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Pierre-Auguste Renoir“Le Chapeau Epingle”1884
1884
About the Item
Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good. Mild toning consistent with age. Slight mat burn. Slight wrinkling of paper. Under glass; not examined out of frame. Signed in plated lower left. Sight size 6.25 by 4.5 inches. Impression size 4.75 by 3.25 inches. The etching is framed in a narrow half inch wide antique silver frame with light grey green card mat. Mat and frame in good condition. Overall measurements 10.5 by 8.75 inches. Provenance: Purchased in 1959 from Pierre Michel Gallery, Paris,
The subject of Le Chapeau Epingle ('The Pinned Hat') was depicted by him in six different prints, three etchings and three lithographs. Renoir treated this scene of two young girls side by side, with one of them pinning on the other's hat, in a series of variations at this time. His models are known to have been Julie Manet, the daughter of Berthe Morisot and niece of Eduard Manet, and her cousin, Paulette Gobillard. The scene originated from a study Pierre Renoir made while on holiday on the coast of Northern France with Berthe Morisot and her family. Julie Manet was a favourite model for Renoir and on this occasion he drew her on the beach with her cousin who was adjusting the pin on her large sun hat.
This impression of Le Chapeau Epingle is the third and final etched variation. In its treatment it is much more compelling and complex than the earlier two versions. This etching was commissioned by Dentu in Paris in 1894 for Gustave Geffroy's art journal, La Vie artistique. It later appeared in Georges Riviere's, Renoir et ses Amis, published in Paris in 1921. It should also here be noted that there are a number of modern re-strikes of this famous etching. One can, however, determine the differences of these editions by the papers used and their dimensions. First edition (1894) impressions, such as this original example, were printed upon light cream laid paper with small outside margins of slightly over 6" by 4". These impressions were also very finely printed. Second edition (1921) impressions were printed upon smooth wove paper with large margins. This is a second edition drypoint etching.
- Creator:Pierre-Auguste Renoir (1841-1919, French)
- Creation Year:1884
- Dimensions:Height: 4.75 in (12.07 cm)Width: 3.25 in (8.26 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU14113858402
Pierre-Auguste Renoir
An early 20th-century master, Pierre-Auguste Renoir created thousands of figurative prints and paintings and is credited as one of the founders of the Impressionist movement. His frequently reproduced works are appreciated for their luminous appearance, rich colors and soft, feathered brushstrokes.
Renoir was born in Limoges, France, in 1841. He began painting as a child while working in a porcelain factory, which led to a formal study of art in Paris under Charles Gleyre. In the early 1860s, he often visited the Louvre to study French master painters, and he became friends with Claude Monet and Alfred Sisley, both leading Impressionists.
Renoir first exhibited his paintings in 1864, but he did not rise to prominence until his first exhibition with the Impressionists in 1874. In 1877, Renoir stopped exhibiting with the Impressionists and embarked on a series of travels. In 1881, he went to Algeria and Spain, meeting the artists Eugène Delacroix and Diego Velázquez. He continued to Rome, Sicily, Algeria and Guernsey, where he created 15 paintings in one month in the summer of 1883.
In 1890, Renoir married Aline Victorine Charigot, a portrait model and muse for many of his works. They had three sons, and in 1907, Renoir moved his family to the village of Cagnes-sur-Mer, near the Mediterranean. By this time, he had developed arthritis in his hands, and he had a stroke in 1912, after which he used a wheelchair. Renoir continued to paint for the rest of his life, even strapping a brush to his paralyzed fingers.
Shortly before his death in 1919, Renoir visited the Louvre to see his paintings now hanging next to the artistic icons that he used to study and admire. He returned to his home village and died in December of that year.
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