Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Joseph Constantine Stadler
Clare College, Cambridge / Clare Hall / King's College engraving by Stadler

1815

About the Item

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Entrance to the Avenue, from Clare Hall Piece (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of the gates of Clare College, formerly known as Clare Hall. The River Cam winds its way through the scene; we can see the New Buildings of King's College, Cambridge on the far bank. Victorian figures, several with parasols, picnic or promenade in the foreground. Joseph Constantine Stadler was a prolific German émigré engraver of images after his contemporaries - here, 18th-century English landscape painter and diarist Joseph Farington. Stadler's engravings are wide-ranging in subject matter and include landscapes, seascapes and portraits, as well as military, sporting and decorative subjects. Stadler was employed by the leading print publisher of the time, John Boydell. Stadler lived in Knightsbridge when he died at the age of 73. William Westall was a British landscape artist. He was born in Hertford and enrolled at the Royal Academy schools in 1799. He later became the draughtsman for a voyage to Australia and the South Seas. After being shipwrecked, he travelled to Canton in China and to India, staying in Bombay for several months. He returned to England in 1805 but later set off for Madeira and Jamaica. He became a member of the Society of Painters in Water Colours (1811) and an associate of the Academy (1812). Following a mental breakdown, he regularly visited the Lake District and published ‘Views of the Valley and Vale of Keswick’ (1820). His series of aquatints of the Thames, the great universities, and England's public schools for Ackermann are among his most popular works. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
  • Creator:
    Joseph Constantine Stadler (1780 - 1822)
  • Creation Year:
    1815
  • Dimensions:
    Height: 9.85 in (25 cm)Width: 11.82 in (30 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Good. Some gentle age toning.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795311715062
More From This SellerView All
  • Samuel Howitt: 'Battle between Buffalo and Tiger' print after Thomas Williamson
    By Thomas Williamson
    Located in London, GB
    Samuel Howitt (1765-1822) after Thomas Williamson (1758-1817) Exhibition of a Battle between a Buffalo & a Tiger' from Oriental Field Sports (1819) Hand-coloured aquatint 35 x 47 cm Captain Thomas...
    Category

    Early 19th Century Realist Animal Prints

    Materials

    Aquatint

  • Andrew Ingamells (b.1956), Jesus College Cambridge engraving after David Loggan
    By Andrew Ingamells
    Located in London, GB
    To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew Ingamells Jesus College, Cambridge Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...
    Category

    21st Century and Contemporary Realist Landscape Prints

    Materials

    Aquatint, Etching

  • Merton College, Oxford etching by Richard Beer
    By Richard Beer
    Located in London, GB
    To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
    Category

    20th Century Realist Landscape Prints

    Materials

    Etching, Aquatint

  • 1804 St George's Chapel Windsor Castle print
    By Frederick Nash
    Located in London, GB
    From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
    Category

    Early 1800s Realist Landscape Prints

    Materials

    Aquatint, Etching

  • 1804 St George's Chapel Windsor Castle print
    By Frederick Nash
    Located in London, GB
    From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some other...
    Category

    Early 1800s Realist Landscape Prints

    Materials

    Aquatint, Etching

  • Westminster Abbey Chantry Chapel Screen engraving by J Black for Ackermann
    Located in London, GB
    To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. J Black (early 19th century) after Frederick Mackenzie (1788 - 1854) Screen Over the Chantry of Henry V, Westminster Abbey (1812) Hand-coloured aquatint 26 x 31 cm Published by Rudolph Ackermann...
    Category

    1810s Realist Prints and Multiples

    Materials

    Aquatint

You May Also Like
  • The Thames, 1894 - Victorian aquatint etching of London by Joseph Pennell
    By Joseph Pennell
    Located in London, GB
    JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...
    Category

    1890s Realist Landscape Prints

    Materials

    Aquatint

  • Zermatt Street Scene D.W., 2021, Contemporary, 21st Century, Magic Realism
    By Peter Doig
    Located in Zug, CH
    Zermatt Street Scene D.W., 2021 — Peter Doig, Contemporary, 21st Century, Etching with aquatint, spitbite, drypoint, softground, Magic Realism Edition of 20 Signed recto in graphite, accompanied by Certificate of Authenticity In mint condition PLEASE NOTE: Images of edition number are example references only. The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. The pictures are only for illustrative reasons, the work is offered unframed. An avid winter sportsman, Peter Doig lived in Zermatt for six weeks in 2020 and for four months in 2021, working out of a studio on the mountain. With his inventive, painterly approach, the artist uses alpine imagery and traditional printmaking techniques to investigate landscape, material, and form. These diverse series of etchings reflects a self-referential process of experiment and innovation in which works continuously evolve into their final form. Together, this body of work pays homage to Doig’s passion for skiing and connection to Zermatt, while also referencing a rich tradition of alpine paintings...
    Category

    2010s Realist Figurative Prints

    Materials

    Etching, Aquatint

  • Reclining Nude - Original handsigned etching - 50ex
    By Jean-Baptiste Valadie
    Located in Paris, FR
    Jean-Baptiste VALADIE Reclining nude Original etching and aquatint Handsigned in pencil Limited /199 copies On vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition
    Category

    Late 20th Century Realist Nude Prints

    Materials

    Aquatint, Etching

  • Printemps Breton
    By Jean-Emile Laboureur
    Located in New York, NY
    Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
    Category

    1920s Realist Landscape Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

  • L’Hiver a Paris ou La Neige a Paris
    By Félix Hilaire Buhot
    Located in New York, NY
    Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
    Category

    1870s Realist Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • New York City Skyline Modern Print Chrysler State Building Framed Unique Etching
    By Katherine Gallagher
    Located in Buffalo, NY
    Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...
    Category

    1980s Realist Landscape Prints

    Materials

    Etching, Aquatint

Recently Viewed

View All