Items Similar to Le 14-Juillet au Village
Want more images or videos?
Request additional images or videos from the seller
Jean-Emile LaboureurLe 14-Juillet au Village1925
1925
About the Item
Jean-Emile Laboureur (1877-1943), Le 14-Juillet au Village, engraving and roulette, 1925, signed in pencil lower left and numbered lower right (30/100) [also initialed and dated in the plate lower left]. Reference: Laboureur 292, third state (of three), from the edition of 100 impressions in the third state (115 printed in all states). In very good condition (the slightest coloration at paper’s edge, time staining in the margins), the full sheet, 5 3/4 x 6 1/2, the sheet 11 x 15 inches.
A fine impression, printed on a strong cream wove paper, with deckle edges.
ex collection Alan Fortunoff
A splendid example of Laboureur’s use of engraving, plus the use of a roulette tool to create the shaded areas (the trees, the lawn to the left of the building. We do not see any evidence of etching, although Sylvan Laboureur catalogued the print as etching and engraving. The children and adults – their outlines and shading – are engraved, as are the clouds, and the shading effects on the rooftop and the ground at the very bottom of the composition.
- Creator:Jean-Emile Laboureur (1877-1943, French)
- Creation Year:1925
- Dimensions:Height: 5.75 in (14.61 cm)Width: 6.5 in (16.51 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51532563821
Jean-Emile Laboureur
Jean Émile Laboureur, born in Nantes on 16 August 1877 and died in Kerfalher in Morbihan on 16 June 1943, was a French painter, draughtsman, engraver, aquafortist, lithographer and illustrator. Author of numerous engravings with burin, in individual plates or for books, he illustrated nearly eighty books, often by contemporary authors such as André Maurois, Jean Giraudoux, Colette, André Gide, Paul-Jean Toulet, Maurice Maeterlinck or François Mauriac. A painter of genre paintings, landscapes, animated or not, still lifes, he also created some frescoes and sculptures. His works are kept in several national and provincial museums. He founded or chaired associations of independent artists.
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2000
1stDibs seller since 2016
99 sales on 1stDibs
Typical response time: 3 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Le Promenade au PhareBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...Category
1920s Cubist Landscape Prints
MaterialsEngraving
- Paysage au Buttes-Chaumont (2nd Planche), 1920-21By Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...Category
1920s Cubist Landscape Prints
MaterialsEngraving, Etching
- Brooklyn Bridge No. 6 (Swaying)By John MarinLocated in New York, NYJohn Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching. Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...Category
1910s Cubist Landscape Prints
MaterialsEtching
- Paysage au TunnelBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), Paysage au Tunnel, etching, 1920, signed in pencil lower left, numbered (19/55 ep) lower right and also titled lower left edge. Reference: Sylvain L...Category
1920s Cubist Landscape Prints
MaterialsEtching
- The Mill, Amsterdam, 1889By James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...Category
1880s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- J.H. Woods’ Fruit Shop, ChelseaBy James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...Category
1880s Impressionist Landscape Prints
MaterialsEtching, Drypoint
You May Also Like
- Ettal Abbey /// German Modern Etching Architecture Church Building City SceneBy Albrecht SteinertLocated in Saint Augustine, FLArtist: Albrecht Steinert (German, 1925-?) Title: "Ettal Abbey" *Signed and dated by Steinert in pencil lower right Year: 1984 Medium: Original Etching on unbranded heavy white wove paper Limited edition: Unknown Printer: likely the artist Steinert himself, Germany? Publisher: likely the artist Steinert himself, Germany? Sheet size: 10.25" x 15.5" Image size: 7.75" x 11.75" Condition: In excellent condition Notes: Titled by May in pencil lower left. The first word within the inscribed title is illegible. Ettal Abbey (German: Kloster Ettal) is a Benedictine monastery in the village of Ettal close to Oberammergau and Garmisch-Partenkirchen in Bavaria, Germany. With a community (as of 2005) of more than 50 monks, with another five at Wechselburg, the Abbey is one of the largest Benedictine houses and is a major attraction for visitors. Biography: Albrecht Steinert (1925-?) was a German painter and printmaker. He was the son of German artist Fritz...Category
1980s Cubist Landscape Prints
MaterialsIntaglio, Etching
- Vintage Hockney poster: Barbican Centre for Arts London 1982 colorful palm treesBy David HockneyLocated in New York, NYColorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features David Hockney’s signature palm trees on either side of the composition, and geometric clouds float in the dark sky. Based on Hockney’s 1980 drawing “Cubistic Bar.” This vintage poster was designed by the artist in our studio and comes directly from our Petersburg Press...Category
1980s Cubist Abstract Prints
MaterialsOffset
- Abstract Cubist Seascape Lithograph by Roger LersyBy Roger LersyLocated in Atlanta, GALithograph on paper by Roger Lersy (France - 1920 - 2004). Stunning abstract seascape cubist composition with a highly colorful design of old boats executed by the artist in France c...Category
1950s Cubist Landscape Prints
MaterialsLithograph
- La Place de la ConcordeBy Robert DelaunayLocated in Fairlawn, OHFrom Joseph Delteil's "Allo, Paris," published by Quatre Chemins, Paris, 1926 Altlier blindstamp l.l. Rare proof on chineCategory
1920s Orphist Landscape Prints
MaterialsLithograph
- Etude de PersonnagesBy Pablo PicassoLocated in Long Island City, NYFloating against a brown background, the three hands in this Pablo Picasso print are disembodied and dimensional. Illuminated with light from above, the hands are shown realistically...Category
Late 20th Century Cubist Abstract Prints
MaterialsLithograph
- Notre DameBy Pablo PicassoLocated in Long Island City, NYLooking out over the Seine and a bridge running across it, Pablo Picasso's view of the famed Notre Dame de Paris is filled with light, airy buildings layered in front of one another....Category
Late 20th Century Cubist Abstract Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Engraving Print Children
Engraving Tool
Jean Emile Laboureur
Laboureur Etchings
Susan Power
Return To Tiffany Collection History
David Hockney Henry
Otto Kahn
Brooklyn Bridge Wood Wall Art
Lighthouse Maine
Wrapped Reichstag
Maine Lighthouse
Joan Rivers Flower
Vintage American Indian Clothing
Banksy Dismaland
Hand Painted Backpack
David Tomb
Tiffany Rainbow