Louise Bourgeois

A Flower In the Forest, from The Geldzahler Portfolio

1997

Lithograph in colours, 1984, on wove paper, signed and dated in pencil, numbered from the edition of 98, printed and published by Tyler Graphics, Ltd., Bedford, New York, 74.9 x 55.8...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...

Lithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...

Lithograph in colours, 1971, on Japon nacré paper, signed in pencil, from the edition of 120, printed by Mourlot, published by Tériade, Paris, 50.4 x 66.2 cm. (19¾ x 26 in.)

Six colour lithograph, 2019, on Somerset Velvet Warm White 400gsm, signed, numbered and dated from the edition of 200, produced by Counter Studio, Margate, 76.6 x 60 cm. (30¼ x 23½ i...

Typical of Herman's work that is figurative in essence though treated with a modernist, expressionist feel. This is a Limited Edition numbered 52 from the edition of 150 and is signe...

Wonderful original original artist's proof lithograph by Vietnamese/French Master Dang Lebadang. Marked EA (for "Epreuve d'Artiste" lower left, signed lo...

Lying Naked is an original drawing realized by Antonio Scordia in 1955. Marker on paper Signed and dated lower right. Dedication lower right Good conditions except for slight yellowing of the paper Antonio Scordia (Santa Fè, Argentina, 1918 - Rome, 1988) was an Italian painter. In 1921, he moved to Rome with his family where he attended the School of the Academy of France...

Created in 1991, this color lithograph and screenprint on Arches Cover paper is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left mar...

Limited edition of 99 prints, numbered and hand signed.

Signals is an original artwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original lithograph on cardboard Hand-signed on the lower left in penc...