Reginald MarshJersey City Landscape1939
1939
About the Item
- Creator:Reginald Marsh (1898-1954, American)
- Creation Year:1939
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531536683
Reginald Marsh
Reginald Marsh was born in Paris, France, in 1898. His family returned to the U.S. in 1900, settling in New Jersey. The Marsh family moved to New Rochelle, New York, in 1914, where Reginald attended the Riverview Military Academy until 1915. Marsh spent his senior year at the Lawrenceville School where he drew for the school's annual. Marsh then attended Yale School of Art in 1916–20 where he became the star illustrator for The Yale Record and, later, its art editor. In his newspaper work Marsh exhibited a graphic skill and a gift for pictorial humor.
On graduating from Yale in 1920, Marsh moved to New York City where he supported himself as a freelance illustrator for newspapers and magazines, such as Vanity Fair and Harper's Bazaar. In 1922, Marsh became a staff artist for The Daily News, first drawing city life and then a column of vaudeville illustrations. When The New Yorker began in 1925, Marsh became a staff member, contributing through 1931. These illustration jobs provided Marsh with a good income and a great amount of free time, which allowed him to study painting at the Art Students League on and off through the 1920s with Kenneth Hayes Miller, John Sloan and George Luks. When Marsh began to paint in earnest in 1923, he joined the Whitney Studio Club, where he had one-man exhibitions in 1924 and 1928.
In the early 1920s Marsh made his first trip to Coney Island on a project for Vanity Fair. He was instantly drawn to the raucous environment of extremes, capturing the boardwalks, beaches and sideshows in his sketchbooks. Marsh often remained in New York for the summer to spend time at Coney Island. The rest of the year Marsh painted industrial subjects. He also enjoyed recording the physical and social life of a newly commercialized city, focusing on taxi-dance halls, burlesque, Coney Island, subways and the Bowery.
In 1929 Marsh took a studio near Union Square in New York where he remained for most of his life, roaming the streets with his sketchbook. The same sketches he worked up for his newspaper and magazine illustrations found their way into his paintings.
The 1930s and 1940s were very successful for Marsh. He exhibited in most of the annual exhibitions of contemporary American art at the Whitney Museum of American Art (1924–54), the Corcoran Gallery of Art (1932–57), the Pennsylvania Academy of the Fine Arts (1932–52), the Art Institute of Chicago (1928–49) and the National Academy of Design (1927–49). He also had many one-man exhibitions at the Frank K. Rehn Galleries in New York.
Marsh began teaching at the Art Students League in 1935 where he soon became one of the most popular teachers. In the spring of 1954, Marsh was chosen to receive the gold medal of the National Institute of Arts and Letters, an extremely high award in the American cultural world.
Find original Reginald Marsh prints, drawings and paintings on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Erie RR and FactoriesBy Reginald MarshLocated in New York, NYReginald Marsh (1898-1954), Erie RR and Factories, etching and engraving, 1930, signed in pencil lower right and numbered (10) lower left [also signed and dated in the plate]. Refere...Category
1930s American Realist Landscape Prints
MaterialsDrypoint, Engraving, Etching
- Rainy Day, QueensBy Martin LewisLocated in New York, NYMartin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...Category
1930s American Realist Landscape Prints
MaterialsDrypoint
- Tree, ManhattanBy Martin LewisLocated in New York, NYMartin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...Category
1930s American Realist Landscape Prints
MaterialsDrypoint
- Walking in the WoodsBy Frank Arthur NankivellLocated in New York, NYFrank Arthur Nankivell (18691959), [Walking in the Woods at Night], drypoint, c. 1910, signed in pencil lower right. Printed on a cream laid paper. In good condition, with margins (s...Category
1910s American Realist Landscape Prints
MaterialsDrypoint
- Shadows, Garage at NightBy Martin LewisLocated in New York, NYMartin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...Category
1930s American Realist Landscape Prints
MaterialsDrypoint
- Beach and WillowsBy Frederick Garrison HallLocated in New York, NYFrederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...Category
1920s American Realist Landscape Prints
MaterialsEtching
- Drenched (Lincoln Park, Chicago)Located in San Francisco, CAThis artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...Category
Mid-20th Century American Realist Landscape Prints
MaterialsDrypoint, Etching
- Winter Tracery (Milford Connecticut)Located in San Francisco, CAThis artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...Category
Mid-20th Century American Realist Figurative Prints
MaterialsDrypoint, Etching
- BastionsBy Michael Di CerboLocated in Fairfield, CTMichael Di Cerbo was born in Paterson, New Jersey in 1947. He received his BFA and MFA from Pratt Institute. He is a member of the National Academy of Art, the Society of American...Category
21st Century and Contemporary American Realist Landscape Prints
MaterialsAquatint, Drypoint
- ParapetsBy Michael Di CerboLocated in Fairfield, CTMichael Di Cerbo was born in Paterson, New Jersey in 1947. He received his BFA and MFA from Pratt Institute. He is a member of the National Academy of Art, the Society of American...Category
21st Century and Contemporary American Realist Landscape Prints
MaterialsEtching, Drypoint, Aquatint
- Hidden Cities I / second stateBy Peter MiltonLocated in New York, NY“Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...Category
21st Century and Contemporary American Realist Landscape Prints
MaterialsEngraving, Etching
- The Brooklyn BridgeBy Rudolph RuzickaLocated in New York, NYBorn in Bohemia in what is now the Czech Republic, Rudolph Ruzicka emigrated to the United States when he was ten years old. His family settled in Chicago, where Ruzicka worked as a ...Category
20th Century American Realist Landscape Prints
MaterialsEngraving