Jacques Callot

The Feast, from the suite les Bohemiens

1620

This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....

This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....

This artwork titled "Raleigh Tavern, Williamsburg, VA" c. 1970 Is an original etching on paper by noted American artist Leonard H. Mersky, 1917-1994. It is signed, titled and numbered 13/300 in pencil by the artist. The size of the plate mark (image) is 7 x 8 inches, framed size is 15.15 x 16.15 inches. The artwork is in excellent condition, the frame is in good condition, it has minor dents. About the artist. Born in Boston in 1917, Leonard Mersky...

This artwork titled "Rothenburg, Ploentein" 1984 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed and dedicated in pencil. The oval image s...

This artwork titled "Krumau" is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed in pencil. The plate mark (image) size is 13 x 10.15 inches, ...

This artwork titled "Paris, Montmartre, Le Sacre Coeur" c. 1970 is a color etching by noted Austrian artist Robert Kasimir, 1914-2002. It is signed at t...

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

Albert Ernst (1909 Fronhofen - 1996 Hamburg), View of a Coastal Town, etching, 30 x 37 cm (picture), 45 x 50.5 cm (frame), signed in pencil lower right "Albert Ernst", framed under g...

Canoe - Peter Doig, Contemporary, 21st Century, Etching, Magic Realism, Limited Edition Edition of 500 Signed and numbered, accompanied by Certificate of Authenticity In mint conditi...

Cyril's Bay - Peter Doig, Contemporary, 21st Century, Magic Realism, Limited Edition Digital pigment print with silkscreen varnish on Somerset Velvet 255gsm with hand torn edges Edit...

"Marine Chantier de Construction", plate VIII from the 18th century "Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers" (Encyclopedia, or a Systematic Dict...

Peter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...