'New York, View of the East River', Paris, Metropolitan Museum, Smithsonian

1928

Signed, lower right, in pencil, 'Cuca Romley' (Spanish, born 1933), titled 'Plage de Menton' lower center and inscribed, lower left, with number and limitation, '77/175'. An elegant view of this famous resort town in the South of France with bathers and holiday makers seen on the beach and a view beyond to the famous 17th century, baroque Basilica of St. Michael. Born in Madrid, Cuca Romley studied at the Ecole des Beaux-Arts in Paris. Over the course of a long career, she has exhibited internationally with success including at the Salon Nacional de Dibujos de Alta Costura...

Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), annotated lower left, 'Queensborough Bridge' and with title and dat...

Signed lower right, 'Max Pollak' (American, 1886-1970) with number and limitation, lower center, '54/150' and titled, lower left, 'New York: Hoboken Ferry'. Stamped in plate, lower r...

Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), and with title and date, 'Palo Alto, 1931'. at lower right, Paper dimensions: 12.25 x 16 inches. N.B. This is an original etching by Luigi Kasimir and is hand-signed by the artist. The notable etcher and painter, Luigi Kasimir, attended the Vienna Academy of Art where he studied under William Unger, who introduced him to colored etching. Kasimir was influenced by Anders Zorn and Karl von Kalckreuth and he furthered his studies with Sigmund L'Allemand. A pioneer in the technique of hand-colored etching, Kasimir began exhibiting in 1905 and received immediate critical recognition. Starting with a sketch, usually in pastel, Kasimir would transfer the design, by hand, onto as many as six plates, applying the color by hand to each plate. Luigi Kasimir's work is held in private and public collections throughout the world including in the permanent collections of New York's Metropolitan Museum and Smithsonian Museum, among others. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse...

Signed lower center, in pencil, '(nach) Luigi Kasimir' (Austro-Hungarian, 1881-1962) by a member of the artist's family workshop. Paper dimensions: 17.5 x 24 inches Austrian etcher ...

Stamped, verso, with certification of authenticity for 'Marion Cunningham' (American, 1908-1948) and created in 1948. Paper dimensions: 17.75 x 16 inches A substantial and rare, mid-century silkscreen showing a Hawaiian family seated beneath a traditional tent of tapa cloth and being served poi by a young woman. To realize this complex work, Cunningham used as many as one dozen hand-drawn screens, each of which varied in pigment, hue and opacity. Created during the extraordinary creative ferment that characterized the last year of the artist's life, this work represents a remarkable achievement for both artist and medium. Born in Indiana, Marion Osborn Cunningham moved to California in 1911. She first studied art with the American Impressionist, Ruth Heil Emerson, before continuing her education at Santa Barbara City College and receiving her Bachelor of Arts from Stanford University. She subsequently furthered her studies at the California School of the Fine Arts and at the Art Students League in New York City, where she met and married the American abstract artist Ben Cunningham. Returning to San Francisco...

Spruce. 1967, paper, etching, 18x9 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947,...

Eric Ravilious’s Dog II [2022] limited_edition Etching Edition number 33 Image size: H:21 cm x W:21 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Limited edition print of a man on a train with his hat blowing away. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty etching. Buy Mychael Barratt printmaker works with Wychwood Art gallery online. Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

An original etching by American artist Wes Olmsted depicting Crawford Notch in New Hampshire.

Anupam Sud - Etching on Paper How Does Your Garden Grow Edition 2 of 20 14.5 x 17.7 inches (Artwork size) & Paper Size 22.5 x 29.5 inches 2005 ( Unframed &...

Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...