John Taylor ArmsShadows of Venice1930
1930
About the Item
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1930
- Dimensions:Height: 10.25 in (26.04 cm)Width: 12.13 in (30.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
- From the Ponte Vecchio, FlorenceBy John Taylor ArmsLocated in Middletown, NYEtching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...Category
1920s American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching, Aquatint
- Chartres, The MagnificentBy John Taylor ArmsLocated in Middletown, NYEtching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching, Laid Paper
- Porta del Paradiso, VeneziaBy John Taylor ArmsLocated in Middletown, NYEtching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching, Laid Paper
- CoutancesBy John Taylor ArmsLocated in Middletown, NYEtching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching, Laid Paper
- Fiesole, an Ancient TowerBy John Taylor ArmsLocated in Middletown, NYEtching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...Category
Early 20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- San Marino (Sketch)By John Taylor ArmsLocated in Middletown, NYEcthing in black ink on cream laid paper with a partial watermark, full margins. In excellent condition. A very scarce work from an edition of less than 20 impressions. Signed, date...Category
Mid-20th Century American Modern Landscape Prints
MaterialsLaid Paper, Etching
- September 13, 1918. St. Mihiel [The Great Black Cloud].By Kerr EbyLocated in Storrs, CTSeptember 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...Category
Early 20th Century American Modern Landscape Prints
MaterialsMixed Media, Etching, Aquatint
- From Knoedler's Window MCMXXXVBy John Taylor ArmsLocated in Storrs, CTFrom Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...Category
1920s American Modern Landscape Prints
MaterialsAquatint, Etching
- New England Winter: The Old Homestead.By Gustave Adolph HoffmanLocated in Storrs, CTNew England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...Category
Late 19th Century American Modern Landscape Prints
MaterialsEtching, Aquatint
- Dock Workers under the Brooklyn BridgeBy Martin LewisLocated in Storrs, CTMartin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching. McCarron 15. 17 3/4 x 23 3/4 (sheet 26 x 31). 5 recorde...Category
1910s American Modern Figurative Prints
MaterialsEtching, Aquatint
- 'Brooklyn Bridge' — 1920s view of an iconic New York City landmarkBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- Sanctuary (St. Anthony's Garden at rear of St. Louis Cathedral on Royal Street)By Frederick MershimerLocated in New Orleans, LAThis French Quarter garden is a serene haven with a lighted statue of Christ that exists not very far from the raucous revelry of New Orleans' Bourbon S...Category
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MaterialsAquatint, Mezzotint