Matthaeus Merian

Castle and Town of Tanlay, French architecture, mid 17th century engraving

1655

'Prosp. du Chasteau de Irrois en Champagne' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, g...

'Viliers Costret' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...

'Chateau Valeri' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...

'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...

'L'Hostel de Chevreuse' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...

'Dept. du Bas Rhin', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre. Part of the Alsace wine region surrounding Strasbourg. T...

Giovanni Battista Piranesi (1720-1778) Tempio antico volgarmente detto della Salute su la Via d'Albano, cinque miglia lontan da Roma... (Ancient Temple popularly known as the Temple of Health on the Via d'Albano five miles outside Rome...), from Vedute di Roma...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...

Rinder 391. state iii. image 10 1/8 x 7 13/32 (sheet 16/4 x 9). Belgian set #5. Edition 63. Illustrated: The Studio Volume 44 (1908): 92; W.P. Robins, The Etching Craft Lon Bookman's...

James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...

Signed in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...