Hugh CassonHugh Casson Pembroke College Oxford signed limited edition print c. 1980c. 1980
c. 1980
About the Item
- Creator:Hugh Casson (1910 - 1999, British)
- Creation Year:c. 1980
- Dimensions:Height: 11.03 in (28 cm)Width: 14.18 in (36 cm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU79535569061
Hugh Casson
Sir Hugh Casson was educated at Eastbourne College, St John’s College Cambridge and the Bartlett School of Architecture. He was trained in the 1930s in the early modernist style, and also taught at the Cambridge School of Architecture. After employment as a camoufleur during World War II by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, Casson undertook designs for the 1953 coronation, designed the interior of the Royal Yacht Britannia, and taught the Prince of Wales to paint in watercolors. Amongst his architectural achievements are the Elephant House at London Zoo, the 1978 redevelopment of Bristol Docks, the Raised Faculty Building for the University of Cambridge and a building for the Royal College of Art. Casson published several illustrated books, of which Casson’s Oxford and Casson’s Cambridge are probably the best known. A limited-edition series of prints were produced from the paintings.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- 'Oh to be in England' signed horse racing print by SnafflesLocated in London, GBTo see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884 - 1967) "Oh! To Be In England Now That April's There" Lithograph 51 x 67 cm Signed in pencil lower left. Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...Category
1930s Impressionist Animal Prints
MaterialsLithograph
- Snaffles: 'The Huntsman' signed lithograph - "The 'oss loves the 'ound"Located in London, GBTo see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. C...Category
1930s Impressionist Animal Prints
MaterialsLithograph
- Snaffles: 'The Timber Merchant' 1930s lithograph signed in pencilLocated in London, GBTo see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884-1967) The Timber Merchant (c. 1932) Lithograph 47 x 43 cm Signed in pencil...Category
1930s Impressionist Animal Prints
MaterialsLithograph
- Edwin La Dell St John's College Cambridge Signed Lithograph Modern British ArtBy Edwin La DellLocated in London, GBTo see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...Category
1950s Impressionist Landscape Prints
MaterialsLithograph
- The Radcliffe Camera, Oxford lithograph by Edwin La DellBy Edwin La DellLocated in London, GBTo see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...Category
1950s Impressionist Landscape Prints
MaterialsLithograph
- Christ Church Meadows, Oxford lithograph by Edwin La DellBy Edwin La DellLocated in London, GBTo see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...Category
1950s Impressionist Landscape Prints
MaterialsLithograph
- Maurice de Vlaminck - House in Rueil - Original LithographBy Maurice de VlaminckLocated in Collonge Bellerive, Geneve, CHMaurice de Vlaminck Original Lithograph Signed in the plate 1958 Title: House in Beauce Dimensions: 22 x 27 cm Reference: Catalogue raisonné Walterskirchen 275 Condition : Excellent Maurice de Vlaminck (1876 - 1958) Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...Category
1950s Impressionist Landscape Prints
MaterialsLithograph
- The Mill, Amsterdam, 1889By James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...Category
1880s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Bridge, AmsterdamBy James Abbott McNeill WhistlerLocated in New York, NYJames McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches. Provenance: Vivian and Meyer P. Potamkin, Philadelphia; sale, Sotheby’s, New York, May 11, 1989, lot 302 Samuel Josefowitz, Pully, Switzerland A very fine, shimmering impression of this great rarity. This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...Category
1880s Impressionist Landscape Prints
MaterialsEtching
- Mending the TearsBy Winslow HomerLocated in New York, NYWinslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...Category
1880s American Impressionist Figurative Prints
MaterialsEtching
- J.H. Woods’ Fruit Shop, ChelseaBy James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...Category
1880s Impressionist Landscape Prints
MaterialsEtching, Drypoint
- Album of New YorkBy Bernard BuffetLocated in New York, NY.This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 60/150 2 in the catalogue of lith...Category
1960s Impressionist Landscape Prints
MaterialsLithograph