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Pierre Auguste Renoir
La Danse à la Campagne (Dance in the Country)

1890

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    Pablo Picasso Peintre au Travail (Painter at Work), 1963 depicts three male figures conspicuously sitting beside each other. The contours of their bodies are highly irregular and alm...
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  • Le nid vert (The Green Nest), 1950
    By Georges Braque
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    The bird is Georges Braque's calling card. When the 70-year-old artist was commissioned to create monumental decorations for the Louvre, he chose the bird as his subject. This winged animal appears again and again in his oeuvre, but its representation is noteworthy in this print. To those who would say that Braque is not a draftsman, Dora Vallier writes, "for [him], drawing is not a means of giving outward appearance to forms but of showing what lies within." Along the same lines, Braque himself says, "Forget things, only remember their relationship." These two statements encourage thoughtful viewing. Coming back to its nest and hatched egg, a great black bird is hardly visible against the dark green of its home and the brown leaves behind. Rather than spend time on the details, Braque emphasizes the spatial arrangement of the scene. Everything is compressed down to one level; the curtain of heart-shaped leaves blends together as it falls toward the nest. Braque sees how the tree, nest and bird interrelate, and this entwined relationship is what he chooses to show. Created circa 1950, this original color etching is hand-signed by Georges Braque (Argentueil, Val-d'Oise, 1882 - Paris, 1963) in pencil in the lower right margin and numbered 281/300 in pencil in the lower left margin. The edition was printed by Atelier Krommelinck, Paris on Rives paper, and published by Maeght, Paris. Catalogue Raisonné: Georges Braque The Green Nest (Le nid...
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  • Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970
    By Pablo Picasso
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    Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...
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  • Le chapeau épinglé (La fille de Berthe Morisot et sa cousine), c. 1894
    By Pierre-Auguste Renoir
    Located in Palo Alto, CA
    Returning to a familiar subject, Renoir captures fellow painter Berthe Morisot's daughter and her cousin in a sweet moment. Morisot, one of the few woman Impressionists to figure as ...
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  • A Moving Still Life, from The Blue Guitar
    By David Hockney
    Located in Palo Alto, CA
    David Hockney A Moving Still Life, from The Blue Guitar, 1976-1977 is a playful scene that takes its title to the full extent of its literal meaning. The center of the composition is dominated by a mannequin-like head and a table with a typical still-life arrangement, set on the surface of a large table suggested by the shading and edge lines in the bottom right. The hair of the mannequin blows out behind it, threading neatly through a mysterious red hoop...
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    1970s Modern Figurative Prints

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  • Your Space on Building
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    This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...
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  • "Woman, Boy and Goats", Original Signed Etching by John E. Costigan
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    This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips Memorial Gallery in Washington and the Brooklyn Museum, to name only a few of the many institutions that feature his work. This print, with its highly considered composition and its loose style of figuration- deftly balances realism and abstraction- helps to explain his acclaim. This etching features a mother walking with her child and two goats in a forested glen. It is a Classic pastoral scene rendered in Costigan's inimitable style- somewhere between Theodore Rousseau and Thomas Hart Benton. These offer a beautiful glimpse of a bygone American pastoral...
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  • Dance at Gopsmor /// Impressionist Swedish Anders Zorn Etching Party Antique
    By Anders Zorn
    Located in Saint Augustine, FL
    Artist: Anders Zorn (Swedish, 1860-1920) Title: "Dance at Gopsmor" *Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left Year: 1906 (second state of two) Medium: Original Etching on cream Van Gelder Zonen laid paper Limited edition: approx. 50 impressions Printer: the artist Zorn himself, Mora, Sweden Publisher: the artist Zorn himself, Mora, Sweden Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192 Framing: Recently framed in a gold ornate moulding and fabric matting from Holland. All archival Framed size: 22.75" x 18.25" Sheet size (irregular margins): 16.5" x 11" Image size: 11.88" x 7.75" Condition: A strong impression in very good condition Very rare Notes: Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet. "Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK Biography: Anders Leonard Zorn...
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  • In the Café - German Impressionism Berlin Society Cafe Scene
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  • Dans les Cendres (In the embers)
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    Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
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