Items Similar to "Road Landscape, " Original Etching and Aquatinit
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Félix Bracquemond"Road Landscape, " Original Etching and Aquatinitcirca 1870
circa 1870
About the Item
"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and it is State: IV/IV Ref. B.208.
11 7/8" x 16 1/4" art
16 1/2" x 21 3/8" frame
He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted Theophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste Camille Corot. After having been attached to the Sèvres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with Édouard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of officer of the Legion of Honor in 1889.
Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th century art.
- Creator:Félix Bracquemond (1883 - 1914, French)
- Creation Year:circa 1870
- Dimensions:Height: 16.5 in (41.91 cm)Width: 21.375 in (54.3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Félix Bracquemond
Fe´lix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted The´ophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Se`vres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with E´douard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond in 1869. He died in Se`vres.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1966
1stDibs seller since 2017
391 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Milwaukee, WI
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- 'Le Pecheur, ' original Impressionist aquatint signed by Manuel RobbeBy Manuel RobbeLocated in Milwaukee, WI'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...Category
Early 1900s Impressionist Figurative Prints
MaterialsAquatint
- "Fulham AKA Chelsea (Kennedy 182), " Original Etching SignedBy James Abbott McNeill WhistlerLocated in Milwaukee, WI"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...Category
1870s Impressionist Landscape Prints
MaterialsEtching
- "Farm at Inlet, " an Etching signed by Thomas R. ManleyBy Thomas R. ManleyLocated in Milwaukee, WI"Farm at Inlet" is an etching by Thomas R. Manley signed lower right. It depicts a waterfront scene in black and gray. 26 1/2" x 33 1/2" art 26 3/8" x 33 3/8" framed Thomas Manley...Category
1880s American Impressionist Landscape Prints
MaterialsEtching
- 'Your Laundry on My Line' Color Aquatint, signed (36/40)By Dan Mitchell AllisonLocated in Milwaukee, WIArt: 12-1/2 x 14-1/2 Color Aquatint, signed (36/40) Born in Houston, Texas in 1953, the printmaker and painter continues to live and work there, still remaining an integral part of the lively Houston art scene while garnering attention throughout the United States, as well as overseas. Allison's prints are included in major museum and private collections throughout the world, including the U.S., Europe and Asia. He has gained renown for his innovative painting with the surface subtleties of printmaking and has established an international reputation for printmaking that places him in league with some of the most important late 20th century artists to have worked in the print medium. Achieving worldwide critical acclaim for his printmaking, Allison was the recipient of the prestigious 1987 Grand Prix award for the 17th Biennial of Graphic Art sponsored by the Ljubljana Museum of Modern Art in the former Republic of Yugoslavia. The artist's award winning, three panel collagraphic triptych, "Between Heaven and Earth," was selected from more than 1800 entries submitted from 57 countries. Past recipients of Ljubljana print award honors include Joan Miro, Karl Appel, Jasper Johns, Robert Rauschenberg, Frank Stella, James Rosenquist, David Hockney, Victor Vasarely, Antonio Berni...Category
1980s Landscape Prints
MaterialsAquatint
- Black and White Etching Travel 1930's Realism Water Industrial Outdoors SignedBy Joseph MarguliesLocated in Milwaukee, WI"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...Category
1930s American Realist Landscape Prints
MaterialsInk, Etching, Aquatint
- 'Untitled (Pink House with Lake)' original aquatint by Nicolette JelenBy Nicolette JelenLocated in Milwaukee, WIThe present artwork is an original color aquatint by the Sag Harbor-based artist Nicolette Jelen, and is a particularly rare Hors Commerce. It presents a view of what is probably a N...Category
1980s Contemporary Landscape Prints
MaterialsAquatint
You May Also Like
- Automne (Autumn)By Georges RouaultLocated in Storrs, CTAutomne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...Category
Mid-20th Century Impressionist Figurative Prints
MaterialsAquatint, Color
- Effet de pluie by Camille Pissarro - Landscape etchingBy Camille PissarroLocated in London, GBEffet de pluie by Camille Pissarro (1830-1903) Etching, aquatint and drypoint 15.9 x 21.3 cm (6 ¹/₄ x 8 ³/₈ inches) Stamped with initials C.P. lower left and numbered 7/14 lower righ...Category
1870s Impressionist Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Brittany Landscape with FigureBy Louis Oscar GriffithLocated in Fairlawn, OHBrittany Landscape with Figure Etching & color aquatint, c. 1920 Signed lower right (see photo) Numbered lower left: "No. 21" (see photo) An early ...Category
1920s American Impressionist Landscape Prints
MaterialsAquatint
- Desolation, S.C. or Deserted Cabins, Beauford, S.C.By Louis Oscar GriffithLocated in Fairlawn, OHDesolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left co...Category
1930s American Impressionist Landscape Prints
MaterialsAquatint
- Five Pigeons (Jardin du Luxembourg, Paris)By Harold AltmanLocated in San Francisco, CAArtist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...Category
Late 20th Century American Impressionist Landscape Prints
MaterialsEtching, Aquatint
- VeniceBy Kaiko MotiLocated in San Francisco, CAThis artwork titled "Venice" 1965 is an original color aquatint on Arches paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 42/100 in pencil by the a...Category
Mid-20th Century Impressionist Landscape Prints
MaterialsAquatint