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Julian StanczakSequential Chroma, Julian Stanczak1979
1979
About the Item
Artist: Julian Stanczak (1928-2017)
Title: Sequential Chroma
Year: 1978
Edition: 2/175, plus proofs
Medium: Silkscreen on Somerset paper
Size: 30.25 x 25.75 inches
Condition: Good
Inscription: Signed and numbered by the artist.
Notes: Printed by Vistec Graphics, Rochester; published by London Arts Group, Detroit.
JULIAN STANCZAK (1928-2017) A student of Josef Albers and one of the leaders of the Op Art Movement, Stanczak was included in the Museum of Modern Art’s 1965 exhibition, The Responsive Eye, which also featured works by Bridget Riley, Gunter Uecker, and Victor Vasarely. The ability to set up strong interactions of color, line, form and space afforded Stanczak the power to establish internal dynamics in his two-dimensional surfaces that in turn generate visual energy and elegance. Stanczak's ability to deal with these basic visual activities enabled him to produce highly sensitive surfaces that induced various perceptual effects such as vibrations and after-images.
- Creator:Julian Stanczak (1928, American)
- Creation Year:1979
- Dimensions:Height: 30.25 in (76.84 cm)Width: 25.75 in (65.41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1342113964682
Julian Stanczak
Julian Stanczak was born in Borownica, Poland in 1928. At the beginning of World War II, Stanczak was forced into a Siberian labor camp, where he permanently lost the use of his right arm. He had been right-handed. In 1942, aged thirteen, Stanczak escaped from Siberia to join the Anders' Army in Persia. After deserting from the army, he spent his teenage years in a hut in a Polish refugee camp in Uganda. In Africa, Stanczak learned to write and paint left-handed. He then spent some years in London, before moving to the United States in 1950. He settled in Cleveland, Ohio. He became a United States citizen in 1957, taught at the Cincinnati Academy of Art for 7 years. The Op Art movement was named after his first major show, Julian Stanczak: Optical Paintings, held at the Martha Jackson Gallery in New York in 1964. His work was included in the Museum of Modern Art's 1965 exhibition The Responsive Eye. In 1966 he was named a "New Talent" by Art in America magazine. In the early 1960s he began to make the surface plane of the painting vibrate through his use of wavy lines and contrasting colors in works such as Provocative Current (1965). These paintings gave way to more complex compositions constructed with geometric rigidity yet softened with varying degrees of color transparency such as Netted Green (1972). In addition to being an artist, Stanczak was also a teacher, having worked at the Art Academy of Cincinnati from 1957–64 and as Professor of Painting, at the Cleveland Institute of Art, 1964-1995. He was named "Outstanding American Educator" by the Educators of America in 1970. (Wikipedia)
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