Jorge Camacho

original lithograph

1979

Medium: pochoir (after the painting). This exquisitely rich impression on black wove paper was published in 1941 by the Nierendorf Gallery, of New York, for the cover of a now quite ...

Medium: original lithograph. Catalogue reference: Mourlot 209. Executed in 1953 and issued in an edition of 1350 for the rare exhibition catalogue "Miro Recent Paintings", published by the Pierre Matisse...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Alexander Calder Lithograph: Portfolio: Derrière le miroir Published by: Galerie Maeght, Paris, c. 1973. Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. ...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Christmas Tree is a lithograph on paper with an image size of 2.25 x 2.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray ...

Night Room is a lithograph on paper with an image size of 2.25 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fram...

Balloon Moon is a lithograph on paper with an image size of 1.75 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fra...

Suspended Sentence is a lithograph on paper with an image size of 1.5 x 2 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray ...