Items Similar to Capital Letter for Antiquities of Herculaneum Exposed - End of the 18th Century
Want more images or videos?
Request additional images or videos from the seller
UnknownCapital Letter for Antiquities of Herculaneum Exposed - End of the 18th CenturyEnd of the 18th Century
End of the 18th Century
About the Item
Capital letter for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century after Gaspare Vanvitelli, made by Various Old Masters.
In very good condition, except for some stains along the margins.
In this work the letter that appears in the foreground is the A, with an eagle in the background. Signature of the draftsman Vanvitelli and sculptor Giomignani along the lower margins. On the back, printed writings certainly derived from.
The etching belongs to the print-series Antichità di Ercolano Esposte (original title: Le Antichità di Ercolano Esposte), eight volumes of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (today Campania, Italy).
It was published between 1757 and 1792 by the Regia Stamperia and later these copies were delivered to selected recipients throughout Europe.
Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici.
The Bourbon king Charles commissioned fifteen scholars to create a new “Herculaneum Academy” to study the finds and publish the results of the archaeological excavations of the sites.
The engravings are of high quality and the accompanying text shows a large scholarship.
They were made by 25 leading artists involved by the King to prepare drawings and engravings on the finds, among which we find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli and Giovanni Battista Casanova.
The "Antiquity" was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research, following and increasing the interest of eighteenth-century society for classical culture and art in particular.
Through the exaltation of the classical concept of proportion and harmony, the book inspired the neoclassical movement in Europe, giving artists and decorators access to a vast workshop of Hellenistic motifs.
Ref .:
National Gallery (Washington), Mark J. Millard Architectural, IV (2000), n. 1.
L. Garcia y Garcia, Nova bibliotheca Pompeiana (2 v., 1998).
Royal Institute of British Architects, British Architectural Library ... First Printed Books, 1 (1994), no. 112.
U. Pannuti, Engravers and designers of the Royal Printing House of Naples in the 18th century: the publication of the Antiquities of Herculaneum, in Xenia antiqua, 9 (2000), p. 151-178.
V. Trombetta, The edition of The Antiquities of Herculaneum exhibited in Rendiconti of the Academy of Archeology, Letters and Fine Arts of Naples, 59 (1984), p.151-172.
- Creation Year:End of the 18th Century
- Dimensions:Height: 3.55 in (9 cm)Width: 3.35 in (8.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,791 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Monaco, Monaco
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th CenturyLocated in Roma, ITAncient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. The e...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Antiquities of Herculaneum Exposed- Original Etching - 18th CenturyLocated in Roma, ITAntiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. Good condition...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Relief - Original Etching - 18th CenturyLocated in Roma, ITAncient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous Artista in the 18th century. ...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Fresco - Original Etching - 18th CenturyLocated in Roma, ITAncient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous in the 18th Century. Signed ...Category
18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Statue - Original Etching by Vincenzo Campana - 18th CenturyBy Vincenzo CampanaLocated in Roma, ITAncient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate on the low...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Ancient Roman Fresco/Naval Battle - Original Etching by V. Aloja - 18th CenturyBy Vincenzo AlojaLocated in Roma, ITAncient Roman Fresco / Naval Battle from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century. Signed on the plat...Category
18th Century Old Masters Figurative Prints
MaterialsEtching
You May Also Like
- One Can't Tell Why - Proof from the Disasters of WarBy Francisco GoyaLocated in New York, NYFrancisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...Category
1810s Old Masters Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- Piquier Allemand (German Pikeman) /// Old Masters Figurative Man Soldier AntiqueLocated in Saint Augustine, FLArtist: Armand Joseph Lallemand (French, 1810-1871) Title: "Piquier Allemand (German Pikeman)" Portfolio: Gazette des Beaux-Arts Year: 1866 Medium: Original Etching on cream laid pap...Category
1860s Old Masters Figurative Prints
MaterialsIntaglio, Etching, Laid Paper
- The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel ArtBy Michael BurghersLocated in Saint Augustine, FLArtist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...Category
1680s Old Masters Figurative Prints
MaterialsWatercolor, Engraving, Etching, Laid Paper, Intaglio
- Jan Uytenbogaert, The GoldweigherBy Rembrandt van RijnLocated in Boston, MABartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.Category
17th Century Old Masters Figurative Prints
MaterialsDrypoint, Etching
- Market DayBy Marius BauerLocated in Storrs, CTMarket Day. 1889. Etching and drypoint. Wisselingh 42. 7 5/8 x 5 13/16 (sheet 8 3/8 x 6 3/8). Edition 100. Printed on cream laid paper. Mat burn and toning ...Category
Late 19th Century Old Masters Figurative Prints
MaterialsEtching
- Turkish Funeral.By Marius BauerLocated in Storrs, CTA Turkish Funeral. 1889. Etching. Wisselingh 60. 3 3/4 x 5 1/2 (sheet 8 3/4 x 11 7/8). Edition 100, #9. A richly inked impression printed on Strasbourg cream laid paper. Printed on...Category
Late 19th Century Old Masters Figurative Prints
MaterialsEtching