William Tillyer

Interior at Fontenay aux Rose with Large Tortoise

2018

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printin...

William Tillyer "some natural flowers that looked like fakes"- Bosphorus "it all comes down to syphilis in the end" 1974/2018 Copper plate line drawings on Arches paper, Edition of 2...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printin...

William Tillyer "some natural flowers that looked like fakes" - Floral follies 1974/2018 Relief and intaglio printing on Arches paper, Edition of 25 Paper size: 65.5 x 50 cms ( 25 3/...

William Tillyer Interior at Fontenay aux Rose with Large Tortoise "Skylight screen and vase of articial looking flowers" 1974/2018 Intaglio and relief printing on Arches paper, Edit...

William Tillyer The Hanging Tree (Jan Luyken prints - and from the 1633 drawings by Jacques Callot) 1974/2018 Line drawings on copper plate on Arches cream...

Etching printed with tone, 1985. Initialed in pencil and numbered from the edition of 50 (plus 15 artist's proofs) Printed on Somerset Satin White. Proofed and printed by Terry Wils...

Marc Chagall, 1887-1985 (Russian, French) The Vision of Ezekiel - 1956, From bible 1931-1939, 1952 - 1958 Etching with watercolor signed lower right, numbered '52/100' lower left Printed by Tariade DIMENSIONS: Image H: 16.12" W: 12.37", & Frame H: 23.37" W: 19.62" Condition: Excellent A certificate of Authenticity is included. After Chagall completed his etchings for The Fables (1930), Vollard again offered Chagall a commission, this time for a set of etchings illustrating themes from the Bible. Chagall went to Palestine to get a sense of the land itself. Returning to Paris, he began work on the 105 etchings for this project, first between 1931 and 1939 (when the first sixty-five etchings were executed and printed) and then between 1952 and 1956 (when the remaining forty etchings were completed and printed). Meyer Schapiro, the noted art historian, observed that Chagall was the ideal artist to have undertaken the task of illustrating the Bible: "Chagall was prepared for this achievement by his permanent receptivity of mind. He is a rare modern painter whose art has been accessible to the full range of his emotions and thoughts. . . . He has represented themes of an older tradition not in a spirit of curiosity or artifice, but with a noble devotion. . . . Although these etchings are marvels of patient, scrupulous craftsmanship, there is no assertion here of skill or technical research, but an immersion in a subject which the artist convinces us often equals or transcends value in the work of art . . . In almost every image we experience the precise note of his emotion, his awe or sadness or joy, which is voiced in the melody of shapes and the tonal scale peculiar to each conception. If we had nothing of Chagall but his Bible, he would be for us a great modern artist." Most of the etchings for The Bible were executed by Chagall between 1931 and 1939; the last pieces were completed between 1952 and 1956. The Bible was issued in an edition of 275 signed and numbered portfolios and 20 portfolios hors commerce. There are also 100 sets of the etchings with hand-coloring on paper with large margins, each of which is numbered lower left and initialed in pencil by Chagall lower right. References: Marc Chagall: Druckgraphische Folgen 1922-1966. Verzeichnis der Bestande (Hannover: Kunstmuseum Hannover mit Sammling Sprengel, 1981); Charles Sorlier, Marc Chagall et...

Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and t...

Eric Fischl was born in New York City and grew up on suburban Long Island; his family moved to Phoenix, Arizona, in 1967. His art education began at Phoenix College for two years, f...

Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and t...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...