Items Similar to The Small Mechanical Workshop Le petit atelier de mécanique
Want more images or videos?
Request additional images or videos from the seller
Jacques VillonThe Small Mechanical Workshop Le petit atelier de mécanique1914
1914
About the Item
JACQUES VILLON 1875-1963
(Gaston Duchamp) Damville 1875-1963 Paris (French)
Title: The Small Mechanical Workshop Le petit atelier de mécanique, 1914
Technique: Original Hand Signed and Numbered Etching on Arches Laid Paper
Paper size: 24 x 32 cm. / 9.4 x 12.6 in.
Image size: 16.4 x 19.7 cm. / 6.3 x 7.8 in.
Additional Information: This etching is hand signed in by the artist in pencil "Jacques Villon" at the lower right margin.
It is also signed and dated in the lower image.
It is also numbered from the edition of 50, in the lower left margin.
Note:
This is the first example of Villon’s use of dividing the surface of the plate with pyramidal shapes, a key component of the Cubist style.
Provenance: The Collection of Olga Carré-Burel formally known as the Collection of Louis Carré.
This was one of the most important collections of Villon's work in the world if not the most important one.
Olga Carré (born Burel) was the wife of the important Paris Gallery owner and Collector Louis Carré. He passed away in 1977 and so his wife, Olga Carré, inherited his collection. Louis Carré was the main dealer of Jacques Villon and exhibited his works regularly in his Gallery in Paris and New York. Most of their collection was bought directly from the artists.
Literature: de Ginestet, C. & Pouillon, C. (1973). Jacques Villon-Les Estampes, Les Illustrations-Catalogue Raisonné. Paris: Arts et Metiers Graphiques.
Reference: de Ginestet & Pouillon E.289
Condition: Very good condition. Very soft fold across the lower right corner.
- Creator:Jacques Villon (1875-1963, French)
- Creation Year:1914
- Dimensions:Height: 9.45 in (24 cm)Width: 12.6 in (32 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1808692182
Jacques Villon
Jacques Villon was born Gaston Duchamp in 1875. He was the oldest brother of the artists Marcel Duchamp, Suzanne Duchamp-Crotti and the sculptor Raymond Duchamp-Villon. Initially a law student, in 1894 he went to Paris to study art. It was there that he met Henri Toulouse-Lautrec and other influential artists in Paris, and changed his name to Jacques Villon, after the poet. Villon made prints of some of the most well-known belle-époque portraits and genre scenes of the early twentieth century. Around 1911, he came under the influence of Picasso and other cubists, and became a leading exponent of the style, exhibiting in the 1913 Armory Show in New York. In 1922, the Galerie Bernheim-Jeune commissioned Villon to produce a series of color aquatints after 38 major nineteenth- and twentieth-century paintings. This series included works by Pierre Auguste Renoir, Henri Matisse, Pablo Picasso, Paul Cezanne, Georges Braque, Raoul Dufy, Amadeo Modigliani, Edouard Manet, Pierre Bonnard, and others. Artists who were alive at the time of the printing collaborated with Villon, and signed the prints. The project took ten years to complete. Several of these prints are valued highly today, and some went on to be reproduced by the Louvre Museum as photo-etchings. Villon's 'cubist' etchings, with their characteristic cross-hatching, are amongst the most renowned prints of the twentieth century. Jacques Villon's long career brought him fame. The diverse nature of his paintings, from end-of-the-century portraits to cubist and abstract styles to graphic works, made him a major figure in twentieth-century art. He was made a Grand Officer of the Légion d'Honneur, and upon his death in 1963, and he was given a state funeral.
About the Seller
4.7
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1981
1stDibs seller since 2013
160 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: london, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Manége Rue Caulaincourt ou Le Petit Manége Aux Chevaux de BoisBy Jacques VillonLocated in London, GBJACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: Manége Rue Caulaincourt ou Le Petit Manége Aux Chevaux de Bois, 1904 Technique: Original H...Category
Early 1900s Figurative Prints
MaterialsEtching, Aquatint
- Monument to Christopher Columbus and Marcel Duchamp - 13 Etchings by ArtistsBy Joan MiróLocated in London, GBVARIOUS ARTISTS Title: Monument to Christopher Columbus and Marcel Duchamp Monument à Christophe Colomb et à Marcel Duchamp, 1971 Technique: Complete Set of Thirteen Original Ha...Category
1970s Surrealist Figurative Prints
MaterialsEtching
- Central Panel, from: Triptych 1974-1977By Francis BaconLocated in London, GBFRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish/British) Title: Central Panel, from: Triptych 1974-1977, 1981 Technique: Original Hand Signed and Numbered Etching and Aquatint in Colours on Wove Paper Paper size: 64.8 x 50 cm. / 25.5 x 19.7 in. Image size: 38.8 x 29.5 cm. / 19.3 x 11.5 in. Additional Information: This etching and aquatint in colours is hand signed in pencil by the artist "Francis Bacon" in the lower right margin. It is also hand numbered in pencil from the edition of 99, in the lower left margin. The work was printed in a limited edition of 99 signed and numbered impressions with an additional 15 Hors Commerce [out of trade] impressions and 15 artist’s proofs. It was printed and published by Polígrafa, Barcelona in 1981. It is based on the painting of the same title. Note: Tryptic 1974-1977 is one of Bacon's finest triptychs. It was painted by Bacon between May and June 1974 and was made in response to the tragic death of his lover George Dyer in 1971. It was the last work the artist made before a major retrospective of his work held at the Metropolitan Museum of Art in New York in 1974. The exhibition formed the culmination of this important survey of Bacon's career from the late 1960s onwards and was immediately recognised as both a major landmark and also perhaps a turning point in Bacon's career. From 1971, Francis Bacon had been preoccupied with Dyer and the tragic manner of his suicide. Triptych 1974-77 also borrows several elements from the three earlier so-called 'Black' triptychs (In memory of George Dyer, 1971, Triptych August 1972 and Triptych May-June 1973). In each of these great three-panel paintings, the figure of Dyer is presented on the threshold of entering a dark void, either in the form of his hotel room, or silhouetted against a sequence of black rectangles. At the bottom of this central panel on a pale blue, purple and black curved continuation of this arena-like circle, there originally appeared a bizarre prone and bespectacled slug-like figure. Based on one of Edward Muybridge...Category
1980s Surrealist Figurative Prints
MaterialsAquatint, Etching
- Nude Study (Nude)By Georges BraqueLocated in London, GBGEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris (French) Title: Nude Study (Nude) Etude de nu (Nu), 1907-08/53 Technique: Original Hand Signed and Numbered Etchin...Category
1950s Cubist Figurative Prints
MaterialsEtching
- Portrait of Michel Leiris - British Abstract ArtBy Francis BaconLocated in London, GBFRANCIS BACON 1909-1992 Dublin 1909-1992 Madrid (Irish / British) Title: Portrait of Michel Leiris, 1976/78 Technique: Hand Signed and Numbered Etching and Aquatint in Colours on ...Category
1970s Figurative Prints
MaterialsAquatint, Etching
- Conversation UnterhaltungBy Emil NoldeLocated in London, GBEMIL NOLDE 1867-1956 Nolde 1867 - 1956 Seebüll (German) Title: Conversation Unterhaltung, 1906 Technique: Original Hand Signed, Dated and Titled Etching in Colour on Heavy Van Gel...Category
Early 1900s Figurative Prints
MaterialsEtching
You May Also Like
- Narcissist Seeks Similar (Large)By Harland MillerLocated in Bristol, GBEtching with relief printing Edition of 45/50 Signed on the front, numbered on the back Mint Published by Manifold Editions, 2021 Our mission is to connect art collectors to opportu...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsEtching
- Nadia au regard attentifBy Henri MatisseLocated in London, GBAquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794Category
Mid-20th Century Modern Prints and Multiples
MaterialsAquatint
- Tatoo-Shave-HaircutBy Reginald MarshLocated in New York, NYReginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...Category
1930s American Realist Figurative Prints
MaterialsEtching
- One Can't Tell Why - Proof from the Disasters of WarBy Francisco GoyaLocated in New York, NYFrancisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...Category
1810s Old Masters Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- City Service Building (70 Pine Street, Manhattan)By Richard HaasLocated in New York, NYRichard Haas City Service Building (70 Pine Street, Manhattan), 2005 Etching Signed, titled, dated and numbered 7/20 in pencil on the front 20 × 16 inches Unframed Rare print by Rich...Category
Early 2000s Realist Landscape Prints
MaterialsEtching, Pencil
- Il y a Des Soldats - Etching attr. to S. Dalì - 1973By Salvador DalíLocated in Roma, ITIl ya a des Soldats (There are Some Soldiers) is an original etching and drypoint realized by Salvador Dalì in 1973. It belongs to the series "Poi, Je t'Attends à Babylone", a suite ...Category
1970s Surrealist Figurative Prints
MaterialsEtching
