Folk Art Figurative Prints

Mariage a la Campagne is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the French artist Michel Delacroix, printed using tradition...

Jane Wooster Scott (American, b. 1920) Autumn in New York, c. 20th Century Lithograph Sight: 15 x 12 in. Framed: 27 3/4 x 23 3/4 x 1 in. Signed and titled lower right in plate: Autum...

Tony Graham is a graphic artist known for his drawings and prints of New York City. “Manhattan” is the artist’s most iconic and collectible image published in 1978. Nicely framed. M...

TARNOPOL (Rus. Ternopol), city in Ukraine, formerly in the province of Lvov, Poland. The city of Tarnopol was at times part of Poland, Russia, Galitzia, Austria, and the Western Ukra...

Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see photos. Dora Szampanier...

Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see photos. Dora Szampanier...

Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...

Wien, Österreich, Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see photo...

Óbuda was a city in Hungary that was merged with Buda and Pest on 17 November 1873; it now forms part of District III-Obuda-Békásmegyer of Budapest. The name means Old Buda in Hungar...

Heidelberg Germany Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see phot...

An original hand-signed lithograph by Native American artist, RC Gorman. Numbered AP 15.

Vintage poster with Coca-Cola frame retro collectible advertisement

Vintage pencil signed and numbered limited edition lithograph on deckle edged Arches paper. Shalom of Sefad (Shulem der Zeigermacher in Yiddish Shalom Moskowitz) Shalom of Tzfat liv...

Robert Redbird Unknown Lithograph 21.5 x 16.5 inches, 26.25 x 21.25 (framed) Signed lower right recto

Thomas Lanigan-Schmidt Untitled, from from the Artsounds Collection, 1986 Lithograph on paper Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. 12 × 12 inches Unframed Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. This terrific offset lithograph print exemplifies the combination of religion and kitsch that Lanigan Schmidt is best known for. This print was created in the 1980s for the famous Artsounds portfolio, which featured prints by Marcel Duchamp, Jonathan Borofsky among others. Lanigan-Schmidt was a subject of a 2013 retrospective at PS1 MOMA and is on the faculty of the School of Visual Arts in New York. Provenance: Artsounds Portfolio About Thomas Lanigan-Schmidt: Thomas Lanigan-Schmidt is represented in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, MoMA, Brooklyn Museum, Ludwig Forum für Internationale Kunst, Ackland Art Museum, Columbus Museum of Art, and Wadsworth Atheneum Museum of Art, among others. He has exhibited extensively throughout the United States and Europe, including the 1980 and 1984 Venice Biennales, the 1991 Whitney Biennial, and the 1999 exhibition The American Century: Art and Culture, 1950-2000, Whitney Museum of American Art, New York, NY. Recent solo exhibitions include Tenemental: With Sighs Too Deep for Words, Howl! Happening, New York (2018); Thomas Lanigan-Schmidt: Mysterium Tremendum, Rockland Art Center, NY (2013); and Ecce Homo: Thomas Lanigan-Schmidt & The Art of Rebellion, Pavel Zoubok...

The title of the piece makes reference to the subject of the piece, in this case Bubby (Grandmother in Yiddish) and Zayde (Grandfather in Yiddish). In terms of style, it looks illustrative, cartoonist, and fairy-tale like. Edition 76/260. Michoel Muchnik was born in Philadelphia in 1952. Muchnik received his artistic training at the Rhode Island School of Design. He later studied Jewish and Talmudic studies at the Rabbinical College of America in Morristown, New Jersey. Michoel Muchnik's art focuses on imaginative and joyful depictions of traditional and mystical Jewish and Hasidic themes. Muchnik has exhibited his work and lectured on Hasidic art throughout the United States as well as abroad. In 1977, Muchnik was selected alongside four other Hasidic artists, including Hendel Lieberman...

Lithograph in colors depicting an enchanted evening in Paris with a snowman and children playing outside the restaurant Chez Joseph on a winter day. Signed in bottom right margin "M...

copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

Gunther Kieser American Folk Blues Festival poster 1969: Keiser's Blues guitar poster for the annual Hamburg festival devoted to American folk blues feat...

Original pencil signed Judaic woodcut on mulberry paper. MORTON GARCHIK (1929-2009) Jewish American artist painter, printmaker, illustrator, woodcut artist and author. Garchik was ...

size includes frame: 32.5" H x 26.5" W; Lithograph in colors depicting an enchanted evening in Paris with a bright cafe and a church or public building on a charming Paris square. ...

Michoel Muchnik was born in Philadelphia in 1952. Muchnik received his artistic training at the Rhode Island School of Design. He later studied Jewish and Talmudic studies at the Rabbinical College of America in Morristown, New Jersey. Michoel Muchnik's art focuses on imaginative and joyful depictions of traditional and mystical Jewish and Hasidic themes. Muchnik has exhibited his work and lectured on Hasidic art throughout the United States as well as abroad. In 1977, Muchnik was selected alongside four other Hasidic artists, including Hendel Lieberman...

Wall 1968, paper, linocut, 20.5x28 cm The linocut print depicts a boy standing in what appears to be a dark or shadowy environment. The artist uses the linocut technique to create ...

Russian epic. 2/10 1966, paper, linocut, 23.5x35 cm The linocut print depicts a scene from Russian folklore and history, capturing the essence of a ...

A traditional children's illustration-style print of Mother Goose, sitting on a stack of books and writing down stories on a scroll. She is elaborately dr...

THE GUN by Rocky Dobey is an intaglio print from an acid-etched copper plate, chine-collé with Japanese paper on archival Hahnemuhle paper, mounted...

Calm sea. Paper, linocut, 26,5x32 cm imprint size 13x20 cm total page size 26,5x32cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publi...

Statue of Liberty by Vick Vibha Date: 1978 Screenprint, signed and numbered in pencil Edition of 150, AP 20 Size: 26 in. x 20 in. (66.04 cm x 50.8 cm)

Sword and a shield. Paper, linocut, 24x31 cm imprint size 12,5x26 cm total page size 24x31cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Fishing men. Paper, linocut, 23x32 cm imprint size 13,5x20,5 cm total page size 23x32cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pu...

Artist: Sadao Watanabe (1913-1996) Title: Christ Washing Feet of Disciples Year: 1970 Medium: Japanese Stencil Dyeing (kappazuri) with hand coloring Paper: washi paper Sheet Size: 27.75 x 23.25 inches Framed size: 34.75 x 30 inches Edition Size: 50; This one: 42/50 Signature: Brushed signature, date lower right, number lower left. This fine print is immediately recognizable as the work of Sadao Watanabe (1913-1996) It depicts Christ washing the feet of his disciples. The print and mat are in very good condition. It is floating; attached with three archival hinges to a mounting matboard in gray. It has a white mat. The framing is a simple white metal frame that is in good condition with some light scratches. Sadao Watanabe was born and raised in Tokyo. Watanabe was famous for his biblical prints rendered in the mingei (folk art) tradition of Japan. As a student of the master textile dye artist Serizawa Keisuke...

The lighthouse. 1963. Paper, linocut, 21x27,5 cm imprint size 13,5x19,5 cm total page size 21x27,5cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore a...

Feast and singing. 1984. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fi...

Snow day. 1984. Paper, linocut, 25x34 cm imprint size 14x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction p...

Meeting. Paper, linocut, 21x27,5 cm imprint size 13,5x20 cm total page size 21x27,5cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publ...

Easter. 1984. Paper, linocut, 25x34 cm imprint size 13x25,5 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pub...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Appealing collograph Intaglio work by Noche Crist (1909- 2004). Unsigned from the 1970s but one of a kind and handprinted by the artist on thick paper. Catalogue of a postumous retr...

Artist: Ralph Fasanella, American (1914 - 1997) Title: Family Supper Year: 1974 Medium: Screenprint on Arches Paper, signed in pencil Edition: 250, AP 25 Size: 41 in. x 31 in. (104.1...

Carnival. 1984. Paper, linocut, 20x34 cm imprint size 10x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pub...

Lone Wolf [2022] Signed by the artist etching & aquatint Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:32 cm x W:42 cm x ...

Independence Day by Colette Raker, French (1938) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 33 x 26 inches...

Drag Queen on the Rocks By Tim Southall [2021] limited_edition and hand signed by the artist etching Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:0.01 cm x W:32 cm x D:42cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Drag Queen on the Rocks is an allegorical print by Tim Southall. It depicts a drag queen focusing all her charisma, uniqueness, nerve and talent on negotiating a very rocky and uneven landscape. The title alone suggests that it might be all over for the Drag Queen: she is in difficulty and likely to fail; in tatters, ruined, and perhaps beyond repair. But never underestimate a drag queen. The fact that she has the nerve to wear stiletto heels while rock climbing...

Born in 1940 in Shostka, Ukraine, Konstantin Bokov immigrated to New York City in 1974.Born the son of Viktor Bokov, the well known poet who perished in the Soviet gulag, Konstantin Bokov was an accordion player and sheep-herderbefore he became a self-taught artist and expelled dissident. When he appeared at the Morin-Miller Gallery in 1978 bearing a painting of a Tropicana juice carton, Carmen Morin brought it home. Jack Miller remembers his reaction: "We don't buy art, we sell it!" --- then their personal collection of Bokov's work grew to over a hundred pieces. Many paintings, sketches, collages and recycle assemblages were done, It's been said that Bokov’s canvases and recycled pieces offer an image of New York that is both a scathing critique and profession of love. This is especially evident in his pieces "Manhattan Madness (Road Repair)" and his Statue of Liberty series...

Born in 1940 in Shostka, Ukraine, Konstantin Bokov immigrated to New York City in 1974.Born the son of Viktor Bokov, the well known poet who perished in the Soviet gulag, Konstantin Bokov was an accordion player and sheep-herderbefore he became a self-taught artist and expelled dissident. When he appeared at the Morin-Miller Gallery in 1978 bearing a painting of a Tropicana juice carton, Carmen Morin brought it home. Jack Miller remembers his reaction: "We don't buy art, we sell it!" --- then their personal collection of Bokov's work grew to over a hundred pieces. Many paintings, sketches, collages and recycle assemblages were done, It's been said that Bokov’s canvases and collage recycled pieces offer an image of New York that is both a scathing critique and profession of love. This is especially evident in his pieces "Manhattan Madness (Road Repair)" and his Statue of Liberty series...

"Carousel" is a colorful and playful print by Chae Tong Yull, Korean (1951). The Screenprint is signed and numbered in pencil Edition of 250 Size: 35 x 26 in. (88.9 x 66.04 cm)

This vibrant Folk Art Limited Edition Print is taken from a painting on board is by the wonderful British Canadian artist Nancy Patterson. It comes fro...

"Honeymooners" is a colorful and playful print by Chae Tong Yull, Korean (1951). The Screenprint is signed and numbered in pencil Edition of 250 Size: 30 x 26 in. (76.2 x 66.04 cm)

Gift II by Vick Vibha Date: circa 1978 Etching, signed in pencil Edition of AP Image Size: 20 x 15 inches Size: 26 in. x 21 in. (66.04 cm x 53.34 cm)

This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Château de Cheverny in the Loire Valley of France Lithograph in colors depicting an enchanted evening at Cheverny with a horse drawn wagon and carriages on a winter day, Signed in...

This vibrant Folk Art Print made from a painting on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her series ‘Days in...

Vintage pencil signed and numbered limited edition lithograph on deckle edged Arches paper. Shalom of Sefad (Shulem der Zeigermacher in Yiddish Shalom Moskowitz) Shalom of Tzfat lived for over seventeen years in his native town of Safed in the hills of the Galilee. There he worked as a watchmaker, stonemason and silversmith, during the 50's. Since then this self-taught artist has achieved an international reputation. Shalom is a naive painter, but not a primitive one, he expresses a very elaborate way of thinking in his own way. While belonging to Hasidism, Shalom of Safed...

Vintage pencil signed and numbered limited edition lithograph on deckle edged Arches paper. Shalom of Sefad (Shulem der Zeigermacher in Yiddish Shalom Moskowitz) Shalom of Tzfat lived for over seventeen years in his native town of Safed in the hills of the Galilee. There he worked as a watchmaker, stonemason and silversmith, during the 50's. Since then this self-taught artist has achieved an international reputation. Shalom is a naive painter, but not a primitive one, he expresses a very elaborate way of thinking in his own way. While belonging to Hasidism, Shalom of Safed...

Thanksgiving by Colette Raker, French/American (1938) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 450 Image Size: 25.5 x 33 inches Size: 28 x 36.5 in. (71....

This vibrant Folk Art Limited Edition Print is made from a painting on board by the fabulous British Canadian artist Nancy Patterson. It comes from her...

Color Reduction woodcut from 4 blocks with 4 silk screen colors and embossing on white Rives BFK paper Edition 28/30, Unframed MassArt welcomed artist Winfred Rembert for the 2014 Master Print Series, an artist in residency project during which, an established artist transforms an idea into physical artwork, and invites students to collaborate in the art-making process. A self-taught artist, Winfred Rembert records a painful chapter of American history in autobiographical paintings, created on hand-tooled and dyed leather, which explore the lives of African Americans in Jim Crow-era Georgia. After taking part in civil rights demonstrations, he survived a lynching only to be sent to prison to do hard labor on a chain gang. Another inmate taught him leatherworking and Rembert began depicting his past in engaging compositions and vibrant color. In many scenes, Rembert offers a raw view of racism, inequality, and violence while celebrating his community’s resilience in the face of such overwhelming injustice. Winfred Rembert also participated in the Adderley Lecture series, which features distinguished artists, historians, and writers and was established in 1995 in memory of Tyrone Maurice Adderley. Past Adderley lecturers have included Chakaia Booker, Melvin Edwards...

This vibrant Folk Art Limited Edition Print made from a painting on board is by the fabulous British Canadian artist Nancy Patterson. It comes from her...