Items Similar to (Partial) Portfolio containing 3 (three) lithographs and etchings
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Grafica (Partial) Portfolio containing 3 (three) lithographs and etchings1968
1968
About the Item
Grafica '68
(Partial) Portfolio containing 3 (three) lithographs and etchings
Originally issued with 10 Lithographs, Silk Screens and Etchings, of which 7 (seven) are missing
Year: 1968
Edition: 100
Size: 17.6 x 23.6 in. or 23.6 x 17.6 in.
Publisher: Il Torcoliere, Rome - Italy
Signatures:
Sheets signed and numbered by hand
Comes with folio box and individual artists' presentation sheets.
---------------------------------
Artists works included:
RENZO VESPIGNANI
"Report on the artist"
Year: 1968
Medium: Lithograph in two colors
Edition: 100
Size: 17.6 x 23.6 in.
Publisher: Il Torcoliere, Rome - Italy
Signed and numbered
Ref: RVE_1909_01
LUCIANO DE VITA
"Le cavalier inconnu"
Year: 1968
Medium: Etching
Edition: 100
Size: 23.6 x 17.6 in.
Publisher: Il Torcoliere, Rome - Italy
Signed and numbered
Ref: LDV_1909_01
PIERO GUCCIONE
"Images"
Year: 1968
Medium: Lithograph in four colors
Edition: 100
Size: 23.6 x 17.6 in.
Publisher: Il Torcoliere, Rome - Italy
Signed and numbered
Ref: PGU_1909_01
=======================
Renzo Vespignani was an Italian painter, printmaker and illustrator. Vespignani illustrated the works of Boccaccio, Kafka and T. S. Eliot, among others. In 1956, he co-founded the magazine Citta Aperta and in 1963, co-founded the group II Pro e II Contro for neorealism in figure art.
----------------
Luciano De Vita ( Ancona , 1929 - 1992 ) was an Italian painter , engraver , set designer and lecturer .
Born in Ancona, De vita arrived in Bologna in the first post-war period, after having actively participated in the Second World War and having suffered the dramatic consequences. He attended the Academy of Fine Arts and was a pupil of Giorgio Morandi.
From 1962 he taught in Milan at the Brera Academy , while in 1975 he returned to Bologna where he obtained the same chair of engraving that had been Morandi's from 1930 to 1956 .
De Vita also actively dedicated himself to the theater , overseeing sets and costumes for shows that were also staged at La Scala in Milan. An example is the Turandot curated by Raoul Grassilli.
----------------
Emilio Vedova (9 August 1919 – 25 October 2006) was a modern Italian painter, considered one of the most important to emerge from his country's artistic scene, Arte Informale.
Vedova had a number of gallery and museum exhibitions, at places like the Galleria Nazionale d'Arte Moderna in Rome and the Peggy Guggenheim Collection in Venice.[3] His work has proven to be very successful in auctions.
Vedova spent most of his life in Venice, where he taught at the Accademia di Belle Arti.
----------------
- Creator:
- Creation Year:1968
- Dimensions:Height: 17.6 in (44.71 cm)Width: 23.6 in (59.95 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2016
1stDibs seller since 2017
958 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Kansas City, MO
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Trooper IILocated in Kansas City, MORonald King Trooper II Year: 1970 Color Lithograph Size: 27.5x20.5in Edition: 50 Signed, inscribed and numbered by hand COA provided Ref.: 924802-1359 Bor...Category
1970s Modern Figurative Prints
MaterialsLithograph
- Litografia Original VIIIBy Joan MiróLocated in Kansas City, MOJoan Miró Litografia Original VIII Color Lithograph Year: 1975 Size: 25 × 9.6 inches Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.38 Publisher: Maeght Editeur, Pari...Category
1970s Modern Figurative Prints
MaterialsLithograph
- Laptop Accessing WebLocated in Kansas City, MOAndrzej Zielinski Laptop Accessing Web Year: 2015 5 Color Lithograph Edition: 18 Paper: Somerset Antique Paper Size: 20 x 19.5 inches Image Size: Same Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...Category
2010s Contemporary Figurative Prints
MaterialsLithograph
- Purple LaptopLocated in Kansas City, MOAndrzej Zielinski Purple Laptop Year: 2016 Color Lithograph/Collage Edition: 7 Papers: Okawara, Indian handmade cloth fiber paper, Rives BFK Paper Size: 30 x 20 inches (irregular) Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...Category
2010s Contemporary Figurative Prints
MaterialsLithograph
- Sleeved LaptopLocated in Kansas City, MOAndrzej Zielinski Sleeved Laptop Year: 2015 Lithograph Edition: 22 Paper: Arches, Buff Paper Size: 26.5 x 20.5 inches Image Size: Same Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...Category
2010s Contemporary Figurative Prints
MaterialsLithograph
- Making Paper Pulp?Located in Kansas City, MOAndrzej Zielinski Making Paper Pulp? Year: 2017 Lithograph in black from 1 Stone & 2 Plates Edition: 15 Paper: Magnani – Revere Paper Size: 24.625 x 20 inches Image Size: 23.25 x 18 inches (irregular) Signed and numbered by hand COA provided Andrzej Zieliński (born 1976, Kansas City, Missouri, USA) is an American painter. Zieliński received his BFA from The School of the Art Institute of Chicago in 2002. In 2004 he earned his MFA from Yale University in New Haven, CT. Zieliński's main body of work reflects on electronic devices that saturate our lives: cell phones, ATMs, computers, and paper shredders...Category
2010s Contemporary Figurative Prints
MaterialsLithograph
You May Also Like
- Red Grooms American Artist Original Hand Signed lithographBy Red GroomsLocated in Miami, FLAuthor: Red Grooms (United States, 1937) Title: 'Brooklyn bridge bustle', 2002 Medium: Print. Technique: Lithograph on paper Size Image: 22 x 30 in. (55 x 76 cm.) Size Sheet: 27 x 3...Category
Early 2000s Contemporary Abstract Prints
MaterialsPaper, Ink, Engraving, Aquatint, Lithograph, Screen
- Red Grooms American Artist 2002 Original Hand Signed lithographBy Red GroomsLocated in Miami, FLAuthor: Red Grooms (United States, 1937) Title: 'On your mark, get set, go!', 2002 Medium: Limited Edition Print. Technique: Lithograph on paper Image size: 76 x 56.5 cm. (30 x 22 in...Category
Early 2000s Contemporary Abstract Prints
MaterialsPaper, Ink, Engraving, Aquatint, Screen, Lithograph
- Rainbow Signed 1970s silkscreen & lithograph by pioneering female Fluxus artistBy Mary BauermeisterLocated in New York, NYMary Bauermeister Rainbow, 1973 Lithograph and silkscreen on creamy white paper Hand signed, dated and numbered 56/250 by the artist on the front 19 x 25.5 inches Unframed This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts. While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph. The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future. -Courtesy to the Samuel Dorsky Museum of Art About Mary Bauermeister: A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind. - Courtesy of Michael Rosenfeld...Category
1970s Modern Abstract Prints
MaterialsLithograph, Screen, Mixed Media, Pencil, Graphite
- My Love We Wont - coveted, whimsical 1960s silkscreen by beloved female artistBy Niki de Saint PhalleLocated in New York, NYNiki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...Category
1960s Modern Abstract Prints
MaterialsScreen, Mixed Media, Lithograph, Pencil
- Some People TogetherBy Karel AppelLocated in New York, NYSome People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110Category
1970s Modern Abstract Prints
MaterialsLithograph, Screen
- Some People TogetherBy Karel AppelLocated in New York, NYSome People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110Category
1970s Modern Abstract Prints
MaterialsLithograph, Screen