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Oskar Kokoschka"Le Bal Masque" Giuseppe Verdi Opera (Variant)1967
1967
About the Item
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-1980. It is hand signed with initials and numbered 8/11 in pencil by the artist. The image size is 17.25 x 11.15 inches, the sheet size is 22.5 x 30.25 inches. Published by Felia Leal and printed by Wolfenberger, Zurich. Referenced and pictured in the artist's catalogue raisonnee by Hans Wigler and Friedrich Welz "Das Druckgraphische, Salzburg 1975" number 367 to 373 page 224F and page 225 to 227. It is in excellent condition, has never been framed.
About the artist:
Oskar Kokoschka was born March 1, 1886, in the Austrian town of Pöchlarn. He spent most of his youth in Vienna, where he entered the Kunstgewerbeschule in 1904 or 1905. While still a student, he painted fans and postcards for the Wiener Werkstätte, which published his first book of poetry in 1908. That same year, Kokoschka was fiercely criticized for the works he exhibited in the Vienna Kunstschau and consequently was dismissed from the Kunstgewerbeschule. At this time, he attracted the attention of the architect Adolf Loos, who became his most vigorous supporter. In this early period, Kokoschka wrote plays that are considered among the first examples of expressionist drama.
His first solo show was held at the Galerie Paul Cassirer, Berlin, in 1910, followed later that year by another at the Museum Folkwang Essen. In 1910, he also began to contribute to Herwarth Walden’s periodical Der Sturm. Kokoschka concentrated on portraiture, dividing his time between Berlin and Vienna from 1910 to 1914. In 1915, shortly after the outbreak of World War I, he volunteered to serve on the eastern front, where he was seriously wounded. Still recuperating in 1917, he settled in Dresden and in 1919 accepted a professorship at the Akademie there. In 1918, Paul Westheim’s comprehensive monograph on the artist was published.
Kokoschka traveled extensively during the 1920s and 1930s in Europe, North Africa, and the Middle East. In 1931, he returned to Vienna but, as a result of the Nazis’ growing power, he moved to Prague in 1935. He acquired Czechoslovak citizenship two years later. Kokoschka painted a portrait of Czechoslovakia’s president Thomas Garrigue Masaryk in 1936, and the two became friends. In 1937, the Nazis condemned his work as “degenerate art” and removed it from public view. The artist fled to England in 1938, the year of his first solo show in the United States at the Buchholz Gallery in New York. In 1947, he became a British national. Two important traveling shows of Kokoschka’s work originated in Boston and Munich in 1948 and 1950, respectively. In 1953, he settled in Villeneuve, near Geneva, and began teaching at the Internationale Sommer Akademie für Bildenden Künste, where he initiated his Schule des Sehens. Kokoschka’s collected writings were published in 1956, and around this time he became involved in stage design. In 1962, he was honored with a retrospective at the Tate Gallery, London. Kokoschka died February 22, 1980, in Montreux, Switzerland.
Today, artworks by Kokoschka are represented in the most important museums for modern art in Austria and Germany, but also in the National Gallery of Scotland and the National Gallery in Prague as well as in the Museum of Modern Art in New York.
Selected public collections
• Leopold Museum, Vienna
• National Museum Cardiff
• National Portrait Gallery
• New Walk Museum and Art Gallery
• Oskar Kokoschka Foundation
• Royal Academy of Arts
• Scottish National Gallery of Modern Art
• Tate
• The Courtauld Gallery
• Victoria and Albert Museum
• Museum of Modern Art, New York
- Creator:Oskar Kokoschka (1880 - 1980, Austrian)
- Creation Year:1967
- Dimensions:Height: 22.5 in (57.15 cm)Width: 30.25 in (76.84 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
Oskar Kokoschka
Oskar Kokoschka (1 March 1886 – 22 February 1980) was an Austrian artist, poet and playwright best known for his intense expressionistic portraits and landscapes. He was second child to Gustav Josef Kokoschka, a Czech goldsmith, and Maria Romana Kokoschka (née Loidl). His older brother died in infancy in 1887; he had a sister, Berta (born in 1889) and a brother, Bohuslav (born in 1892). Oskar had a strong belief in omens, spurred by a story of a fire breaking out in Pöchlarn shortly after his mother gave birth to him. Kokoschka’s life was not easy mainly due to a lack of financial help from his father. They constantly moved into smaller flats, farther and farther from the thriving center of the town. Concluding that his father was inadequate, Kokoschka drew closer to his mother. Among Kokoschka’s early works were gesture drawings of children, which portrayed them as awkward and corpse-like. Kokoschka had no formal training in painting and so approached the medium without regard to the “traditional” or “correct” way to paint. The teachers at Kunstgewerbeschule helped Kokoschka gain opportunities through the Wiener Werkstätte or Viennese Workshops. Kokoschka’s first commissions were postcards and drawings for children. Kokoschka said that it gave him “the basis of [his] artistic training”.[1] His early career was marked by portraits of Viennese celebrities, painted in a nervously animated style. He volunteered for service as a cavalryman in the Austrian army in World War I, and in 1915 was seriously wounded. At the hospital, the doctors decided that he was mentally unstable. Nevertheless, he continued to develop his career as an artist, traveling across Europe and painting the landscape.
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