Hugh CassonHugh Casson King's College, Cambridge from the Backs proof printc. 1990
c. 1990
About the Item
- Creator:Hugh Casson (1910 - 1999, British)
- Creation Year:c. 1990
- Dimensions:Height: 8.67 in (22 cm)Width: 16.15 in (41 cm)
- Period:
- Condition:Never previously framed.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU79539483412
Hugh Casson
Sir Hugh Casson was educated at Eastbourne College, St John’s College Cambridge and the Bartlett School of Architecture. He was trained in the 1930s in the early modernist style, and also taught at the Cambridge School of Architecture. After employment as a camoufleur during World War II by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, Casson undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia, and taught the Prince of Wales to paint in watercolors. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for the University of Cambridge and a building for the Royal College of Art. Casson published several illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited-edition series of prints were produced from the paintings.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- 'Oh to be in England' signed horse racing print by SnafflesLocated in London, GBTo see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884 - 1967) "Oh! To Be In England Now That April's There" Lithograph 51 x 67 cm Signed in pencil lower left. Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...Category
1930s Impressionist Animal Prints
MaterialsLithograph
- Salvador Dali Paris France original French travel poster SNCF RailwayBy (after) Salvador DaliLocated in London, GBTo see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...Category
1960s Surrealist Landscape Prints
MaterialsLithograph
- L'Allgäu Schwabia, Germany, Original Vintage Poster Franz Weiss c.1955Located in London, GBTo see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Franz Weiss...Category
1950s Modern Landscape Prints
MaterialsLithograph
- The Hertfordshire Hunt fox hunting print by Lionel EdwardsBy Lionel EdwardsLocated in London, GBTo see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...Category
1920s Landscape Prints
MaterialsLithograph
- G Cooper: 'St Mary's Church, Oxford' etching on paperLocated in London, GBTo see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...Category
19th Century Realist Landscape Prints
MaterialsEtching
- Wonderground Map of London by MacDonald 'Max' Gill c. 1924 original posterBy "Leslie MacDonald ""Max"" Gill"Located in London, GBTo see our other original vintage posters and views of London (including original paintings), scroll down to "More from this Seller" and below it click on "See all from this Seller" ...Category
1920s Modern Landscape Prints
MaterialsLithograph
- Maurice de Vlaminck - House in Rueil - Original LithographBy Maurice de VlaminckLocated in Collonge Bellerive, Geneve, CHMaurice de Vlaminck Original Lithograph Signed in the plate 1958 Title: House in Beauce Dimensions: 22 x 27 cm Reference: Catalogue raisonné Walterskirchen 275 Condition : Excellent Maurice de Vlaminck (1876 - 1958) Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...Category
1950s Impressionist Landscape Prints
MaterialsLithograph
- Black and White Photography, Horse Photography, Western Art-Shoe Store 0217By Addison JonesLocated in Delaware , OHBlack and White Photography, Horse Photography, Western Art-Shoe Store 0217 “As I walked out of my hotel room early in the morning, I was greeted by the so...Category
21st Century and Contemporary Contemporary Landscape Prints
MaterialsRag Paper, Black and White
- David Hockney. 220 for 2020. Art Edition A No. 1–100 ‘Spilt Ink with Tests' 2021By David HockneyLocated in Zug, CHDavid Hockney David Hockney. 220 for 2020. Art Edition A No. 1–100 ‘Spilt Ink with Tests', 2021 11-color inkjet print on cotton-fiber archival paper 45.7 × 102.6 cm (18 × 40.4 in) Signed, numbered and dated Edition number 47 In mint condition Unframed Hockney made four different prints, each in an edition of 100, to accompany 400 copies of the book(s). Edition B is numbered, as here, 101-200. Edition A, C and D each have different images for each of their editions, numbered respectively, 1-100, 201-300, and 301-400. There were another 1,620 “collector edition” books numbered in Volume 1, numbered 401-2,200 From a small, picturesque farmhouse in the rich fields and meadows of the northern French region of Normandy, Hockney followed and recorded the changing seasons throughout the COVID-19 pandemic. For the past decade, Hockney’s medium of choice has been the iPad and it was this technological instrument, he used to spontaneously depict impressions of the Norman landscape surrounding him. The two-year project entitled “220 for 2020” documents the passage of time by portraying the first spring blossoms, the smell of summer, the saturated colours of autumn, and the stark shapes of dark branches in winter time. This poetic undertaking represented a lifeline for the artist, and offered its viewers a message of hope in unprecedented times. As part of this project, Hockney included drawings from his “La Grande Cour, Rumesnil, Normadie, 26 Juli 2019”, sketchbook. These almost autobiographical accounts started in the vicinity of the artist’s Los Angeles home...Category
2010s American Realist Landscape Prints
MaterialsArchival Paper
- Waiting at York, 180 - iPad Drawing 2010 British Technology Railway SceneBy David HockneyLocated in London, GBThis original inkjet iPad drawing is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is dated ‘10’ [2010] next to the signature. It is also hand nu...Category
2010s Contemporary Landscape Prints
MaterialsInkjet
- Lampedusa (framed) - large scale photograph of Mediterranean summer beach sceneBy Massimo VitaliLocated in San Francisco, CALarge format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsPlexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper
- The Mill, Amsterdam, 1889By James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...Category
1880s Impressionist Landscape Prints
MaterialsDrypoint, Etching