Elizabeth CatlettDANCING II, Signed Lithograph, Men Women Dance Portrait, Black Culture2003
2003
About the Item
- Creator:Elizabeth Catlett (1915 - 2012, American)
- Creation Year:2003
- Dimensions:Height: 23.5 in (59.69 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Mint condition, never been framed or mounted, pencil signed and inscribed P.P.(Printers Proof) aside from the numbered edition of 66, print documentation/Certificate of Authenticity provided.
- Gallery Location:Union City, NJ
- Reference Number:1stDibs: LU83237314422
Elizabeth Catlett
Promoting social change was Elizabeth Catlett’s prime motivation as an artist. The granddaughter of enslaved people, Catlett was born in Washington, D.C., in 1915 and spent her adult life driven to create sculptures, prints and paintings that would reach, celebrate and uplift those who were barely visible in art.
“I have always wanted my art to service Black people — to reflect us, to relate to us, to stimulate us, to make us aware of our potential,” Catlett said of her work in the 1978 book Art: African American. She studied art history, drawing and other disciplines at Howard University, and as an MFA student at the University of Iowa, her mentor, the painter Grant Wood, advised her to “take as her subject what she knew best.” As she later told an interviewer, “The thing that I knew the most about was Black women, because I am one, and I lived with them all my life, so that’s what I started working with.”
The centerpiece of Catlett’s spring 1940 thesis project, Negro Mother and Child — a figure of a Black mother embracing her child, carved from Indiana limestone — was awarded first place for sculpture at the American Negro Exposition in Chicago held that year.
Catlett taught art at Dillard University in New Orleans — where she battled discrimination daily — and met her first husband, artist Charles White, while living in Chicago. She resigned from Dillard in 1942 and moved to New York City. There Catlett befriended painter Jacob Lawrence and studied lithography and other media at the Art Students League. Inspired by her studies with Ossip Zadkine, she began to incorporate abstract forms into her wood and stone sculptures.
In 1946, a grant supported her travel to Mexico to study its murals and graphic art. As Catlett had experienced the barbaric and deeply destructive system of racial segregation that the Jim Crow laws enforced in the United States, Mexico felt like a welcome escape. She would make the country her home and create much of her work there, divorcing White and marrying painter and printmaker Francisco Mora of the Taller de Gráfica Popular (People's Graphic Workshop), or TGP, in 1947. She collaborated with TGP, a graphic arts workshop dedicated to social issues located in Mexico City, on a number of works, including one of her best-known linoleum cut prints, Sharecropper (1952). The heroic depiction of an anonymous farm worker was intended to draw attention to the plight of Black tenant farmers who were ruthlessly exploited by the era’s white landowners.
Another iconic work of Catlett’s is Black Unity (1968), a raised fist sculpted from cedar, smooth and gleaming, with one side taking the form of two faces that resemble carved African masks. In the same year, the raised fist, a powerful symbol of the Civil Rights struggle and emblem of the Black Power movement, had been immortalized by two Black American athletes, John Carlos and Tommie Smith, who raised their black-gloved fists during the playing of the “Star-Spangled Banner” at the Summer Olympics in Mexico City.
Catlett was a professor of sculpture at the National Autonomous University of Mexico’s School of Fine Arts in Mexico City from 1958 until 1976, when she retired to focus on making art, exhibiting extensively in the years that followed. In 2003, she completed the Ralph Ellison Memorial in New York’s Riverside Park. That same year she received a lifetime achievement award from the International Sculpture Center. Her work is in the collections of museums worldwide, including the Smithsonian American Art Museum, Museum of Modern Art and the Metropolitan Museum of Art.
Find a range of authentic Elizabeth Catlett art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Union City, NJ
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- CITY GRACES Signed Lithograph Modern Women Pucci Print Dresses, Peach, Red, TanBy Lester JohnsonLocated in Union City, NJCITY GRACES is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival ARCHES paper 100% a...Category
1980s Contemporary Figurative Prints
MaterialsLithograph
- CITY GROUP Signed Lithograph, Street Crowd, Women Men Faces, Peach Orange BrownBy Lester JohnsonLocated in Union City, NJCITY GROUP is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival printmaking paper 10...Category
1980s Contemporary Figurative Prints
MaterialsLithograph
- CITY GRACES Signed Lithograph, Group Portrait, Peach, Yellow, Brown, PlumBy Lester JohnsonLocated in Union City, NJCITY GRACES is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival printmaking paper 1...Category
1980s Contemporary Figurative Prints
MaterialsLithograph
- AFRICAN AMERICAN WOMAN(Turban), Hand Drawn Lithograph, Black Female PortraitBy Elizabeth CatlettLocated in Union City, NJAFRICAN AMERICAN WOMAN is an original hand drawn, limited edition lithograph by the renowned African American woman artist Elizabeth Catl...Category
Early 2000s Contemporary Portrait Prints
MaterialsLithograph
- PASSING CROWD Signed Lithograph, Women Men Walking, Sheath Dress, Light PeachBy Lester JohnsonLocated in Union City, NJPASSING CROWD is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival ARCHES paper 100% acid free, full bleed image, no margins. In PASSING CROWD, a group of fashionable city women and men walking...Category
1980s Contemporary Figurative Prints
MaterialsLithograph
- RENJISHI(The Lion Dance)Original Lithograph, Japanese Kabuki Theater, White HairBy Albert Al HirschfeldLocated in Union City, NJRENJISHI is a hand drawn, limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed by hand using traditional lithography techniques on archival Arches printmaking paper. RENISHI depicts the white haired shishi, mythological lion-like animal who is the father character in this Kabuki dance drama. Hirschfeld masterfully expresses dramatic movement with the character's sweeping white hair, bold black and white dotted robe and fierce theatrical face makeup. Subtle textured strokes within the olive green background mirror the white maned lion dancer...Category
1970s Contemporary Portrait Prints
MaterialsLithograph
- Backyard Garden, Yue Minjun - Art, Lithograph, Limited Edition, China Art, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Paean on Grassland, Yue Minjun - Art, Lithograph, Limited Edition, China, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Ingres & I, Yue Minjun- Contemporary Art, Lithograph, Limited Edition, ChineseBy Yue MinjunLocated in Zug, CHYue Minjun, Ingres and I Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Ro...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Backyard Garden, Yue Minjun - Art, Lithograph, Limited Edition, China Art, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Remarkable People, Yue Minjun- Art, Lithograph, Limited Edition, ChineseBy Yue MinjunLocated in Zug, CHYue Minjun, Remarkable People Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered ...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Fighting, Yue Minjun - Art, Lithograph, Limited Edition, Chinese Art, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Fighting Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. In fantastical paintings populated with heightened, hysterical self-portraits, Yue Minjun satirizes contemporary society and art historical tropes. Yue paints himself in fluorescent hues with a gaping grin. He occasionally multiplies his likeness, making his compositions even more menacing; his style has made him a pioneer of China’s Cynical Realism movement. Yue’s influences include Chinese socialist realism, Surrealism, and European classical paintings. He studied oil painting at Hebei Normal University in Shijiazhuang and has exhibited in Hong Kong, Berlin, Shenzhen, Shanghai, London, Basel, and New York. Yue has been the subject of numerous institutional shows at venues such as the Macao Museum, the ARoS Aarhus Art Museum, the National Art Museum of China, the Kunstmuseum Bonn, and the Museum of Fine Arts in Bern. “[...] I choose to paint laughter, to communicate a sense of pleasure and happiness, but actually, it hides a double perspective of drama and suffering.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming Yuan, a village near Beijing where he began to form his style and iconography. The paintings, sculptures, and installations of Yue Minjun feature uniform laughing pink faces, which appear to be self-portraits. Through various symbols, metaphors, signs, or through depictions of daily life the artist constructs various realities against which the laughing figures are rendered. "In my work, laughter is a representation of a state of helplessness, lack of strength and participation, with the absence of our rights that society has imposed on us." —Yue Minjun Yue became famous after his participation in the 48th Venice Biennale in 1999, which granted him access to international art. One of the best-known paintings by Yue Minjun and an icon for modern Chinese art and the Cynical Realism movement is Execution. It was painted in 1995 and is generally regarded as a reaction to the Tiananmen Square...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph