Yuji Hiratsuka

Baba Yaga Shojo and Upside Down Tree

2015

This print combines a number of intaglio techniques, as well as screenprint. It signed, number and titled on the back of the sheet. Edition of 32. The central image is of a shadowy d...

Signed, title and numbered in pencil by the artist. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate mor...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

Smith-Harrison's work very often features architectural elements, along with trees. This is a unique monoprint based on a photogravure print, and finished with hand watercolor. Davi...

Ex libris print created for Thea & Tjalling Vogelvanger. Signed artist proof from the edition of approx. 50.

Zitouna Mosque - Tunisiaca is a wonderful black and white photolithograph on parchment, realized in 1994 by the Italian politician Bettino Craxi. A rare and precious specimen, an (u...

Basilica of Saint Clement is a phototype print on cardboard, with the description on the lower dated "1863". Good conditions with diffused foxing. The Medieval scene represent a si...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Pojdziesz Ponad Sadem - Vintage Poster is a vintage poster realized by Unknown Artist, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Director...

Szalenstwo Milosci - Vintage Poster is a vintage poster realized by Unknow Artist, in 1979s. Mixed colored offset print. Dimension: 83 x 58.5 cm The artwork represents the poster...

"José Manuel Ballester (Spain, 1960) 'Puerto', 1990 lithograph on paper 14.6 x 20.5 in. (37 x 52 cm.) Edition of 70 ID: BAL1266-001-070 Hand-signed by author in pencil"