Items Similar to Gares
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Théophile Alexandre SteinlenGares1916
1916
About the Item
Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923)
Title: Gares
Year: 1916
Medium: Lithograph
Edition: Unknown, probably 400
Paper: Japan
Image size: 11 x 8.5 inches
Sheet size: 18.25 x 12.25 inches
Signature: Hand signed in pencil by the artist, also signed in the stone.
Printer: Verneau, Paris
Condition: Very good
About the artist:
Born in Lausanne, Switzerland on November 10, 1859, he moved permanently to Paris at age 23 and became a French citizen. Steinlen studied art at Lausanne and later became active as a textile designer in Mulhause. In 1882 he arrived in Paris where he worked as an illustrator for the journals Mirliton, Assiette au Beurre, Chat Noir, and Gil Blas, for which he produced over four hundred lithographs. In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants.
Besides illustrating advertisements for a variety of products, Steinlen was famous for his posters of cabaret and music hall performers . His later work for the journals, like that of Toulouse Lautrec, became increasingly satirical and critical of society. His permanent home, Montmartre and its environs was a favorite subject throughout Steinlen's life and he often painted genre scenes of the working class, capturing day-to-day life in Paris with a simple, endearing style. Between 1914 and 1918 he produced many lithographs depicting the first world war, especially the suffering of the civil population under the Germans occupation. A large collection of his lithographs and etchings are held at the Louvre museum in Paris.
Steinlen's works can be found at many important museums around the world including at the Hermitage Museum in St. Petersburg, Russia and the National Gallery of Art in Washington, D.C., United States.
Théophile Steinlen died in 1923 in Paris and was laid to rest in the Cimetière Saint-Vincent in Montmartre.
- Creator:Théophile Alexandre Steinlen (1859 - 1923, French)
- Creation Year:1916
- Dimensions:Height: 18.25 in (46.36 cm)Width: 12.25 in (31.12 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
Théophile Alexandre Steinlen
Theophile Alexandre Steinlen was born in Lausanne in 1859. He was naturalized French in 1901. He was a painter, engraver, illustrator, poster artist and sculptor. Before settling in Paris, he made a detour to Mulhouse where one of his uncles placed him in the studio of one of the best lithographers of the time. He settled definitively in Montmartre in 1881. Willette introduced him to his companions of the Cabaret du Chat-Noir animated by Rodolphe Salis. He met Toulouse-Lautrec, Forain, Léandre, Debussy, Eric Satie, Verlaine, Alphonse Allais and Aristide Bruant. He took part in the performances of the famous cabaret's shadow theater with animal stories and, most often, sequences featuring cats, for which he has a particular affection. The felines will appear throughout his activity as "parentheses" in a tormented work. There is, in this torment, the expression of no personal problem but a painful compassion for the lives of the exploited and marginal beings. He painted and drew idylls, balls and bastrings, workers, kids and gosselin, the poor, the little workers, girls and marlous. He sometimes made posters. In the most successful of them (« Le lait pur de la Vingeanne » et le « Fer Bravais ») he imposed, relevant or not, the presence of cats.
In 1901, Steinlen worked for L'Assiette au beurre , the most virulent satirical newspaper ever published and takes readily to target the institutions of the 3rd Republic.
His works are found in numerous Public Collections, such as Petit Palais in Geneva, Hermitage Museum in Saint Petersburg, and the National Gallery of Art in Washington.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1999
1stDibs seller since 2017
685 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: San Francisco, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Juchiteca's Platicando (Juchitecan Women Talking)By Francisco ZúñigaLocated in San Francisco, CAThis artwork titled "Juchiteca's Platicando (Juchitecan Women Talking) 1985 is an original colors lithograph on Wove paper by Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 72/150 in pencil by the artist. The size is 22.75 x 30 inches. It is in excellent condition, 2 small pieces of hanging tape remaining on the back at the top edge of the sheet from previous framing. About the subject: This print, Juchitecas Platicando (Juchitecán Women Talking), depicts three statuesque women from the city of Juchiteca in the state of Oaxaca in southeastern Mexico. Juchiteca is a largely matriarchal society, in that women control the economy and hold positions of power. It is also home to a large Zapotec population, indigenous to the land that became Mexico. Francisco Zúñiga lived within the community of Juchiteca for a period of time and adopted the women of the area as one of the central motifs of his artwork, both on paper and in sculpture. Through his selective coloring, Zúñiga highlights the women’s clothing, including their recognizable huipiles or tunics, conveying the pride in locally made textile art About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein, André Breton and Antonin Artaud. Then as now, Mexico City was a major world capital with the infrastructure necessary to exhibit and expose new aesthetic concepts. For all these reasons it was the most obvious destination of choice for Zuñiga. In Mexico he worked with the painter Manuel Rodríguez...Category
Late 20th Century Realist Figurative Prints
MaterialsLithograph
- Group of WorkersBy John Edward CostiganLocated in San Francisco, CAThis artwork titled "Group of Workers" 1943, is an original lithograph on paper by noted American artist John Edward Costigan, 1888-1972. It is hand signed and titled in pencil by th...Category
Mid-20th Century Realist Figurative Prints
MaterialsLithograph
- "Silvia" Large original color lithographBy Francisco ZúñigaLocated in San Francisco, CAThis artwork titled "Silvia" 1980 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and number...Category
Late 20th Century Realist Figurative Prints
MaterialsLithograph
- "Madre Juchiteca" Large original color lithograph.By Francisco ZúñigaLocated in San Francisco, CAThis artwork titled "Madre Juchiteca" 1973 is an original colors lithograph on Arches paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated...Category
Late 20th Century Realist Figurative Prints
MaterialsLithograph
- Mujeres de MexicoBy Francisco ZúñigaLocated in San Francisco, CAThis artwork titled "Mujeres de Mexico" 1973 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered XX/XXV in pencil by the artist. The artwork size is 22.25 x 30.75 inches, framed size is 34.5 x 42.25 inches. Published by Editions Press, San Francisco, with their blind stamp at the lower right corner. Referenced and pictured in the artist's catalogue raisonne by Brewster plate #5. Beautifully custom framed in a wooden gold frame, with fabric matting and gold color bevel. It is in excellent condition, the frame have some light discoloration at the left side, please see picture #1. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...Category
Late 20th Century Realist Figurative Prints
MaterialsLithograph
- Familia Indigena IIIBy Francisco ZúñigaLocated in San Francisco, CAThis artwork titled "Familia Indigena III" 1983 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 67/100 in pencil by the artist. The artwork size is 22 x 29.85 inches, framed size is 28.5 x 36.5 inches. Published and printed by La Poligrafa, Barcelona, Spain. Referenced and pictured in the artist's catalogue raisonne "Zuniga The Complete Graphics, 1972-1984, by Jerry Brewster, plate #93. Beautifully framed in a custom acrylic display box, with brown fabric backing. It is in excellent condition. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...Category
Late 20th Century Realist Figurative Prints
MaterialsLithograph
You May Also Like
- Phil Limited Edition rubber stamp Portrait of Philip Glass, pencil no. 243/1000By Chuck CloseLocated in New York, NYChuck Close Phil, 1976 Limited Edition Print on Strathmore 3-Ply Paper. Pencil numbered 243/1000 on the verso. Artist's printed copyright name verso. Accompanied by original envelope...Category
1970s Realist Figurative Prints
MaterialsMixed Media, Pencil, Lithograph, Offset
- Woman at the Tub (Femme au tub)Located in Bournemouth, DorsetHenri de Toulouse-Lautrec (1864–1901) Woman at the Tub (Femme au tub) lithograph, 213/275, signed in print Image: 48.5 x 62.5 cm Frame: 69.5 x 81.5 cm Henri Toulouse-Lautrec (1...Category
1890s Realist Landscape Prints
MaterialsLithograph
- Sheep in Landscape (C. 558)By Henry MooreLocated in New York, NYSheep in Landscape (C. 558), 1974 Lithograph in colors, on wove paper 18 1/8 x 20 1/4 in. (46 x 51.4 cm) Edition of 50 Signed and numbered in pencil, lower marginCategory
1970s Realist Figurative Prints
MaterialsPaper, Lithograph
- Goat Herder's WifeBy George BiddleLocated in New York, NYGeorge Biddle (1885-1973), Goat Herder’s Wife, 1928, lithograph, signed in pencil lower right and titled and numbered (64/100) in pencil lower left margin [with the inscription ”Bidd...Category
1920s Realist Animal Prints
MaterialsLithograph
- Prayers - Lithograph by Bartolomeo Pinelli - 19th CenturyBy Bartolomeo PinelliLocated in Roma, ITPrayers is a beautiful original lithograph on paper, realized by the Italian artist Bartolomeo Pinelli. In very good conditions, published by Engelmann. Sheet dimension:30 x 46 Th...Category
19th Century Realist Figurative Prints
MaterialsLithograph
- Modern Marilyn - Original handsigned lithograph - 199exBy Jean-Baptiste ValadieLocated in Paris, FRJean-Baptiste VALADIE Modern Marilyn Original lithograph Handsigned in pencil Limited /199copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent conditionCategory
Late 20th Century Realist Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
French Print Advertisement
Russian Civil War
Antique Style Journal
20th Century Advertisement Poster
Bla Bla Bla
Bla Bla
Vincent Nudes
Civil War Signatures
Art Bla Bla Bla
Antique Advertisement Signs
Alexandre Antique Prints
St Petersburg Poster
Dior Noir
Lautrec German
Chat Poster
Montmartre Poster
Lausanne Poster
Gil Blas