Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Sears Gallagher
BOSTON HARBOR FROM SOUTH BOSTON

1915

More From This SellerView All
  • STERLING HARBOUR
    Located in Portland, ME
    Johns, Joan. STERLING HARBOUR. Etching, not dated, but probably 1950s-60s. titled, inscribed "Artist's Proof," and signed in pencil. Printed on heavy wove paper. 19 1/4 x 23 5/8 inch...
    Category

    1950s Landscape Prints

    Materials

    Etching

  • PONTE DEL TRINITE, FLORENCE
    By Ernest David Roth
    Located in Portland, ME
    Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...
    Category

    Early 1900s Landscape Prints

    Materials

    Etching

  • UNDER THE BROOKLYN BRIDGE, EAST RIVER.
    By Charles Frederick William Mielatz
    Located in Portland, ME
    Mielatz, Charles W.(American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Sign...
    Category

    1890s Landscape Prints

    Materials

    Etching

  • UNTITLED
    By April Gornik
    Located in Portland, ME
    Gornik, April. UNTITLED. Aquatint, 1994. Edition of 75, from the Portfolio "Six Couples - Twelve Prints" published by Parasol Press, Portland, Oregon, 1996. Numbered 27/75, and sign...
    Category

    1990s Landscape Prints

    Materials

    Aquatint

  • LAKE VIEW
    By Ruth Leaf
    Located in Portland, ME
    Leaf, Ruth. LAKE VIEW. Etching in colors, not dated. Titled, signed and numbered 6/175 in pencil in the margin just below the image. 17 1/2 x 23 3/4 inches, 444 x 603 mm. (plate); 22...
    Category

    Mid-20th Century Landscape Prints

    Materials

    Etching

  • THE BIG HORSE CHESTNUT TREE,
    By Childe Hassam
    Located in Portland, ME
    Hassam, Childe. THE BIG HORSE CHESTNUT TREE, EASTHAMPTON. C/C 304. Etching, 1922. Signed with the cypher and inscribed "imp." in pencil, and signed, date...
    Materials

    Etching

You May Also Like
  • The Mill, Amsterdam, 1889
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
    Category

    1880s Impressionist Landscape Prints

    Materials

    Drypoint, Etching

  • Bridge, Amsterdam
    By James Abbott McNeill Whistler
    Located in New York, NY
    James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches. Provenance: Vivian and Meyer P. Potamkin, Philadelphia; sale, Sotheby’s, New York, May 11, 1989, lot 302 Samuel Josefowitz, Pully, Switzerland A very fine, shimmering impression of this great rarity. This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
    Category

    1880s Impressionist Landscape Prints

    Materials

    Etching

  • Mending the Tears
    By Winslow Homer
    Located in New York, NY
    Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...
    Category

    1880s American Impressionist Figurative Prints

    Materials

    Etching

  • J.H. Woods’ Fruit Shop, Chelsea
    By James Abbott McNeill Whistler
    Located in New York, NY
    James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
    Category

    1880s Impressionist Landscape Prints

    Materials

    Etching, Drypoint

  • Brooklyn Bridge No. 6 (Swaying)
    By John Marin
    Located in New York, NY
    John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching. Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...
    Category

    1910s Cubist Landscape Prints

    Materials

    Etching

  • Fortune - XX Century, Figurative Etching Print, Nude, Fantasy, Landscape
    By Barbara Rosiak
    Located in Warsaw, PL
    Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...
    Category

    20th Century Other Art Style Figurative Prints

    Materials

    Paper, Etching

Recently Viewed

View All