Items Similar to Anglo Parisian Salutations, or Practice par Excellence!
Want more images or videos?
Request additional images or videos from the seller
1 of 5
George CruikshankAnglo Parisian Salutations, or Practice par Excellence!1835
1835
About the Item
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in watercolor on cream wove paper. 10 1/8 x 13 3/4 inches (255 x 347 mm), uneven (full?) margins. One large bow of light-colored dampstain, extending approximately 1- inch into the platemark, but outside of the image area (unobtrusive). Minor bow of light-colored dampstaining at the lower right sheet edge, extending inwards approximately 1-inch, does not enter plate mark. Two small spots of mounting tape remnants at top sheet edge, verso. Repaired 1-inch edge tear, top left sheet edge, well outside of image area. Light handling creases and surface soil. All condition issues are consistent with age. Initially printed and published by Thomas McLean in 1816, this lovely impression is from the second and final edition.
With Napoleon's defeat at Waterloo, for the first time, intercontinental travel became accessible and widespread amongst the British upper-middle class. In this time of peace, the fascination with foreign culture apexed, and learning new languages became the rage. In this visually engaging and charming image, two English tourists, festooned in the latest Parisian fashion, practice their French while standing outside the 'Hotel des Fermes' --"Commong porty wous Munseer? -- O Oui -- il est un tres belle jour!."
- Creator:George Cruikshank (1792 - 1878, British)
- Creation Year:1835
- Dimensions:Height: 10.125 in (25.72 cm)Width: 13.75 in (34.93 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
George Cruikshank
George Cruikshank was a British caricaturist and book illustrator praised as the modern Hogarth during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. Cruikshank was born in London. His father, Isaac Cruikshank, was one of the leading caricaturists of the late 1790s, and Cruikshank started his career as his father's apprentice and assistant. His older brother, Isaac Robert, also followed in the family business as a caricaturist and illustrator. Cruikshank's early work was a caricature, but in 1823, at the age of 31, he started to focus on book illustration. He illustrated the first, 1823 English translation (by Edgar Taylor and David Jardine) of Grimms' Fairy Tales, published in two volumes as German Popular Stories. On 16th October 1827, he married Mary Ann Walker (1807–49). Two years after her death, on 7th March 1851, he married Eliza Widdison. The two lived at 263 Hampstead Road, North London. Upon his death, it was discovered that Cruikshank had fathered 11 illegitimate children with a mistress named Adelaide Attree, his former servant, who lived close to where he lived with his wife. Adelaide was ostensibly married and had taken the married surname Archibold.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2022
30 sales on 1stDibs
Typical response time: 7 hours
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
More From This SellerView All
- London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from MonstrositiesBy George CruikshankLocated in Middletown, NYLondon: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...Category
Early 19th Century Victorian Figurative Prints
MaterialsEtching, Watercolor
- Radical Parliament; "Plan to Assassinate Her Magestie's Ministers."By George CruikshankLocated in Middletown, NYAn image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy. London: Thomas Mclean, 1835. Etching with hand colo...Category
Mid-19th Century Victorian Figurative Prints
MaterialsEtching, Watercolor
- An Election BallBy George CruikshankLocated in Middletown, NYLondon: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...Category
Mid-19th Century Victorian Figurative Prints
MaterialsEtching, Watercolor
- Monstrosities of 1822; Plate 5By George CruikshankLocated in Middletown, NYLondon: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....Category
Early 19th Century Victorian Figurative Prints
MaterialsEtching, Watercolor
- The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...By George CruikshankLocated in Middletown, NYA beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...Category
Early 19th Century Victorian Figurative Prints
MaterialsEtching, Watercolor
- Mr. B. on the Middle Watch- "cold blows the wind & the rain's coming on."By George CruikshankLocated in Middletown, NYFrom, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3) London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...Category
Mid-19th Century Victorian Figurative Prints
MaterialsEtching, Watercolor
You May Also Like
- Mid 19thCent. Kings Hall Party Session, Athelhampton, Dorsetshire by Joseph NashBy Joseph NashLocated in Soquel, CAHistorical mid-19th century hand tinted lithograph and a lively scene of men and women engaging in a light hearted game of the era by artist Joseph Nash (British, 1808-1878). Signed ...Category
Mid-19th Century Victorian Figurative Prints
MaterialsWatercolor, Lithograph
- Albert Kruger After Max Liebermann, The Flax Barn at Laren, EtchingLocated in Cheltenham, GBThis late-19th-century etching by German draughtsman Albert Kruger (b. 1858) is after a painting by Max Liebermann (1847-1935). The rhythmical monotony of the spinners, organised like a rigid machine, echoes through the low barn. Youths, hunched by square windows, wind flax onto spindles. While women stand in clogged feet, working tirelessly with aching bones. Liebermann captured their daily grind with aplomb, avoiding sentiment in favour of laborious reality. Yet, amid this harsh environment, he celebrates their efforts. The composition conveys determination with its lines and strong verticals while the atmosphere is one of steel rather than tortuous circumstance. Liebermann was a realist yet he found light among the ordinary. Originally published in The Art Journal...Category
1890s Victorian Interior Prints
MaterialsEtching, Paper
- Lady RoseLocated in Ibadan, OyoLady Rose is an original painting by Lawal Ibrahim. Ibrahim created Lady Rose with a Colored pen, watercolor, and fabrics on 24W by 36H inches of paper. "Lady Rose" is a captivating...Category
21st Century and Contemporary Expressionist Figurative Prints
MaterialsFabric, Paper, Watercolor, Ballpoint Pen
- Le Peseur d'Or - Original Etching by Léopold Flameng - 1873By Léopold FlamengLocated in Roma, ITLe Peseur d'Or (The Money Exchanger) is a wonderful black and white etching on wire rod cream-colored paper, realized by Léopold Flameng, an after by the Flemish artist Gabriel Metsu...Category
1870s Modern Figurative Prints
MaterialsEtching
- La Devineresse - Original Etching by J-L Vauzelle - End of 18th CenturyLocated in Roma, ITLa Devineresse is an original artwork realized by Jean-Lubin Vauzelle in the second half of the XVIII century. Original etching on paper. Passepartout included (39 x 28.5 cm). Sign...Category
Late 18th Century Modern Figurative Prints
MaterialsEtching
- Les Repas des Enfants - Original Etching by Edward Davis - 1862Located in Roma, ITLes Repas des Enfants is an original artwork realized by the English artist Edward Davis in 1862. Original etching on paper. The sheet is glued on cardboard (cm 63.5 x 50). Titled,...Category
1860s Figurative Prints
MaterialsEtching
