houses and dance halls all over the country, just like his cigar-smoking, bantamweight uncle. One could hardly blame Mrs. Glass for worrying that her teenage son would end up as a musical vagabond after initially failing to get into Juilliard. Yet, the transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir. From his childhood in post–World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his artistic consciousness. From a life-changing trip to India, where he met with gurus and first learned of Gandhi’s Salt March, to the gritty streets of New York in the 1970s, where the composer returned, working day jobs as a furniture mover, cabbie, and an unlicensed plumber, Glass leads the life of a Parisian bohemian artist, only now transported to late-twentieth-century America. Yet even after Glass’s talent was first widely recognized with the sensational premiere of Einstein on the Beach...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Paper, Offset, Lithograph, Mixed Media, Ink

  • Monograph: Walking, Talking, Lying (hand signed and inscribed by Laurie Simmons)
    By Laurie Simmons
    Located in New York, NY
    Laurie Simmons Walking, Talking, Lying, 2005 Hardback monograph (hand signed and inscribed by Laurie Simmons) Warmly signed and inscribed by Laurie Simmons on the first front end page. 11 × 10 × 1 inches This elegant, illustrated hardback monograph, with no dust jacket, exactly as issued, is, exceptionally, hand signed and uniquely inscribed by Laurie Simmons. The inscription reads: For Arala with much Love BIG Love, Laurie Simmons You are an actor! Book information: Publisher: Aperture Direct, 2005 Hardcover; 160 pages with 100 four-color images Publisher's blurb: Laurie Simmons is one of the first contemporary American photographers to have created elaborately staged narrative photographs. Using dolls...
    Category

    Early 2000s Contemporary Figurative Prints

    Materials

    Paper, Offset, Lithograph, Mixed Media, Ink

  • Hardback monograph: Life is Paradise (Hand signed by Francesco Clemente)
    By Francesco Clemente
    Located in New York, NY
    Francesco Clemente Life is Paradise (Hand signed by Francesco Clemente), 1999 Hardback monograph (hand signed by Francesco Clemente) Boldy signed by Francesco Clemente on the title p...
    Category

    1990s Contemporary Figurative Prints

    Materials

    Paper, Offset, Lithograph, Mixed Media, Ink

  • Philip Treacy hardback book, hand signed by Philip Treacy, milliner to the stars
    Located in New York, NY
    Philip Treacy hardback book (hand signed by Philip Treacy), 2013 Hardback monograph with dust jacket (hand signed by legendary milliner Philip Treacy) hand signed by Philip Treacy on the half title page 11 × 8 1/2 × 1 inches Hand signed by Philip Treacy on the half title page. Book information: Publisher: Phaidon Press (February 5, 2013) English; Hardcover; 200 pages with over 200 photographs Review "Lovely... All the most iconic designs are here."―The Observer "How did one man change our minds on headgear? Philip Treacy by Kevin Davies celebrates [...] backroom moments of Treacy's career, no less striking than the headpieces he creates... The unseen stories behind all the 'moments'."―The Independent "An usually revealing insight into the designer's work."―Harper's Bazaar "Revealing [...] photos of Treacy at work. He looks determined and serious, but he has a kind face and he's never a poseur... In short, this is a cool book about a great guy."―VICE "The head-topper extraordinaire gets a tip of the cap in the new book... Featuring over 200 images of the milliner's museum-quality lids, including head-turning snaps of mega-fierce singer and Bond villainess Grace Jones."―InStyle "Inside the pages are 200 intimate pictures covering everything from Treacy's years at 69 Elizabeth Street to the scene backstage at fashion shows to the dignified funeral held for Treacy's beloved Jack Russell terrier, Mr. Pig."―The New York Times Style Magazine blog More about Philip Tracey...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Paper, Ink, Mixed Media, Lithograph, Offset

  • Will Barnet: A Timeless World (hand signed, dated and warmly inscribed)
    By Will Barnet
    Located in New York, NY
    Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...
    Category

    Early 2000s Contemporary Figurative Prints

    Materials

    Ink, Offset, Lithograph, Mixed Media, Paper

  • Lt Ed Hand Signed Book: Mario Testino Private View Bi-Lingual (Chinese-English)
    By Mario Testino
    Located in New York, NY
    Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Gaga. Enclosed in an Injection-Molded fitted Purple Acrylic Box (Purple). Hand Signed by Mario Testino and stamp numbered. Boldly signed by Testino on the title page and numbered 57 of a worldwide edition of 1500. 18 × 13 1/2 inches Held in Purple Acrylic Gift Box This gorgeous, oversized lavishly illustrated hardback monograph - hand signed by Mario Testino and numbered from the limited edition of 1500 - with a dynamic lenticular cover featuring an iconic portrait of Lady Gaga, housed in custom fitted multi-lingual injection-molded purple acrylic display case with English and Chinese lettering, makes the perfect gift for any global fashion photography lover! The text of this book is by Graydon Carter, Karl Lagerfeld, Jennifer Allen, and Patrick Kinmonth. This volume contains 300 pages with numerous color photographs - all in excellent condition. There is some minor scuffing/scratching on the lenticular cover and, on the title page with signature, there's a one inch ink mark that was either part of the printing process or done by the artist himself when he signed the book in his inimitable hand, but it's otherwise in very good condition. The interior pages are bright and crisp and the photographs are absolutely dazzling. This book is from the international collector's edition of 1500 that were hand signed by Testino. Comes in the original publisher's box. Measurements: Injection-Molded Plastic Box: 22 3/4 x 18 1/4 inches Book: 18 x 13 1/2 inches Publisher's Box: 23 x 19 inches The mere mention of Mario Testino’s name evokes a rush of adrenalin in anyone that cares, even a bit, about the worlds of fashion and celebrity. So omnipresent is he at major magazine shoots and A-list events—an insider if ever there was one—that he has become a celebrity himself. The launch of Testino’s latest book, to celebrate his inaugural exhibition in China, brings together an exciting selection of his best studio work with glamorous examples of his candid shots. A beaming Gwyneth Paltrow clutching her freshly-won Oscar, a fur-cloaked Jennifer Lopez atop a commode, and the unforgettable portraits of royalty...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Paper, Acrylic Polymer, Plastic, Offset, Lithograph, Mixed Media, Ink

You May Also Like
  • "Obama Superman" Offset Lithograph on Paper, Cultural Commentary, Signed
    By Mr. Brainwash
    Located in New York, NY
    Rare offset Lithograph Poster on gloss stock paper with a semi gloss finish depicts Barack Obama as Superman. Plate signed on the lower right corner (front). Limited edition release ...
    Category

    Early 2000s Contemporary Prints and Multiples

    Materials

    Paper, Lithograph, Offset

  • Exhibition at Moulin de Vauboyen - Offset and Lithograph - 1969
    Located in Roma, IT
    Exhibition of Moulin de Vauboyen is an original offset and lithograph, realized in occasione of the exhibition of Erni, Steinlen, Trémois in 1969 in Bievrres at Moulin de Vauboyen. ...
    Category

    1960s Contemporary Figurative Prints

    Materials

    Lithograph, Paper, Offset

  • Sanatorium Pod Klepsydra - Vintage Offset Poster - 1975
    Located in Roma, IT
    Sanatorium pod Klepsydra is a vintage offset and lithograph realized by Polish Artist in 1975. Good condition and aged. Print: Polish Artist
    Category

    1970s Contemporary Figurative Prints

    Materials

    Paper, Offset, Lithograph

  • Grzeszna Natura - Vintage Offset Poster by Lech Majewsk - 1974
    Located in Roma, IT
    Grzeszna Natura with Monica Vitti is a vintage offset and lithograph on paper realized by Lech Majewski in 1974. Good condition and aged. Print: Lech Majewski
    Category

    1970s Contemporary Figurative Prints

    Materials

    Lithograph, Paper, Offset

  • "Kate Moss" Offset Lithograph on Paper, Figurative, Print, Portrait, Signed
    By Mr. Brainwash
    Located in New York, NY
    Rare Offset Lithograph on gloss stock paper with a semi gloss finish depict multiple images of supermodel Kate Moss. Plate signed on the lower left recto (front). Limited edition rel...
    Category

    Early 2000s Contemporary Prints and Multiples

    Materials

    Paper, Color, Lithograph, Offset

  • José Manuel Ballester Spanish artist 1990 original handsigned photolithograph n1
    Located in Miami, FL
    "José Manuel Ballester (Spain, 1960) 'Puerto', 1990 lithograph on paper 14.6 x 20.5 in. (37 x 52 cm.) Edition of 70 ID: BAL1266-001-070 Hand-signed by author in pencil"
    Category

    1990s Contemporary Prints and Multiples

    Materials

    Stone

Recently Viewed

View All