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Style: Arte Povera
Photo Lithograph Jannis Kounellis Arte Povera Italian Avant Garde Etching
Located in Surfside, FL
'Lo faro il litterato tutta la vita'
Photo Lithography on rag paper
hand signed lower right in pencil: Kounellis
numbered 37/90.
Provenance: The Collection of Ileana Sonnabend (Mrs L...
Category
1960s Arte Povera Figurative Prints
Materials
Lithograph
Elettra, Music Score Lithograph Jannis Kounellis Arte Povera Italian Avant Garde
Located in Surfside, FL
It depicts a musical score or music notes.
Offset Lithography on rag paper
hand signed lower right in pencil: Kounellis
numbered 37/90.
Provenance: The Collection of Ileana Sonnabend...
Category
1960s Arte Povera Figurative Prints
Materials
Lithograph
Cartella A
Located in London, GB
Set of 4 color screenprints, 1983, on polished aluminum foil, signed and numbered from the edition of 500, published by Fratelli Alinari Stamperia d'Arte, Florence, 42 x 33 cm. (16 3/4 x 13 in.)
Including La Testa...
Category
1980s Arte Povera Figurative Prints
Materials
Screen
Olympic Balloons – Screen Print on Aluminium by M. Pistoletto - 1984
Located in Roma, IT
Hand signed. One of the 20 Artist’s Proof, numbered and hand signed.
The Italian artist Michelangelo Pistoletto, one of the most important exponents of “Arte Povera” movement, reali...
Category
1980s Arte Povera Figurative Prints
Materials
Screen
Self Portrait - Mixed Media by M. Pistoletto - 1995
Located in Roma, IT
Portrait is an original artwork realized by Michelangelo Pistoletto in 1995.
Edition of 100 prints.
Signed and dated on the lower right corner: Pistoletto 95. Numbered on the lower...
Category
1990s Arte Povera Figurative Prints
Materials
Engraving, Mixed Media
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Previously Available Items
Photo Lithograph Jannis Kounellis Arte Povera Italian Avant Garde Etching
Located in Surfside, FL
'Lo faro il litterato tutta la vita'
Photo Lithography on rag paper
hand signed lower right in pencil: Kounellis
numbered 37/90.
Provenance: The Collection of Ileana Sonnabend (Mrs Leo Castelli) & the Estate of Nina Castelli Sundell
I have seen this piece identified as being 1969 and I have seen it as 1972.
Jannis Kounellis (Greek: Γιάννης Κουνέλλης; 23 March 1936 – 16 February 2017) was a Greek Italian contemporary artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome.
Kounellis was born in Piraeus, Greece in 1936. He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956. From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics. From 1963, Kounellis introduced found objects in his artworks, among them live animals but also fire, earth, burlap sacks, and gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974, he performed with Edward Kienholz, Wolf Vostell and other artists in Berlin at the ADA – Aktionen der Avantgarde. His work has become integral to numerous renowned, international museums' collections.
In 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in Genoa curated by Celant, Arte povera means literally ‘poor art’ but the word poor here refers to the movement’s signature exploration of a wide range of materials beyond the traditional ones of oil paint on canvas, bronze, or carved marble. Materials used by the artists included soil, rags and twigs.
Leading artists were Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Piero Gilardi, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio. They worked in many different ways. They
worked in painting, sculpture and photography and made performances and installations, creating works of large physical presence as well as small-scale gestures. To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant.
In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief." The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects into his installations. He also looked beyond the gallery environment to historical (mostly industrial) sites. In 1997, Kounellis installed thirteen wardrobes and two doors that were sealed in lead along a scaffolding ledge that blocked the entry to a central hall. In 1968, in an interview by Marisa Volpi, Kounellis stated that incidental adjustments are certain as aspects that can indicate the human liberty of life.
Selected Solo Exhibitions
1960: La Tartaruga gallery, Rome
1969: Attico Gallery, Rome
1981: Van Abbemuseum, Eindhoven
1982: Whitechapel Art Gallery, London
1988: Castle of Rivoli, Turin
1996: Museo Nacional Centro de Arte Reina Sofía, Madrid
2005: Albertina, Vienna
2007: Neue Nationalgalerie, Berlin
2007: Kounellis - Jaffa Port...
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1960s Arte Povera Figurative Prints
Materials
Lithograph
H 17.5 in W 19.75 in D 0.1 in
Elettra, Music Score Lithograph Jannis Kounellis Arte Povera Italian Avant Garde
Located in Surfside, FL
It depicts a musical score or music notes.
Offset Lithography on rag paper
hand signed lower right in pencil: Kounellis
numbered 37/90.
Provenance: The Collection of Ileana Sonnabend (Mrs Leo Castelli) & the Estate of Nina Castelli Sundell
I have seen this piece identified as being 1969 and I have seen it as 1972.
Spartito musicale.
Jannis Kounellis (Greek: Γιάννης Κουνέλλης; 23 March 1936 – 16 February 2017) was a Greek Italian contemporary artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome.
Kounellis was born in Piraeus, Greece in 1936. He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956. From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics. From 1963, Kounellis introduced found objects in his artworks, among them live animals but also fire, earth, burlap sacks, and gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974, he performed with Edward Kienholz, Wolf Vostell and other artists in Berlin at the ADA – Aktionen der Avantgarde. His work has become integral to numerous renowned, international museums' collections.
In 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in Genoa curated by Celant, Arte povera means literally ‘poor art’ but the word poor here refers to the movement’s signature exploration of a wide range of materials beyond the traditional ones of oil paint on canvas, bronze, or carved marble. Materials used by the artists included soil, rags and twigs.
Leading artists were Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Piero Gilardi, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio. They worked in many different ways. They
worked in painting, sculpture and photography and made performances and installations, creating works of large physical presence as well as small-scale gestures. To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant.
In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief." The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects...
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H 14 in W 19.75 in D 0.1 in
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Olympic Balloons – Sarajevo 1984
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Arte Povera figurative prints for sale on 1stDibs.
Find a wide variety of authentic Arte Povera figurative prints available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Michelangelo Pistoletto, and Jannis Kounellis. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Arte Povera figurative prints, so small editions measuring 8.27 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $221 and tops out at $12,388, while the average work sells for $3,500.
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