Screen Figurative Prints

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

From the Paintings series. Woodcut, Lithograph, screen print and collage on Arches 88 paper. Hand signed, dated and numbered by Roy Lichtenst...

Christo and Jeanne-Claude, Ugo Mulas Wrapped Monument to Vittorio Emanuele II (Hand Signed by Christo) Gelatin silver print on thin board Hand signed and annotated H.C. (Hors Commer...

Heart & Soul, 2020 Signed, dated, numbered in pencil Screenprint on paper 30 x 22 inches Edition of 85

Joe Tilson Transparency, 1970 Color silkscreen Signed and numbered 166 from the edition of 500 in pencil in upper margin Frame Included: held in the original vintage wood frame A lov...

Paul McCarthy Doll, Limited Edition Skate Deck, 2016 Silkscreen on 7-Ply Canadian Maplewood Skate Deck. Numbered from the edition of 250. Signed on the deck. (Printed). Numbered from...

Peter Blake 110 Years of Vauxhall, 2013 Silkscreen on Linen Hand signed and numbered 80/110 by the artist on the front 9 × 17 inches Unframed Sir Peter Blake is one of the most successful British Pop artists from the fabulous 1960s, and his work can be found in major museums and collections worldwide. He is best known for creating the sleeve design of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was with the Young Contemporaries exhibition of 1961, where he exhibited alongside David Hockney and R.B. Kitaj, that Blake rose to prominence. Blake created this limited edition print, a tribute to the Art Car, exclusively for the Vauxhall Art Car Boot Fair 2013. The work sold out completely in less than 15 minutes. It is in excellent condition. Pencil signed and numbered from the limited edition of only 110. The excitement of the event was described in a British news report as follows: "Now in its 100th year, the fair it featured work by over 70 renowned artists including Sir Peter Blake, Gavin Turk, Emin International, Polly Morgan, Mat Collishaw...

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

Artist: Tom Wesselmann Title: Shiny Nude Year: 1977 Signed: No Medium: Serigraph Paper Size: 8 x 8 inches ( 20.32 x 20.32 cm ) Image Size: 6 x 5.75 inches (...

Complete set of 12 screen prints and accompanying 12 poems. Published by American Image Editions, New York. Includes original brown paper-covered portfolio and publisher insert. Each screen print measures 26 x 21 inches. Each screen print is hand signed, dated, numbered by Robert Indiana. Roman numeral edition XLII/L (there were also a main edition of 200 and 50 artist's proofs), Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Robert Indiana (1928–2018) was an American Pop artist whose work drew inspiration from signs, billboards, and commercial logos. He is best known for his series of LOVE paintings, which employed bold and colorful letterforms to spell out the word “love.” “Oddly enough, I wasn't thinking at all about anticipating the love generation and hippies,” he once explained. “It was a spiritual concept. It isn't a sculpture of love...

Screenprint on lenox museum board. Hand Signed, Numbered, And Dated in Pencil. Edition of 300. Printed By Brand X Editions. Verso Stamped Robert Indiana 1995 Heliotherapy Love. C...

This is for a Photo Silkscreen Serigraph it is Titled Andy Warhol :Pop Artist American. light creasing to paper outside of image John Brower worked in Chicago as a billboard designer for 12 years. He taught art at Alverno College of Milwaukee, Wright Junior College in Chicago, the University of Illinois, and the University of Kentucky. A Pop Artist. In John Browers' work two important things come forward: the design and the image. In the painting Indian...

"Cheek to Cheek to Cheek..." Nude Pop Culture Silkscreen on Paper (#100/100) Pop art silkscreen by notable artist Leo Posillico (American, b. 1944). Sev...

This is for a Photo Silkscreen Serigraph it is Titled Pablo Picasso Cubist Spanish. light creasing to paper outside of image John Brower worked in Chicago as a billboard designer for 12 years. He taught art at Alverno College of Milwaukee, Wright Junior College in Chicago, the University of Illinois, and the University of Kentucky. A Pop Artist. In John Browers' work two important things come forward: the design and the image. In the painting Indian...

Serigraph in colors on paper. Hand signed, numbered and dated by the artist. From the edition on 98. Artwork is in excellent condition. Certificate of Authenticity is included. A...

Bob Stanley Lauren Bacall Lights Humphrey Bogart's Cigarette, 1966 Color Silkscreen on paper with full margins 22 1/2 × 17 inches Edition of 200 Hand signed and dated on the lower ri...

"Fabian Ugalde (Mexico, 1967) 'Electrocuted', 2006 silkscreen on paper 27.6 x 23.7 in. (70 x 60 cm.) Edition of 99 ID: UGA1739-001-108 Hand-signed by author in...

Fabian Ugalde (Mexico, 1967) 'The word power' (Triptych), 2006 silkscreen on paper 27.6 x 69.9 in. (70 x 178 cm.) Edition of 99 ID: UGA1739-002-109 Hand-signed by author in pencil

Judy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...

Jurgen Kuhl Brandenburg Gate (Red, Teal Hues - Brandenburger Tor) Color Silk Screen Year: 2000s Size: 7.4×5.3in COA provided Ref.: 924802-1181 About ...

Roy Lichtenstein Nude, from Brushstroke Figures Series, 1989 is a marvelous work that features Lichtenstein’s loose, freely Expressionistic brushstrokes combined with diagonal stripe...

Artist: George Rodrigue (1944-2013) Title: Purity of Soul (Blue Dog Series) Year: 2005 Edition: 142/190, plus proofs Medium: Silkscreen on archival pap...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...

TOM WESSELMANN 1931-2004 Cincinnati 1931-2004 New York (American) Title: Smoking Cigarette in Ashtray, 2000 Technique: Signed and Dated Liquitex on Bristol Board Size: 23 x 19 cm...

Crowning glory by Anne Storno Hand printed, limited edition screen print. Sold unframed Image size: H:30cm x W:30cm Complete size of unframed work: H:30cm x W:30cm x D:0.1cm Please note that insitu images are purely an indication of how a piece may look Created from a hand made paper collage and spray painting mixed media work that has been transformed into a screen print.Queen Elizabeth is surrounded by famous London’s place : St Paul’s Cathedral, Big Ben, London Bridge, London Eye, Carnaby Street and also David Bowie’s portrait...

Russell Young - "Geronimo" 2018 Pencil Signed, Dated, and numbered lower left 27 x 22 in. Hand-pulled enamel screen print on Somerset paper. Each print is a unique impression, an edition of 30. Russell Young American Artist: Russell Young's career began twenty years ago as a celebrity photographer in England. One of his first assignments was photographing Popstar George Michael for the album cover Faith. That job established Russell Young's talent leading to shoots for Morrissey, Springsteen, Dylan, and more. His command of the camera segued into music video direction resulting in over 100 videos for MTV. Ten years into his career Russel Young...

Artist: George Rodrigue (1944-2013) Title: Blue Skies Shinning on Me (Blue Dog Series) Year: 2005 Edition: 141/190, plus proofs Medium: Silkscreen on a...

Sku: YY2505-B Artist: Alex Katz Title: Sarah-American Dance Festival Year: 2011 Signed: Yes Medium: Serigraph Paper Size: 48 x 34.25 inches ( 121.92 x 86.995 cm ) Image Size: 48 x 34...

Silkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...

Heralded as the ‘Godfather of Pop Art’, Sir Peter Blake was knighted in 2002 for his invaluable contribution to contemporary art. Blake began his career creating collages from photographs, cigarette packets and matchboxes. This new approach to the creation of visual art – taking found imagery from Pop culture – was spearheaded in Britain by Blake and continues to inspire contemporary artists today. Best known for creating the iconic cover to the Beatles’ 1967...

Screenprint on museum board. Hand signed and numbered by the artist. Edition 51/100 (there were also 12 artist’s proofs) with the blindstamps of the printer, Screened Images, Port W...

Love Me by Curtis Kulig: Using a most universal symbol, 'The Smiley', Curtis Kulig replaces the eyes with his world renown signature mark, 'Love Me'. At 28 inches square, this hand s...

TOM WESSELMANN 1931-2004 Cincinnati 1834-2004 New York (American) Title: Smoker, from: An American Portrait, 1976 Technique: Original Hand Signed and Numbered Screenprint in Colou...

Keith Haring Pop Shop Bags set of 2, 1986: Vintage original 1980s Keith Haring Pop Shop bag set designed & illustrated by the artist. Both feature a bold Keith Haring printed signature and standout original Haring Pop shop logos, plus bright, lush colors which make for a unique framepiece. Medium: silkscreened vinyl shopping bags (2 individual pieces). Dimensions: 19 x 16.75 inches inches (applies to each individually). Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame set. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Liberty by Rainer Gross, German (1951) Date: 1986 Screenprint, signed and numbered in pencil Edition of 400, AP 20 Image Size: 24 x 36 inches Size: 29.5 in. x 41 in. (74.93 cm x 104....

Robert Indiana The Golden Future of America (Sheehan, 92), 1976 Silkscreen on Arches paper Signed and dated in pencil, lower right; numbered 13/175, in pencil, lower left. Also bears printers blind stamp Frame included: Elegantly matted and framed in a handmade wood frame On its face, this Robert Indiana's silkscreen, based upon the eponymous painting "The Golden Future of America", is a patriotic celebration of Americana, done for the country's bicentennial year. But its looks are deceptive, as the work has a far more subversive meaning. In 2014, the Art Newspaper...

Artist: After Tom Wesselmann (1931- 2004) Title: Monica, exhibition poster Year: 1985 Medium: Silkscreen on heavy rag paper Size: 29 x 37 inches Condition: Excellent Notes: Published by Lincoln Center for the Performing Arts for the 23rd Annual New York Film Festival held in 1985 TOM WESSELMANN (1931- 2004) Considered one of the major artists of New York Pop Art...

Limited edition of 150. Three American icons: the stars and stripes, Elvis Presley and Coca Cola are combined to create American Trilogy, a classic pop art image by Sir Peter Blake.A...

Artist: Robert Indiana, American (1928 - 2018) Title: Number 7 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint on Wove Paper Edition Size: 395 Image Size: 16....

Screen print in colors on wove paper. Hand signed, dated, numbered and titled by James Rosenquist. Edition 65/80. Artwork size 35 x 36 inches. Frame size approc 39 x 40 inches. Near the top of the dot filled image hangs the outline of a light bulb followed by a series of letters numbers and symbols: ICU2RA Star (symbol). Decoded: I see you too are a star. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: James Rosenquist (American, 1933–2017) was an artist known for his monumental paintings and prints. Often appropriating commercial imagery, his montage-like works combined popular culture, Surrealism, and historical painting methods. “Much of the aesthetic of my work comes from doing commercial art,” the artist once said. “I painted pieces of bread, Arrow shirts, movie stars. It was very interesting. Before I came to New York I wanted to paint the Sistine Chapel. I thought this is where the school of mural painting exists.” In his politically charged multi-panel painting F-111 (1964–1965), the artist offered a visual critique of the Vietnam War, with a medley of mushroom clouds, advertising, and populist imagery. Born on November 29, 1933 in Grand Forks, ND, Rosenquist went on to attend the University of Minnesota, before studying at the Art Students League in New York under George Grosz, Morris Kantor, and Edwin Dickinson...

Screen printed vacuum-formed plexiglass multiple in colors mounted to a card support. Artist signature, date and edition lower left front. Edition 12/101. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Tom Wesselmann (1931–2004) was an American Pop artist best known for his collages, sculptures, and screenprints that stylized the female figure. Often isolating segments of the body—red lips with a cigarette, a single nipple, or a stylish shoe—his artworks aim was to seize a viewer’s attention. “The prime mission of my art, in the beginning, and continuing still, is to make figurative art as exciting as abstract art,” he once said of his work. Born on February 23, 1931 in Cincinnati, OH, he was drafted into the US Army to serve in the Korean War in 1952. Returning home after the war, he studied drawing at the Art Academy of Cincinnati before working as an illustrator of comic strips and men’s magazines...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

Serigraph in colors on paper. Hand signed and numbered by the artist. From the edition of 150. Frame size approx 28 x 34 inches. Artwork is in excellent condition. Certificate o...

Screen print in colors on Essex Offset Kid Finish paper. Hand signed and numbered by Andy Warhol. Published by Dr. Frank Braun, Düsseldorf. Hand numbered AP 21/35. From the Artist ...

Keith Haring Pop Shop, 1986: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop logos, plus bright, lush colors which make for a unique framepiece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame piece within reach. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Artist: Robert Indiana (1928-2018) Title: Four Seasons of HOPE (four artworks) Year: 2012 Medium: Silkscreen on Coventry Rag paper Edition: 125, plus proofs Size: 35.25 x 25.5 inches...

Screen print with Diamond Dust on Lenox Museum Board. Hand signed and numbered by Andy Warhol. Printed by Rupert Jasen Smith, New York and published by Kennedy for President Committee, Washington D.C. Hand numbered 72/300 (there were also 25 AP's, 3 PP's, 10 HC's, 15 TP's, 1 TPPP's). Frame size approx 44 x 36 inches. The artwork is in excellent condition. Gallery Art issued COA included. All reasonable offers will be considered. Edward Kennedy...

Artist: Jiang Tie-Feng (1938) Title: Rhythm Year: 1992 Medium: Silkscreen on Vellum Rag paper Edition: 80/300, plus proofs Size: 32.75 x 39.5 inches Condition: Good Inscription: Signed and numbered by the artist. JIANG TIE-FENG (1938- ) Chinese Artist Jiang Tiefeng's colors are of unsurpassed richness. Jiang's use of imagery in his paintings are steeped in Buddhist and Chinese mythology. Each figure has a symbolic meaning, and his works have so much complexity and visual fascination that the viewer is constantly seeing something new. Jiang's deep love of the colorful earth and for Xishuangbanna, a region of the Yunnan Province, has encouraged him to explore and create mysterious and unique subjects to paint. The secret and essence of Jiang Tiefeng's work is best expressed by the artist himself as he describes his paintings not only as pictures, but they are also music and poetry...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Numbered 37/125 (there were also 25 AP's). Publis...

From Hand-Colored Flowers portfolio. Screen print uniquely hand-colored with Dr. Martin’s aniline watercolor dyes on Arches and J. Green paper. Initialed lower right; signed, dated...

If Series: Runner Peter Max, German/American (1937) Date: 1981 Screenprint, signed and dedicated in pencil Edition: A/P Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size: 16.75 x...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

Artist: Jiang Tie-Feng (1938) Title: Morning with Crane Year: 2001 Medium: Silkscreen on Vellum Rag paper Edition: 227/293, plus proofs Size: 31 x 31 inches Condition: Good Inscription: Signed and numbered by the artist. JIANG TIE-FENG (1938- ) Chinese Artist Jiang Tiefeng's colors are of unsurpassed richness. Jiang's use of imagery in his paintings are steeped in Buddhist and Chinese mythology. Each figure has a symbolic meaning, and his works have so much complexity and visual fascination that the viewer is constantly seeing something new. Jiang's deep love of the colorful earth and for Xishuangbanna, a region of the Yunnan Province, has encouraged him to explore and create mysterious and unique subjects to paint. The secret and essence of Jiang Tiefeng's work is best expressed by the artist himself as he describes his paintings not only as pictures, but they are also music and poetry...

Screen print on Rives BFK paper. From the Love Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 12/100 (there were also 10 AP's, 2 PP's, 5 EP's and 7 HC's). ...

Screen print on Lenox museum board. Hand-signed and numbered by Andy Warhol. Numbered 56/60 (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. Published by the artist. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. The Dollar Sign series from 1982 was the ultimate manifestation of Andy Warhol’s love...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 131/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

Shoe Box (Title Page) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Published by the artist and Peterssburg Press Edition: 200 of which thi...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 138/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...