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Marc Chagall
Marc Chagall Disrobing her with his own hand...Four Tales from the Arabian night

1948

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  • Marc Chagall - Four Tales from the Arabian Nights - COMPLETE SET (12)
    By Marc Chagall
    Located in Los Angeles, CA
    Marc Chagall (1887-1985) FOUR TALES FROM THE ARABIAN NIGHTS (MOURLOT 36 - 47; CRAMER BOOKS 18) The complete set of twelve lithographs printed in co...
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    Mid-19th Century Expressionist Figurative Prints

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  • Marc Chagall "In the Sky of the Opera"
    By Marc Chagall
    Located in Los Angeles, CA
    Marc Chagall (Russia/France 1887‑1985) "In the Sky of the Opera" color lithograph on Arches 1980 Pencil-signed lower right, numbered 31/50 lower left; published by Editions Maeght,...
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    1980s Expressionist Figurative Prints

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  • MARC CHAGALL "Le joueur de flûte"
    By Marc Chagall
    Located in Los Angeles, CA
    MARC CHAGALL 1887 - 1985 "Le joueur de flûte" 1958 Colour lithograph 25.5x44 cm, illustration; 38.3x57.3 cm, sheet size Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste". This is an artist’s proof, aside from the edition of 90. Catalogue Raisonné : Mourlot 197 Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...
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    Mid-19th Century Impressionist Figurative Prints

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  • Helmut Newton "Sumo" Edition Hardbound book with Stand
    By Helmut Newton
    Located in Los Angeles, CA
    Helmut Newton’s SUMO - Edition 08065 of 10,000 Hardcover with book stand, size 28'H x 20.5"W x 3" D, 34.80 kg, 464 pages. This edition is sold out. Almost as enormous as its subject is influential, the original SUMO is an homage to the astounding photographer Helmut Newton. Edited by June Newton...
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    1990s Modern Figurative Prints

    Materials

    Metal

  • MARC CHAGALL L'acrobate rouge
    By Marc Chagall
    Located in Los Angeles, CA
    MARC CHAGALL 1887 - 1985 L'acrobate rouge 1974 Colour lithograph 69x51.5 cm, image; 83x64 cm, sheet size Signed by the artist in pencil lower right "Marc...
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    1970s Impressionist Figurative Prints

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  • Erte " Eve"
    By Erte - Romain de Tirtoff
    Located in Los Angeles, CA
    Romain de Tirtoff known as ERTE (1892-1990) "Eve" Gouache decor project on paper Sheet Size : 14.6"H x 10.6"W (37 x 27 cm) Framed Size : 26"H X 22"W On the back, countersigned, num...
    Category

    Early 20th Century Art Deco Figurative Prints

    Materials

    Gouache

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    Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...
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  • H.O. Miethke Das Werk folio "Water Snakes II" collotype print
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    Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water ...
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  • H.O. Miethke Das Werk folio "The Kiss" collotype print
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    The Kiss, no. 1 from the fifth installment of Das Werk Gustav Klimts Undoubtedly Klimt’s best known and most reproduced images, this printed version of The Kiss is the only one with which Klimt was directly involved. Unveiled at Vienna’s Kunstschau 1908, and saved for the fifth and final delivery of Das Werk, The Kiss marks a triumph in Klimt’s career and represents a culmination of many themes in his oeuvre up to that point. After all of the controversy surrounding the State’s prior rejection of the University murals commissioned from Klimt, the Ministry of Education reversed their policy toward the artist with a show of wholehearted support by purchasing for the Osterreichische Galerie BelvedereThe Kiss while it still hung in the Kunstschau exhibit. Considered in relation to the eight multicolored collotypes which preceded its print debut in the Das Werk portfolio, The Kiss literally embraces all which came before it. The golden seaweed dangling in tresses from the lovers’ feet harkens back to Water Snakes I and II. The bed of flowers evokes the settings Klimt created in both The Golden Knight and The Sunflower. In fact, this image sprung out of a particularly happy summer spent in the company of Klimt’s lover, Emilie Floge...
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  • Men from Ecce Homo - Original Lithograph by George Grosz - 1923
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    Located in Roma, IT
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