Max Kaus

BADENDE MANNER: (THREE MALE BATHERS AT THE SHORE)

1924

Campendonk, Heinrich. SITZENDER HARLEKIN. Engels/Sohn 59. Woodcut, 1922. 15 x 11 3/8 inches; 380 x 290 mm. Signed in pencil. In Excellent condition. Framed.

Kollwitz, Kathe. SCHWANGERE FRAU. Etching and soft ground, 1910. Klipstein 108(V) 14 7/8 x 9 3/8 inches (377 x 236 mm.). Signed in pencil, and with the names of the publisher Richter...

Derain, Andre (French, 1880-1954). ROFIL A GAUCHE DE FEMME BAISSEE (LEFT PROFILE OF A WOMAN LYING DOWN). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Roman n...

Bonnard, Pierre. LA TOILETTE ASSISE (Woman Dressing, Seated). Bouvet, 96. Lithograph printed in black, 1925. First State, before the addition of the Monogr...

Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...

Kent, Rockwell, et al. TWELVE PRINTS BY CONTEMPORARY AMERICAN ARTISTS. Edited by Carl Zigrosser (1891-1975) and designed by Bruce Rogers (1870-1957) and printed by Edwin Rudge on watermaked Japan paper. Published by E. Weyhe, NY, 1919. Edition of 115 copies, of which 15 were reserved for the artists and collaborators, and 100 were for sale, this being one of the latter. Folio (19 x 14 inches, 48 x 36 cm.), cloth portfolio with title label, Title page, two pages of text by Zigrosser, Table of Contents and twelve plates of varying sizes, each signed by the artist. Erhard Weyhe (1883-1972) established the Weyhe Galley at 794 Lexington Avenue in New York in 1919, with Zigrosser as the Director. In addition to dealing in art, the gallery published prints, singly and in portfolios, usually of the work of emerging American Modernists. This portfolio, dating from the first year of Weyhe Gallery's existence was the first of these publications. Zigrosser engaged Bruce Rogers to design the portfolio, and also personally sought out the artists, visited their studios and selected the works to be included in "Twelve Prints." Blue Bird was Rockwell Kent's first published print (Burne-Jones 1) The Copyist at the Metropolitan (Morse 148) was being worked on when Zigrosser visited, and its inclusion in the portfolio preceded Sloan's own edition. The full list of artists and the titles and media of their works is as follows: Earl Horter - The Dark Tower, etching Rockwell Kent - Blue-bird, wood engraving William Auerbach-Levy - Tony, etching Kenneth Hayes Miller - The Bather, drypoint Jerome Myers - Springtime, drypoint Walter Pach...

Marc Chagall (1887-1985) FOUR TALES FROM THE ARABIAN NIGHTS (MOURLOT 36 - 47; CRAMER BOOKS 18) The complete set of twelve lithographs printed in co...

"Les saltimbanques" by Marc Chagall is numbered and signed Epreuve d’artiste’ and numbered XXIV/XXV, and is apart from the edition of 50. 76,2 x 53,7 cm. This lithograph from 1969. C...

Jean Jansem (1920-2013) Pélerin au cierge, 1986 Lithographie sur papier Japon, justifiée XIV / XXX Signée en bas à droite 67 x 51 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n...

Jean Jansem (1920-2013) Les acadiens, 1993 Lithographie sur papier Arches, justifiée E/A 16/30 Signée en bas à droite 65,5 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°9...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Musée des Arts Décoratifs (The Scream)" Year: 1969 Medium: Original Lithograph, Exhibition ...

An original lithograph created by Lester F. Johnson. This work was donated to Hallwalls Contemporary Art Center by the David K. Anderson Charitable Trust. All proceeds from the sal...