Items Similar to Below Stairs - 1930s British etching by Edmund Blampied
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Edmund BlampiedBelow Stairs - 1930s British etching by Edmund Blampied1931
1931
About the Item
EDMUND BLAMPIED
(1886-1966)
Below Stairs
Signed in pencil and numbered 57/100, signed and dated in the plate: Jan 1931
Drypoint
Unframed
Plate size 26 by 19.5 cm.; 10 ¼ by 7 ¾ in.
Edmund Blampied is one of the Channel Islands most significant and best known artist artists. Greatly versatile, he worked as a painter, illustrator, and occasional sculptor, although is best remembered as a printmaker. He was born on a farm in the Parish of St Martin, Jersey, on 30 March 1886, the youngest of four sons of John and Elizabeth Blampied. His father died five days before he was born, and his mother brought up the family, working as a dressmaker and shopkeeper in the Parish of Trinity. His first tongue was the Norman language of Jèrriais.
During the 1920s and 30s, Blampied worked extensively as an illustrator, contributing to numerous magazines, especially The Bystander and The Illustrated London News, and illustrating a number of books.
Though Blampied put his hand to a variety subjects, the most sought after are his scenes of domestic idiosyncrasy that depict life on the farm and small town and those that show the bond that develops between people of a close knit community. He was a keen observer of everyday life who clearly enjoyed the quirks of human nature, even within amusing stereotypes. Blampied’s humour is as precise and delicate as his line work. His charming depictions rendered in a flourish with a skillful hand, float in and out of existence on the page like a cherished memory. Rather than offering biting criticism, he is rye, with a jovial nature better likened to the mild ribbing of a family member. Across the wide range of characters Blampied put his hand to, each one is evidence of the artist’s sincere affection for the modern human, imperfections and all.
- Creator:Edmund Blampied (1886-1966, British)
- Creation Year:1931
- Dimensions:Height: 10.24 in (26 cm)Width: 7.68 in (19.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1028311268022
About the Seller
4.9
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2018
50 sales on 1stDibs
Typical response time: 15 hours
- ShippingRetrieving quote...Ships From: Banbury, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- A Greek Idyll - Proof Etching by Robert Walker MacBeth after G F WattsLocated in London, GBROBERT WALKER MACBETH (British 1848-1910) After GEORGE FREDERIC WATTS (British 1817-1904) A Greek Idyll Proof etching Signed in pencil by both the artist l.l. and engraver l.r. Framed Plate size 42 by 54 cm., 16 ½ by 21 ¼ in. (frame size 72.5 by 85 cm., 28 ½ by 33 ½ in.) After Watt’s 1894 painting...Category
Early 1900s Pre-Raphaelite Figurative Prints
MaterialsEtching
- The Thames, 1894 - Victorian aquatint etching of London by Joseph PennellBy Joseph PennellLocated in London, GBJOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...Category
1890s Realist Landscape Prints
MaterialsAquatint
- The Street, Chelsea - 1880s etching by Whistler follower Theodore RousselBy Theodore RousselLocated in London, GBTHEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Street, Chelsea Embankment Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed 15...Category
1880s Realist Landscape Prints
MaterialsEtching
- The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by RousselBy Theodore RousselLocated in London, GBTHEODORE CASIMIR ROUSSEL, RBA (1847-1926) The Corner of Cheyne Walk, Chelsea Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...Category
1880s Realist Landscape Prints
MaterialsEtching
- William Walcot - The Temple, 20th Century oil on paper over an etched baseBy William Walcot R. E. Hon. R. I. B. A.Located in London, GBWILLIAM WALCOT (1874-1943) The Temple Signed and dated l.r.: W Walcot 1919 Oil on paper over an etched base Framed 45 by 57 cm., 17 ¾ by 22 ½ in. (frame size 62 by 74 cm., 24 ½ b...Category
Early 20th Century Realist Mixed Media
MaterialsOil, Etching
- John Nash RA - Harvesting - Schools Print - 20th Century British lithographBy John NashLocated in London, GBJOHN NASH, RA (1893-1977) Harvesting Lithograph Framed 49 by 75 cm., 19 ¼ by 29 ½ in. (frame size 65 by 91.5 cm., 25 ½ by 35 ½ in.) On the advice of his older brother, the artist...Category
Mid-20th Century Realist Landscape Prints
MaterialsLithograph
You May Also Like
- Balaclava - The target in sight -Located in Berlin, DEHeinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...Category
Early 19th Century Realist Figurative Prints
MaterialsEtching
- César - Centaur - Picasso's Homage - Original Signed EtchingBy César BaldacciniLocated in Collonge Bellerive, Geneve, CHCésar Baldaccini Original Etching Dimensions: 56.5 x 40 cm Signed and Numbered Edition of 99 It is the only original etching ever made by César. César Baldaccini was born in Marseille in 1921. At the age of 12, he left the school to help his father, cooper. At 15 years old, he studied at the Art college of Marseille. He took evening drawing teachings, and then was interested in sculpture until 1939. In 1942, César received a scholarship and went to Paris. He studied ten years at the School of Beaux-Arts; he worked in the studios of Gaumont and Alfred Jeanniot and was named “Grand Massier” (teacher) of this school. At that time, he was living in the same house as Alberto Giacometti. In 1944, short of resources, he went to Marseille, then return to Paris, next year. With the 50s, he made discovered his work through his first exhibitions. One of its works (« The fish ») obtained a place in the Museum of Modern Art in Paris (1955). Henceforth, he exhibited ceaselessly, participating in numerous “Salons” in France and abroad. César received numerous prices there. He got personal exhibitions everywhere (Japan, the United States, Holland, France, Italy, etc.). Important retrospectives came, later. In 1970, he was named professor a foreman to the School of Beaux-Arts in Paris. During his all life, Caesar was stimulated by « the love of the profession » and by an extraordinary will to innovate. The humor of the man did not miss and was noticed through his work. Pablo Picasso was his major reference, also Alberto Giacometti, Germaine Richier, Pablo Gargallo and Julio Gonzales...Category
1980s Realist Animal Prints
MaterialsEtching
- Arman - Accumulations - Original Signed EtchingBy ArmanLocated in Collonge Bellerive, Geneve, CHArman - Accumulations - Original Signed Etching Title: Accumulations Signed Dimensions: 57 x 38 cm 1980s Arman Armand Pierre Fernandez was ...Category
1990s Realist Figurative Prints
MaterialsEtching
- Hippo Tightrope DancerBy Bjørn Okholm SkaarupLocated in Greenwich, CTEdition of 50. Color engraved etching by Bjorn Skaarup of a hippo dancing on a tightrope.Category
2010s Realist Figurative Prints
MaterialsEtching
- Cyril's Bay - Peter Doig, Contemporary, 21st Century, Magic Realism, EditionBy Peter DoigLocated in Zug, CHCyril's Bay - Peter Doig, Contemporary, 21st Century, Magic Realism, Limited Edition Digital pigment print with silkscreen varnish on Somerset Velvet 255gsm with hand torn edges Edit...Category
Early 2000s Realist Figurative Prints
MaterialsEtching
- Memorial Bridge, Springfield, MassBy Wolf KahnLocated in New York, NYWolf Kahn Untitled, 1982 Original Etching 10 × 15 inches Edition AP (aside from the regular edition of 90) pencil signed, dated and inscribed to Cynthia Frame included: Ships framed...Category
1980s Realist Landscape Prints
MaterialsEtching
