Marc Chagall Disrobing her with his own hand...Four Tales from the Arabian night
Marc ChagallMarc Chagall Disrobing her with his own hand...Four Tales from the Arabian night1948
1948
About the Item
- Creator:Marc Chagall (1887 - 1985, French)
- Creation Year:1948
- Dimensions:Height: 26.5 in (67.31 cm)Width: 22.5 in (57.15 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU1436211488832
Marc Chagall
Described by art critic Robert Hughes as "the quintessential Jewish artist of the twentieth century," the Russian-French modernist Marc Chagall worked in nearly every artistic medium. Influenced by Symbolism, Fauvism, Cubism and Surrealism, he developed his own distinctive style, combining avant-garde techniques and motifs with elements drawn from Eastern European Jewish folk art.
Born Moishe Segal in 1887, in Belarus (then part of the Russian empire), Chagall is often celebrated for his figurative paintings, but he also produced stained-glass windows for the cathedrals of Reims and Metz, in France; for the United Nations, in New York; and for the Hadassah Hospital in Jerusalem, as well as book illustrations, stage sets, ceramics, tapestries and fine-art prints. Characterized by a bold color palette and whimsical imagery, his works are often narrative, depicting small-village scenes and quotidian moments of peasant life, as in his late painting The Flight into Egypt from 1980.
Before World War I, Chagall traveled between St. Petersburg, Paris and Berlin. When the conflict broke out, he returned to Soviet-occupied Belarus, where he founded the Vitebsk Arts College before leaving again for Paris in 1922. He fled to the United States during World War II but in 1947 returned to France, where he spent the rest of his life. His peripatetic career left its mark on his style, which was distinctly international, incorporating elements from each of the cultures he experienced.
Marc Chagall remains one of the past century’s most respected talents — find his art on 1stDibs.
- Marc Chagall - Four Tales from the Arabian Nights - COMPLETE SET (12)By Marc ChagallLocated in Los Angeles, CAMarc Chagall (1887-1985) FOUR TALES FROM THE ARABIAN NIGHTS (MOURLOT 36 - 47; CRAMER BOOKS 18) The complete set of twelve lithographs printed in co...Category
Mid-19th Century Expressionist Figurative Prints
MaterialsLithograph, Laid Paper
- Marc Chagall "In the Sky of the Opera"By Marc ChagallLocated in Los Angeles, CAMarc Chagall (Russia/France 1887‑1985) "In the Sky of the Opera" color lithograph on Arches 1980 Pencil-signed lower right, numbered 31/50 lower left; published by Editions Maeght,...Category
1980s Expressionist Figurative Prints
MaterialsArchival Paper, Lithograph
- MARC CHAGALL "Le joueur de flûte"By Marc ChagallLocated in Los Angeles, CAMARC CHAGALL 1887 - 1985 "Le joueur de flûte" 1958 Colour lithograph 25.5x44 cm, illustration; 38.3x57.3 cm, sheet size Signed lower right by the artist in ink "Marc Chagall" and dedicated "Pour Ursula et Gerd Hatje / "merci" / Marc Chagall / 1958". Inscribed lower left by the artist "Epreuve d'artiste". This is an artist’s proof, aside from the edition of 90. Catalogue Raisonné : Mourlot 197 Gerd Hatje (14 April 1915 – 24 July 2007) was a German publisher. The publishing house that he founded in 1945, named the Humanitas Verlag, renamed in 1947 as Verlag Gerd Hatje, is internationally known for contemporary art, photography and architecture. It merged in to Hatje Cantz in 1999. In the 1950s and 1960s, Hatje changed the focus to art, photography, and architecture.[1] He had contact with and was a friend of contemporary artists such as Hans Arp, Willi Baumeister, Joseph Beuys, Max Bill, Georges Braque, Marcel Breuer, Marc Chagall, Christo, Le Corbusier, Max Ernst, Alberto Giacometti, Walter Gropius, Joan Miró, Pablo Picasso, Ludwig Mies van der Rohe, and James Stirling...Category
Mid-19th Century Impressionist Figurative Prints
MaterialsLithograph, Paper
- Helmut Newton "Sumo" Edition Hardbound book with StandBy Helmut NewtonLocated in Los Angeles, CAHelmut Newton’s SUMO - Edition 08065 of 10,000 Hardcover with book stand, size 28'H x 20.5"W x 3" D, 34.80 kg, 464 pages. This edition is sold out. Almost as enormous as its subject is influential, the original SUMO is an homage to the astounding photographer Helmut Newton. Edited by June Newton...Category
1990s Modern Figurative Prints
MaterialsMetal
- MARC CHAGALL L'acrobate rougeBy Marc ChagallLocated in Los Angeles, CAMARC CHAGALL 1887 - 1985 L'acrobate rouge 1974 Colour lithograph 69x51.5 cm, image; 83x64 cm, sheet size Signed by the artist in pencil lower right "Marc...Category
1970s Impressionist Figurative Prints
MaterialsLithograph, Paper
- Erte " Eve"By Erte - Romain de TirtoffLocated in Los Angeles, CARomain de Tirtoff known as ERTE (1892-1990) "Eve" Gouache decor project on paper Sheet Size : 14.6"H x 10.6"W (37 x 27 cm) Framed Size : 26"H X 22"W On the back, countersigned, num...Category
Early 20th Century Art Deco Figurative Prints
MaterialsGouache
- H.O. Miethke Das Werk folio "Water Snakes I" collotype printBy Gustav Klimt & K.K. Hof-und StaatsdruckereiLocated in Chicago, ILWater Snakes I, no. 9 from the first installment of Das Werk Gustav Klimts Known by various names, Women Friends, Girlfriends, Water Snakes I and what Kli...Category
Early 1900s Vienna Secession Figurative Prints
MaterialsPaper
- H.O. Miethke Das Werk folio "Judith I" collotype printBy Gustav Klimt & K.K. Hof-und StaatsdruckereiLocated in Chicago, ILJudith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...Category
Early 1900s Vienna Secession Figurative Prints
MaterialsPaper, Ink
- H.O. Miethke Das Werk folio "Water Snakes II" collotype printBy Gustav Klimt & K.K. Hof-und StaatsdruckereiLocated in Chicago, ILWater Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water ...Category
Early 1900s Vienna Secession Figurative Prints
MaterialsPaper
- H.O. Miethke Das Werk folio "Danaë" collotype printBy Gustav Klimt & K.K. Hof-und StaatsdruckereiLocated in Chicago, ILDanaë, no. 2 from the fourth installment of Das Werk Gustav Klimts Danae originates from Greek mythology. She is the daughter of the King of Argos. Because a...Category
Early 1900s Vienna Secession Figurative Prints
MaterialsPaper
- H.O. Miethke Das Werk folio "The Kiss" collotype printBy Gustav Klimt & K.K. Hof-und StaatsdruckereiLocated in Chicago, ILThe Kiss, no. 1 from the fifth installment of Das Werk Gustav Klimts Undoubtedly Klimt’s best known and most reproduced images, this printed version of The Kiss is the only one with which Klimt was directly involved. Unveiled at Vienna’s Kunstschau 1908, and saved for the fifth and final delivery of Das Werk, The Kiss marks a triumph in Klimt’s career and represents a culmination of many themes in his oeuvre up to that point. After all of the controversy surrounding the State’s prior rejection of the University murals commissioned from Klimt, the Ministry of Education reversed their policy toward the artist with a show of wholehearted support by purchasing for the Osterreichische Galerie BelvedereThe Kiss while it still hung in the Kunstschau exhibit. Considered in relation to the eight multicolored collotypes which preceded its print debut in the Das Werk portfolio, The Kiss literally embraces all which came before it. The golden seaweed dangling in tresses from the lovers’ feet harkens back to Water Snakes I and II. The bed of flowers evokes the settings Klimt created in both The Golden Knight and The Sunflower. In fact, this image sprung out of a particularly happy summer spent in the company of Klimt’s lover, Emilie Floge...Category
Early 1900s Vienna Secession Figurative Prints
MaterialsHandmade Paper
- Men from Ecce Homo - Original Lithograph by George Grosz - 1923By George GroszLocated in Roma, ITMen from Ecce Homo is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 80 from the porfolio Ecce Homo published between 1922/1923,edition of D...Category
1920s Expressionist Figurative Prints
MaterialsLithograph, Paper