Marian Bocianowski

Black & white. Figurative print, Animals, Cats, Realistic, Polish artist

ca. 2008

One of 30 copies. FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studied painting under the guidance of prof. Eugeniusz Eibisch and graphic art as...

One of 25 copies. Michał Cygan (born in 1989 in Wadowice) He is a graduate of School of Art in Bielsko Biała. Studies graphic arts at the Academy of Fine Arts in Katowice. He practic...

Limited edition. ANNA HALAREWICZ (born in 1983) graduated from the School of Fine Arts in Wroclaw on the drawing faculty. She received her Masters with distinction in Graphic Design ...

Edition of 40, signed, numbered AGNIESZKA LECH-BIŃCZYCKA Graduated from University of Rzeszów in a field of Artistic Education with specialisation in g...

AGNIESZKA LECH-BIŃCZYCKA Graduated from University of Rzeszów in a field of Artistic Education with specialisation in graphics. She obtained her diploma...

Limited edition. ANNA HALAREWICZ (born in 1983) graduated from the School of Fine Arts in Wroclaw on the drawing faculty. She received her Masters with distinction in Graphic Design ...

This rare 10 piece series from 1973 is Dali's interpretation of Shakespeare's drama Hamlet. Dali paid homage to Shakespeare in several other works but this suite is considered to be ...

A striking etching, from Péri’s observations of people on the streets of London. Artist: Peter László Péri Date: 1940s Framed size: 40cm x 50cm Mou...

A beautiful 1940s etching representing scenes of motherhood, from Péri’s observations of people on the streets of London. Artist: Peter László Péri...

Three etchings from Péri’s observations of people on the streets of London. These small prints were intended to be sold in groups as folding booklets, like postcards. The top etching is closely reminiscent of Péri’s “Class System” which is in the Tate collection (as pictured). “In Class System 1946 (Tate P14973) Peri used close observation of social difference to make a political point about reconstruction and inequality after the end of the Second World War. On the left a man dressed in a suit and hat stands on the pavement, his hand on his hip, leaning on his umbrella. On the right the same pose is adopted by a man standing in the road, wearing a flat cap, shirt-sleeves and heavy boots, but he leans on a pneumatic drill. The figures are clearly identified as upper class and working class by their clothing, and the composition juxtaposes the idleness of the man standing on the pavement with the active manual labourer ready to begin work, implying their relative contribution to the reconstruction of Britain in the aftermath of the Second World War.” Artist: Peter László Péri Date: 1940s Framed size: 22 x 42cm Mounting: Raised-float mounted using acid-free Japanese wheat-starch paste and Japanese paper...

Between full and last quarter moon, late at night or in the early morning, you may see the moon in its waning gibbous phase: less than full but more than half-lighted. A full moon ri...

Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and fabric matting from Holland. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...