Items Similar to Large French Modernist Cubist Lithograph Sculpture Image Pencil Signed
Want more images or videos?
Request additional images or videos from the seller
Jacques LipchitzLarge French Modernist Cubist Lithograph Sculpture Image Pencil Signed
About the Item
lithograph printed on deckle edged Arches paper. Signed and numbered in pencil.
Peace on Earth
Jacques Lipchitz (1891-1973) was a Cubist sculptor, Painter and Lithographer. From late 1914. Lipchitz retained highly figurative and legible components in his work leading up to 1915–16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léon Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he came to the US and settled in New York City and eventually Hastings-on-Hudson.
Jacques Lipchitz was born Chaim Jacob Lipschitz, in a Litvak family, son of a building contractor in Druskininkai, Lithuania, then within the Russian Empire. At first, under the influence of his father, he studied engineering, but soon after, supported by his mother he moved to Paris (1909) to study at the École des Beaux-Arts and the Académie Julian.
It was there, in the artistic communities of Montmartre and Montparnasse, that he joined a group of artists that included Juan Gris and Pablo Picasso as well as where his friend, Amedeo Modigliani, painted Jacques and Berthe Lipchitz.
Living in this environment, Lipchitz soon began to create Cubist sculpture. In 1912 he exhibited at the Salon de la Société Nationale des Beaux-Arts and the Salon d'Automne with his first solo show held at Léonce Rosenberg's Galerie L'Effort Moderne in Paris in 1920. In 1922 he was commissioned by the Barnes Foundation in Merion, Pennsylvania to execute five bas-reliefs.
With artistic innovation at its height, in the 1920s he experimented with abstract forms he called transparent sculptures. Later he developed a more dynamic style, which he applied with telling effect to bronze compositions of figures and animals.
With artistic innovation at its height, in the 1920s he experimented with abstract forms he called transparent sculptures. Later he developed a more dynamic style, which he applied with telling effect to bronze figure and animal compositions.
With the German occupation of France during World War II, and the deportation of Jews to the Nazi death camps, Jacques Lipchitz had to flee France. With the assistance of the American journalist Varian Fry in Marseille, he escaped the Nazi regime and went to the United States. There, he eventually settled in Hastings-on-Hudson, New York. In 1954 a Lipchitz retrospective traveled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis and The Cleveland Museum of Art. In 1959, his series of small bronzes "To the Limit of the Possible" was shown at Fine Arts Associates in New York. Lipchitz taught one of the most famous contemporary artists, Marcel Mouly.
Beginning in 1963 he returned to Europe where he worked for several months of each year in Pietrasanta, Italy. In 1972 his autobiography was published on the occasion of an exhibition of his sculpture at The Metropolitan Museum of Art in New York.
He had studied at the Ecole des Beaux Arts in Paris from 1909 to 1911 and at the Academy Julian. He arrived in America when the Abstract Expressionist movement was beginning to take hold, and this likely influenced the much more emotional expression of the later part of his career. His work was much more emotional and rounded in form than the earlier cubist work, and is subject matter was epic, reflecting his interest in myths, heroic tales and religious symbolism. La Ruche, the artists' complex south of Montparnasse that Lipchitz knew well during his first years in Paris. He was a denizen of La Ruche which provided refuge for Jewish emigres like Chaim Soutine, Amedeo Modigliani and Marc Chagall, who shared with Lipchitz an irrepressible expressionist impulse. The balance between unbridled Eastern expressiveness and French clarity helps characterize Lipchitz's successful Parisian work. Jacques Lipchitz died in Capri, Italy. His body was flown to Jerusalem for burial.
- Creator:Jacques Lipchitz (1891-1973, French)
- Dimensions:Height: 25.5 in (64.77 cm)Width: 18.5 in (46.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38213242402
Jacques Lipchitz
Biography: Jacques Lipchitz was a celebrated Lithuanian-born French sculptor best known for his Cubist works depicting figures, portraits, and still lifes made of bronze or stone. Born Chaim Jacob Lipchitz on August 22, 1891 in Druskinikai, Lithuania to a Litvak (Lithuanian Jewish) family. To please his parents, Lipchitz studied engineering as a young man. But around 1909, he decided to pursue art instead and moved to Paris to study at the Ecole des Beaux Arts and the Académie Julian in Paris. Lipichitz was a part of the artistic milieu in the famed Montmarte neighborhood of Paris, which included Pablo Picasso, Amedeo Modigliani, and Juan Gris. He became especially influenced with work by Pablo Picasso, who had pioneered a style of art called Cubism. Cubism was an art movement in which images were fractured and broken into simultaneous fragmented shards of perspective. It was strongly geometric and not based on traditional representational art like portraits or landscapes. At the beginning of his career, Lipchitz created figural sculptures, but by around 1913 he'd shifted direction toward Cubism. At the time, most Cubist artists were painters, but Lipchitz had met Russian sculptor Alexander Archipenko, who was experimenting with Cubist sculpture. However he always retained recognizable figural elements in his work.
When faced with the Nazi occupation, he fled to the United States during World War II. Lipchitz went on to have a retrospective exhibition in 1954 which travelled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis, and finally to the Cleveland Museum of Art. Today, his works are in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Tate Gallery in London, the Los Angeles County Museum of Art, and the National Gallery of Art in Washington, D.C., among others. Lipchitz died on May 16, 1973 in Capri, Italy.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,549 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- French Armenian Jean Jansem Lithograph Mod Woman in Orange Hand Signed ModernistBy Jean JansemLocated in Surfside, FLHand signed in pencil and numbered from the limited original edition. Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turkish Empire Hovhannes "Jean" Semerdjian (Armenian: Հովհաննես "Ժանսեմ" Միրիջանի Սեմերջյան, 9 March 1920 – 27 August 2013), also known as Jean Jansem, was a French-Armenian painter. Jansem's artworks are internationally known, and are part of museum collections throughout France, Japan and the United States. A Foreign member of the National Academy of Sciences of Armenia (2002). He was awarded by the Ordre des Arts et des Lettres in 1953 and by the Knight of the French Legion of Honour in 2003. The President of Armenia awarded Jansem a Medal of Honor for his “reinforcement of Armenian-French cultural ties.” Hovhannes Semerdjian was born in 1920 in Bursa, then in the Ottoman Empire. In 1922, his family fled to Greece. He spent his childhood in Thessaloniki. They arrived to Issy-les-Moulineaux suburb of Paris, France in 1931 when he was 11 and that is when he begin to paint. The first professional schools for Jansem became the academies of Montparnasse (1934–1936). He studied in the Ecole des Arts Decoratifs. His teachers were Maurice Brianchon, Raymond Legueult and Roland Oudot. Jansem also studied at the Sabatie studio for a year. Early paintings by Jansem were mainly on national issues. Known for his washy representational paintings of figure, landscape, marine and genre scenes of European subjects: fishermen and children of Greece, bullfighting in Spain, Italian landscapes and markets, scenes of Venice and French France village marketplaces and landscapes, nude women, still lifes, and figures, Jansem painted with a variety of media that included gouache, watercolor, ink, and oil painting in a stylized and textural aesthetic. had individual exhibitions in Paris, New York, Chicago, London, Tokyo, Rome, Brussels, Lausanne, Beirut etc. His work was shown by the prominent Wally Findlay Galleries in New York, Paris, Palm Beach and Beverly Hills (they show many important artists including Gaston Sebire, Henri Maik, Gen Paul, Jean Pierre Cassigneul, Jean Dufy, Gustavo Novoa, Nicola Simbari, Dietz Edzard, Suzanne Eisendieck, Constantin Kluge, Louis Valtat, Michael Vollbracht...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Georges Braque Bouquet de Fleurs Lithograph Bold Blue Hand Signed Ltd Ed PrintBy Georges BraqueLocated in Surfside, FLGeorges Braque (French, 1882-1963) Bouquet de Fleurs Lithograph in colors, 1957. Published by Maeght, printed by Mourlot, Paris, France Numbered 166/300 and hand signed in pencil. ...Category
20th Century Modern Figurative Prints
MaterialsLithograph
- 1936 Lithograph Interregnum, Cigar, Kid w Toy Gun, Small Edition Weimar GermanyBy George GroszLocated in Surfside, FLHand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...Category
1930s Modern Interior Prints
MaterialsLithograph
- 1936 Lithograph Interregnum Portfolio Butcher Shop Small Edition Weimar GermanyBy George GroszLocated in Surfside, FLHand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...Category
1930s Modern Interior Prints
MaterialsLithograph
- 1936 Lithograph Interregnum portfolio Artist Studio small edition Weimar GermanyBy George GroszLocated in Surfside, FLHand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...Category
1930s Modern Interior Prints
MaterialsLithograph
- 1936 Lithograph Interregnum Street Riot Protest Small Edition Weimar GermanyBy George GroszLocated in Surfside, FLHand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...Category
1930s Modern Interior Prints
MaterialsLithograph
You May Also Like
- La Capeline de Paille d'Italie (The Italian Straw Hat).By Henri MatisseLocated in Storrs, CTLa Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...Category
Early 20th Century Modern Portrait Prints
MaterialsLithograph
- Bone Disease - Lithograph By Ottavio Muzzi - 1843Located in Roma, ITBone Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante gene...Category
1840s Modern Figurative Prints
MaterialsLithograph
- View of Porto in Portugal - Lithograph - 1862Located in Roma, ITView of Porto in Portugal is a lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of th...Category
1840s Modern Figurative Prints
MaterialsLithograph
- Naturel de Vanikoro - Lithograph by Auguste Wahlen - 1844Located in Roma, ITNaturel de Vanikoro is a hand colored lithographs realized by Auguste Wahlen in 1844. good conditions. the artwork belongs to the Suite Moeurs, usages et costumes de tous les peupl...Category
1840s Modern Figurative Prints
MaterialsLithograph
- Tombs of Ajax and Patroclus - Lithograph - 1862Located in Roma, ITTombs of Ajax and Patroclus is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of t...Category
1840s Modern Figurative Prints
MaterialsLithograph
- Femme de Jalapa - Lithograph by Auguste Wahlen - 1844Located in Roma, ITFemme de Jalapa is a hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples ...Category
1840s Modern Figurative Prints
MaterialsLithograph
