Divine Comedy : The Dwellers of Prato - Etching - 150ex

1960

Salvador Dali Dante purifié (1960) Heliogravure reworked with drypoint Signature printed in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - Fie...

Salvador DALI Much Ado About Shakespeare : Henry III, 1968 Original etching in color Handsigned Justified EA On Japan paper 44.5 x 32 cm (c. 18 x 13 inch) ...

Salvador DALI Much Ado About Shakespeare : Hamlet, 1968 Original etching in color Handsigned Numbered / XCV (95 exemplaries) On Japan paper...

Salvador DALI Much Ado About Shakespeare : Measure for Measure, 1968 Original etching in color Handsigned Numbered / XCV (95 exemplaries) On Japan...

Salvador DALI Height Deadly Sins : Dalinean Original etching and aquatint Rare Bon-a-tirer proof annotated Ok Mr Gerbault (Mr Gerbault was a collaborator of Edition l'Orangerie) On ...

Salvador DALI Much Ado About Shakespeare : Merchant of Venice, 1968 Original etching in color Handsigned Justified EA On Japan paper 44.5 x 32 cm (...

Hand signed and numbered. Edition of 35 prints. Rare and precious artwork by Chagall, in excellent conditions. Ref. Cat. Cramer, n. 32 Image dimensions : 30.5 x 24 cm

Abstract Composition is an original etching realized in the 1960s by Eugenio Carmi (Genoa, February 17, 1920 - Lugano, February 16, 2016). Hand-signed and dated in pencil on the lo...

Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...

ARMODIO (1938) Abstract Composition Original Etching Signed and justified c.p.a Dimensions: 49,5 x 34,5 cm. Armodio was born in Piacenza in 1938. His training depends not so much on the attendance of the "Gazzola" Art Institute in his city, but also on the encounter with the painter Luciano Spazzali, whose study is the ideal place for experimentation and contamination. Here he met the painter Gustavo Foppiani, first teacher and then a fellow traveler; the two work together and then join the painter Carlo Bertè who will divide the study until 1980. This formed a free grouping animated by curiosity towards the most varied manifestations of culture, intent on reading reality under the sign of irony and inclined towards playful transgression. The first Piacenza personal exhibition was in 1963 at the Genocchi Gallery in Piacenza and in 1964, thanks to Foppiani, the Obelisk of Rome...

Illustration realized for "Le Tire à l'Arc". Etching and drypoint , Unsigned and unnumbered. Edition of 85 on Rives Vellum. Passepartout included. Very good condition.

Signed and titled on plate. Etching and aquatint print. Good condition.