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Auguste Aristide Fernand Constantin
Landscape - Original Etching and Drypoint by J.-F. Chaigneau - 1863

1863

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  • Landscape - Etching by J. F. Raffaelli - Late 19th Century
    By Jean-Francois Raffaelli
    Located in Roma, IT
    Etching and drypoint. Hand signed. Very good condition.
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    Late 19th Century Modern Figurative Prints

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    Drypoint, Etching

  • Cowdray Castle (with cows)
    By Sir Francis Seymour Haden, R.A.
    Located in Roma, IT
    Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified. Ref. Cat. Harrington...
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    1880s Post-Impressionist Landscape Prints

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  • Group of three Clowns - Etching and Drypoint by Jean Lurçat - 1921
    By Jean Lurçat
    Located in Roma, IT
    Hand Signed and signed on plate. Edition of 35 prints. Image Dimensions : 30 x 20 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...
    Category

    1920s Post-Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • Cowdray Castle (with Geese)
    By Sir Francis Seymour Haden, R.A.
    Located in Roma, IT
    Beautiful proof on vergé crème, signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298). Ref. Cat. Harrington 221; Schneiderman 208.
    Category

    1880s Modern Landscape Prints

    Materials

    Drypoint, Etching

  • Le Blessé dans la Tranchée - Original Etching by Dunoyer de Segonzac - 1940s
    By André Dunoyer de Segonzac
    Located in Roma, IT
    Hand signed. Edition of 75 prints. Includes passepartout: 49x34 cm. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy creat...
    Category

    1940s Modern Figurative Prints

    Materials

    Etching, Drypoint

  • French Village - Original Etching and Drypoint by Eugène Corneau - 1930s
    By Eugene Corneau
    Located in Roma, IT
    French Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...
    Category

    1930s Modern Figurative Prints

    Materials

    Etching, Drypoint

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    "Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100 Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore. Titled and numbered "Coastal Ti Tree 30-100" in the left corner. Signed "G. Cope" in the right corner. Presented in a new black mat with foamcore backing. Mat size: 11"H x 14"W Paper size: 5.5"H x 10.25"W According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope" Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer. Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
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  • Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
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    This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
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  • Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
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    'Alexandria' A view of the great harbour from a little behind the shoreline. Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of ...
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  • Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
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    'Alexandria' A view of Pompey's Pillar with Alexandria in the background. Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of Perse...
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  • East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
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    Located in Melbourne, Victoria
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