Items Similar to Large Donald Saff Surrealist Pop Art Aquatint Etching African Elephant
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Donald SaffLarge Donald Saff Surrealist Pop Art Aquatint Etching African Elephantc.1980
c.1980
About the Item
Artist: Donald Saff
Medium: Etching with Aquatint, Hand signed and numbered in pencil.
Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York.
Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro.
Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002.
In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C.
Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991.
While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition.
In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.")
Exhibitions
Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006.
Honors
Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design.
In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum swinging in free air is 'Clock B,' owned by Donald Saff (U.S.A.)" was presented on April 16, 2015, following the clock's 100-day trial at the Royal Observatory, Greenwich
- Creator:Donald Saff (1937, American)
- Creation Year:c.1980
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. never framed.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3829324922
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,620 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllModernist Daniel in Lions Den Biblical Judaica Etching Israeli Artist
Located in Surfside, FL
Daniel In Lions Den. Artist proof etching. it depicts a rabbi wrapped in a tallit surrounded by lions. A very well executed work of a famous miracl...
Category
20th Century Modern Figurative Prints
Materials
Etching
Latin American Judaica Conceptual Chassidic Art Modern Woodcut Luis Camnitzer
By Luis Camnitzer
Located in Surfside, FL
Luis Camnitzer and Martin Buber (1878-1965),
New York: JMB Publishers Ltd, 1970.
Printed at The New York Graphic Workshop.
Hand signed on Arches paper. (Edition 24/100, numbered on Justification page)
Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...
Category
1970s Expressionist Figurative Prints
Materials
Woodcut
Latin American Judaica Conceptual Chassidic Art Modern Woodcut Luis Camnitzer
By Luis Camnitzer
Located in Surfside, FL
Luis Camnitzer and Martin Buber (1878-1965),
New York: JMB Publishers Ltd, 1970.
Printed at The New York Graphic Workshop.
Hand signed on Arches paper. (Edition 24/100, numbered on Justification page)
Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...
Category
1970s Expressionist Figurative Prints
Materials
Woodcut
Latin American Judaica Conceptual Chassidic Art Modern Woodcut Luis Camnitzer
By Luis Camnitzer
Located in Surfside, FL
Luis Camnitzer and Martin Buber (1878-1965),
New York: JMB Publishers Ltd, 1970.
Printed at The New York Graphic Workshop.
Hand signed on Arches paper. (Edition 24/100, numbered on Justification page)
Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...
Category
1970s Expressionist Figurative Prints
Materials
Woodcut
Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist
By Marie Laurencin
Located in Surfside, FL
Marie Laurencin (French, 1883-1956)
Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle,
Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame.
Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D.
Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.
Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting.
During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist."
Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...
Category
Mid-20th Century Post-Impressionist Animal Prints
Materials
Lithograph
Latin American Judaica Conceptual Chassidic Art Modern Woodcut Luis Camnitzer
By Luis Camnitzer
Located in Surfside, FL
Luis Camnitzer and Martin Buber (1878-1965),
New York: JMB Publishers Ltd, 1970.
Printed at The New York Graphic Workshop.
Hand signed on Arches paper. (Edition 24/100, numbered on Justification page)
Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...
Category
1970s Expressionist Figurative Prints
Materials
Woodcut
You May Also Like
Green Cat, etching and aquatint, pencil signed & numbered, rarely seen in market
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉
Green Cat, 1984
Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper
Pencil signed, numbered 178/230, dated 1984 along with artist's perso...
Category
1980s Pop Art Animal Prints
Materials
Ink, Pencil, Graphite, Etching, Aquatint, Mixed Media
Downtown Lion (1st State)
By Larry Rivers
Located in New York, NY
Larry Rivers
Downtown Lion (1st State), 1967
Etching on wove paper, signed, inscribed and dated with blind stamps
Signed, dated and inscribed in graphite; Printers Proof aside from ...
Category
1960s Pop Art Animal Prints
Materials
Etching
"Horses", 1960's Pop Art Etching A/P
By Marc Foster Grant
Located in Soquel, CA
A late 1960's modern Pop Art etching of horses by Marc Foster Grant (American, b.1947). The galloping horse motif is repeated, in the style of Warhol...
Category
1960s Pop Art Animal Prints
Materials
Printer's Ink, Etching, Paper
$1,613 Sale Price
24% Off
Odyssey of the Elephant #2, by Marjan Seyedin
Located in Palm Springs, CA
Circus tent with a bemused elephant balancing precariously on ball with audience of birds. In her works, the animal presence is essential and provides an allegorical representation f...
Category
2010s Contemporary Animal Prints
Materials
Gouache, Etching, Aquatint
Wanderlessed
By Carrie Lingscheit
Located in Palm Springs, CA
Signed and numbered in pencil from the edition of 44.
Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in sever...
Category
2010s Contemporary Figurative Prints
Materials
Aquatint, Etching
19th century black and white etching aquatint outdoors figurative animal print
By Camille Pissarro
Located in Milwaukee, WI
"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...
Category
1890s Realist Figurative Prints
Materials
Etching, Aquatint
Recently Viewed
View AllMore Ways To Browse
Electrical Art
Large Elephant
African Sculptures 1970s
Pendulum Art
Elephant Book
Royal Elephant
Vintage Mechanical Clock
Vintage Mechanical Clocks
Vintage Travel Clock
Vintage Travel Clocks Clocks
M Watch Co
James Harvard
1978 Vintage Watch
1973 Vintage Watch
American Retro Clock
Donald Friend
Watches For Engineers
1988 Vintage Watch