Items Similar to Plumed Serpent, Chichén Itzá
Want more images or videos?
Request additional images or videos from the seller
1 of 4
John Taylor ArmsPlumed Serpent, Chichén Itzá1940
1940
About the Item
A masterful rendering of Kukulkan at the base of the west face of the northern stairway of El Castillo, Chichen Itza.
Eching on antique cream laid paper with a partial herladic watermark bearing a fleur-de-lys and a powder horn, 1 7/8 x 2 /12 inches (49 x 64 mm), full margins. Signed, dated, and inscribed "II" in pencil in the lower margin. In excellent condition with archival paper tape tab remnants at the top right and left corners on the verso, and a 3-digit accession number written in pencil in the lower margin on the verso. Likely one of only 16 proof impressions of the second state (of 2), aside from the regular edition of 276. Printed by Charles S. White. Miniature Series #27; Yucatán Series No. 1.
[Fletcher 344].
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy (the plate for Guardians of the Spire was created in 1921). He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. Arms died in Fairfield, Connecticut in 1953.
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1940
- Dimensions:Height: 1.88 in (4.78 cm)Width: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2022
29 sales on 1stDibs
Typical response time: 12 hours
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
More From This SellerView All
- La Tour D'Horloge, DinanBy John Taylor ArmsLocated in Middletown, NYtching on green-hued antique laid Japon paper, 9 7/16 x 4 1/16 (240 x 104 mm), full margins. Signed, dated and inscribed "Ed. 100 II." One of a total edition on 124 impressions, prin...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Precious Stones; Église Notre Dame - Les AndelysBy John Taylor ArmsLocated in Middletown, NYA signed impression from the artist's own collection. Kansas City: Miniature Print Society, 1946. Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Sunlight on Stone; Caudebec-en-CauxBy John Taylor ArmsLocated in Middletown, NYAn extremely scarce impression from the artist's own collection. Etching on watermarked antique laid J Whatman Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signe...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Notre Dame du Val, Provins / ThibautBy John Taylor ArmsLocated in Middletown, NYEtching on bluish-grey wove paper, 8 5/8 x 5 1/8 inches (221 x 130 mm), full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various frame...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Somewhere in FranceBy John Taylor ArmsLocated in Middletown, NYEtching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Saint Catherine's Belfry, HonfleurBy John Taylor ArmsLocated in Middletown, NYEtching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...Category
Mid-20th Century American Modern Landscape Prints
MaterialsLaid Paper, Handmade Paper, Etching
You May Also Like
- Paul Geissler, PhiladelphiaLocated in New York, NYPaul Geissler's view of downtown Philadelphia features it's wonderful city hall. Philadelphia is gifted with an actual plan and the city hall itself is a...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching
- Luigi Lucioni, (New England Barn)By Luigi LucioniLocated in New York, NYPainter and printmaker, Luigi Lucioni was known for his portraits, still life paintings, and landscapes of Vermont and Italy. This 'New England Barn' ...Category
Mid-20th Century American Modern Figurative Prints
MaterialsEtching
- Kent Hagerman, (US Air Force Fairchild C-119, the 'Flying Boxcar')By Kent HagermanLocated in New York, NYWhile this is probably a military airport, Kent Hagerman still shows it at its futuristic best. Hagerman was an amazing draftsman who managed to get fantastic detail into his work. This is really a portrait of a plane -- the Fairchild C-119. The words 'United States Air Force' on the side of the plane date it to 1947 or later, after the Air Force split from the Army. The design featured the 'twin boom' clearly showing in this etching. Thanks to this feature it was called the Flying Boxcar. About 1100 were built and used until 1955. It was also used by the Chinese Air...Category
Mid-20th Century American Modern Figurative Prints
MaterialsEtching
- Fugi Nakamizo, New York Harbor from the BatteryLocated in New York, NYJapanese born, Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League and Cooper Union, NYC, and also printmaking with Joseph Pennell. He worked on the Federal Public Works of Art Project in the 1930s and in the 40s, during WWII, was interned at the Japanese-American internment camp in Topaz, Utah. His work is in the permanent collections of the Metropolitan Museum of Art and the Brooklyn Museum of Art, NYC, and the Library of Congress and Smithsonian Institution, Washington, DC. This etching of New York...Category
1920s American Modern Figurative Prints
MaterialsEtching
- S. L Margolies, Silent SymphonyLocated in New York, NYS. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...Category
Mid-20th Century American Modern Landscape Prints
MaterialsEtching
- Ernest David Roth, Toledo, The ApproachBy Ernest David RothLocated in New York, NYWorking in the tradition of the Etching Revival, Ernest David Roth made this amazingly conceived and detailed study of the entrance to the Spanish ci...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching
