Leon Kossoff

Outside Kilburn Underground Station

1983

Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.6 x 66 cms (19 7/8 x 26 ins) Image size: 45.4 x 54 cms (17 7/8 x 21 1/4 ins)

Aquatint and drypoint 75.9 x 60.6 cms (29 7/8 x 23 7/8 ins) paper size 60.3 x 45.4 cms (23 3/4 x 17 7/8 ins) plate size Edition of 5

Leon Kossoff Outside Kilburn Underground Station 1984 Drypoint etching, Edition of 40 58.42 x 66.04 cms (23 x 26 ins) (paper size) 31 x 40.5 cms (12 3/16 x 15 15/16 ins) (plate size)

Henri Matisse Le bonnet fleuri 1929 Drypoint on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28.5 x 38 cms (11 1/4 x 15 ins) Plate size: 12.2 x 15.5 cms (4 3/4 x 6 1/8 ins) HM15362 Selected Collections: Collections: Baltimore Museum of Art Bibliothèque Nationale de France, Paris Museum of Modern Art, New York University of North Dakota Art...

Schiefler IV.b; Woll 4 third state of four, III (of IV.b). Signed in pencil lower right Woll lists only four impressions of the third state. Our impression is most probably that reco...

70.5 x 70 cms (27 3/4 x 27 1/2 ins) Edition of 80

According to Gesine Tosin, Richard Hamilton irritated contemporary critics in the 1970s with a series of works -- romantic images of flowers, still lifes and landscapes, interspersed with scatological motifs. "Once exhibited, the critics regarded the paintings as evidence either of a kinky sexual aberration or an early onset of senility." (Hamilton 1982, p.79. ) Trichromatic flower-piece is one of these works, which questioned the categories of high and low art through its appropriated imagery. In the words of Richard Hamilton: “The Shit and Flowers series was was inspired in a sense by Barcelona, walking on the Ramblas where thousands of postcards are displayed. (…) I bought three pictures of flowers. I took them back to Cadaqués and began to play about with them, at first by putting a little paint on the surface.” According to Andrew Kim Tyler: “Working at Atelier Crommelynck, Paris in 1973-4, Hamilton used a traditional still life subject, a bouquet of flowers, to pursue his interest in the combination of photographic images with planes of color and hand-drawn aspects, but subverting the image with addition of a large turd. Perversely he set out to produce by manual means an etching with the characteristics of a commercially made reproduction resulting in Trichromatic flower-piece.” In addition to the edition of Trichromatic Flower-piece, Hamilton printed...

Chute d’un Ange is an original drypoint on laid paper realized by Félicien Rops, hand monogrammed and inscribed "Ah! N'insultez jambs une femme qui tombe!". In very good conditions....

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...

"The Bridge" is a drypoint by Frank Benson created in 1923. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size is 13 1/2 x 10 5/8" (34.2 x 26.8 cm) and sheet size 16 1/2 x 13 1/16" (41.8 x 33.3 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

“HIDDEN CITIES III : CONTINUUM” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is 24 x 37 inches and the paper size 32 x 45 inc...

Art Deco signed Print from the Louis Icart era of 'Les Elegantes' Signed in pencil by the artist and Numbered 67 Original print produced for the artist ...