Julia Taylor

'The Basilica of St. Josapha' Giclée Print on Watercolor Paper

2020

Part of the artist’s ongoing illustrations of Beaver Lake, ‘Beaver Lake with Stargazer Lilies II’ is an original mixed media giclée print on watercolor ...

Originally published by the Gugler Lithograph Company in 1898 as a chromolithograph, 'Panoramic View of Milwaukee, WI, Taken From City Hall Tower' is a giclée print reproduction that...

‘Impressions of Pinnacle Peak, AZ Looking West From Dick & Sherry Miller's House’ is an artist’s proof giclée print after the original 2001 watercolor, s...

‘Tulips, Hybrid, Hibiscus, Crane’s Bill & Peonies’ is an artist’s proof giclée print on watercolor paper after the 2003 original, signed by the artist in the lower right. Influenced ...

'Beaver Lake Flowers' is an artist's proof giclée print after the 1996 original, signed by the artist in the lower right. Working in the organic and mutable hues of watercolor, Barnett's flowers emerge from out of the variegated undergrowth only to dissolve back into pure color just as quickly. Barnett's mastery over color and light reveals him as a student of the Impressionists, while his tendency towards abstraction highlights his appreciation of later Expressionists as well. Giclée print on watercolor paper after original 1996 watercolor painting...

In this artist’s proof giclée print, David Barnett commemorates the Boerner Botanical Garden’s gala with a stunning nocturnal scene of the garden illuminated by fireworks. Confetti s...

The Large seascapes, although not quite a series of drawings, were perfect testing grounds for the work I wanted to do, after drawing the first linear landscapes of the early years. ...

Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd Series: No Innocent Land This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula. Print details: © Alex Boyd, Courtesy MMX Gallery Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist Image: 82 x 58 cm Frame: 116 x 91 cm Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass Shipping worldwide; the framed print would be crated and shipped by professional shipping company, Free delivery in London postcodes and in a selected areas in the UK. Free pick up from the gallery. About the Artist: ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020. A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications. WORK REPRESENTED IN THE FOLLOWING COLLECTIONS: The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A *** NO INNOCENT LAND The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera...

Daniel Rothbart, Eclipse, 1976-2023, printed on Epson Cold Press Bright paper with archival ink, 19 x 24 in. (48.26 x 61 cm.), edition of 3 with two APs, signed and numbered.

Daniel Rothbart, Sous-marin, 1914-2022, printed on Epson Cold Press Bright paper with archival ink, 16.8 x 24 in. (42.7 x 61 cm.), edition of 3 with tw...

Daniel Rothbart, Kinesis, 1909-2021, printed on Epson Cold Press Bright paper with archival ink, 17.2 x 24 in. (43.7 x 61 cm.), edition of 3 with two APs, signed and numbered.

Daniel Rothbart, Trasmettiamo per voi, 1953-2022, printed on Epson Cold Press Bright paper with archival ink, 16.64 x 24 in. (42 x 61 cm.), edition of ...