Items Similar to Edgartown Yacht Club
Want more images or videos?
Request additional images or videos from the seller
Francis ChapinEdgartown Yacht Clubca. 1958
ca. 1958
About the Item
A striking view of the Edgartown Yacht Club on Martha's Vineyard by Francis Chapin, from around 1958.
Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945).
A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city.
In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.
- Creator:Francis Chapin (1899-1965, American)
- Creation Year:ca. 1958
- Dimensions:Height: 13.5 in (34.29 cm)Width: 20.25 in (51.44 cm)
- More Editions & Sizes:Matted to 19 1/2 x 26"Price: $750
- Medium:
- Movement & Style:
- Period:
- Condition:See Photos.
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU2591212777582
Francis Chapin
Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). A prolific painter, Chapin produced numerous works while traveling in Mexico, France, Spain, Saugatuck and Martha’s Vineyard, where he frequently spent summers and taught at the Old Sculpin Gallery there. Chapin was best recognized for his dynamic and vibrant images of Chicago during the 1930s and 40s. Chapin was a resident of the Old Town neighborhood where he lived and kept his studio on Menomonee Street for many years. Described as a “colorful figure, nearly 6 feet 6 inches tall, and thin, and usually wearing tweeds”, it is easy to imagine Chapin at work observing the busy street life of the city. In addition to his many exhibitions at the Art Institute of Chicago, Chapin’s work was shown during his lifetime at such institutions as the Pennsylvania Academy of Fine Arts, Philadelphia; the Corcoran Gallery, Washington, D.C.; the National Academy of Design, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York and the Carnegie Institute, Pittsburgh, among others. Francis Chapin’s paintings are represented in the collections the Art Institute of Chicago; the Friedman Collection, Chicago; the Butler Institute of American Art, Youngstown; the Denver Art Museum; the Everson Museum of Art, Syracuse; the Norton Museum of Art, West Palm Beach; the Telfair Museum of Art, Savannah and the Brooklyn Museum of Art, among others.
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2023
10 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Chicago, IL
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Edgartown HarborBy Francis ChapinLocated in Chicago, ILA lithograph with pastel depicting the Edgartown Harbor on Martha's Vineyard by Francis Chapin, from around 1958. Francis Chapin, affectionately called the “Dean of Chicago Painters...Category
1950s American Modern Landscape Prints
MaterialsLithograph, Pastel
- FireworksBy Richard FlorsheimLocated in Chicago, ILA lithograph of a Modernist depiction of fireworks by artist Richard Florsheim. Richard Florsheim was born in Chicago to the wealthy Florsheim Shoe family. He studied at the Univer...Category
1950s American Modern Landscape Prints
MaterialsLithograph
- A Charming Lithograph by Children's Book Illustrator, Jo PoulsonLocated in Chicago, ILA charming lithograph of children on a carousel, created by children's book illustrator, Jo Poulson. In 1904, Josephine Hollingsworth Poulson was born in Lebanon Indiana. In 1926, she graduated from the John Herron School of Art in Indianapolis and in 1929, she moved to Chicago to become an illustrator of children’s books. She continued her studies at the Art Institute of Chicago, studying with Francis Chapin. In 1942, she had a one-woman show of her watercolors at the Hoosier Art...Category
1950s American Modern Landscape Prints
MaterialsLithograph
- Tip of ManhattanBy Nat LowellLocated in Chicago, ILAn etching of a view of the Manhattan skyline by artist Nat Lowell. Signed and titled in pencil, ca. 1940.Category
1940s American Modern Landscape Prints
MaterialsEtching
- Edgartown HarborBy Francis ChapinLocated in Chicago, ILA view of Edgartown Harbor on Martha's Vineyard by Francis Chapin, from around 1958. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one ...Category
1950s American Modern More Prints
MaterialsLithograph
- Afternoon Race, EdgartownBy Francis ChapinLocated in Chicago, ILA view of an afternoon race in Edgartown on Martha's Vineyard by Francis Chapin, from 1964. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, w...Category
1960s American Modern More Prints
MaterialsLithograph
You May Also Like
- Prodigal SonBy Thomas Hart BentonLocated in London, GBA fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Nebraska EveningBy Thomas Hart BentonLocated in London, GBA fine impression with good margins published by Associated American Artists.Category
1940s American Modern Landscape Prints
MaterialsLithograph
- Monoprint Lithograph American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph, Monoprint, Monotype
- Lindsey Row, ChelseaBy James Abbott McNeill WhistlerLocated in Storrs, CTLindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...Category
Late 19th Century American Modern Landscape Prints
MaterialsLithograph
- Arc de Triomphe in Snow (Napoleon's Triumphal Arch)By Ellison HooverLocated in Storrs, CTArc de Triomphe in Snow (Napoleon's Triumphal Arch). c. 1930. Lithograph printed in grey ink. 11 1/4 x 9 7/16 (sheet 16 x 12). A tonal impression printe...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- From the Weather Bureau. New York, New York.By Stow WengenrothLocated in Storrs, CT"From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...Category
1940s American Modern Landscape Prints
MaterialsLithograph