Ian Laurie

Blue Poppies

2014

Inspired by Stonehenge in England Relief monoprints on Arches 88 paper. 1 of 1 20cm x 20cm

Inspired by Stonehenge in England Relief monoprints on Arches 88 paper. 1 of 1 20cm x 20cm

Very powerful and moving work from this British based German print artist. Stone Lithograph on Fabrino paper. Edition of One

Red Door (In Blue). Typical Laurie style, well collected artist. Signed limited edition etching. Numbered 18 of 25. Each one of the edition is ...

Limited edition print (edition of 87, the age of sir Terry Frost) by his son British American artist Adrian Frost. Signed and numbered 24 of 87 A tribute to the late Sir Terry Frost...

Sepia Seascape by Ian Laurie. Limited edition 5/25, signed and numbered Sepia view from the clifftops out to sea, pleasing work by this very well coll...

Nelson Mandela, The Lighthouse, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Lighthouse print...

Nelson Mandela, The Tennis Court, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for hi...

Nelson Mandela, The Harbour, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his fam...

Nelson Mandela, The Church, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Church print...

Sarah Fosse paints an original artwork freehand using professional drawing tools and a specialised tablet. A highly technical printing technique called dye...

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...