Spencer Verney

Nantucket, Great Point Lighthouse (Limited edition giclée print)

Brant Point Lighthouse, Nantucket (LIMITED EDITION GICLÉE PRINT) By SPENCER VERNEY This is one of three in a series of museum quality giclée prints ca...

Sankaty Lighthouse, Nantucket (LIMITED EDITION GICLÉE PRINT) By SPENCER VERNEY This is one of three in a series of museum quality giclée prints captur...

NEWGARDEN 24”x36” Oil on board-mounted, oil primed linen Unframed 2021

Hunt Country By Spencer Verney From the west lawn of the Cheshire fox hunt kennels is a fence line that overlooks much of the hunt country. Thousands of ...

AUGUST AIR 36”x36” Oil on stretched canvas Framed (white float frame) 2018 *Frame has a small chip in the lower left corner.

Newgarden By Spencer Verney At the end of the runway of Newgarden airport, a letterbox view of large thunderheads is visible beneath the cloud layer. Oil on linen, mounted to a pan...

One of America's most popular and successful artists with a take on the world's favorite city with "Cafe de la Paix." A prized serigraph of his, since not everyone loves sports art (...

Howard Terpning Image Size: 10.5 x 13.5 Frame Size: 18 x 21 Medium: Print Dated 1980 "Shoshonis Indians" #962 of 1000

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

This is a large Limited Edition, truly brings impact to your space! wowing the visitors and delight your daily life. A Limited Edition of only 5 of the edition were made, it is offered as an alternative to this original piece. About the Painting The painting captures two major spring trees in the artist’s garden, painted plein-air in the garden for three days, later on, Shizico Yi added the important locations of London that are dear to her memories; in this painting St Paul...

Oriental Cup by Vicky Oldfield [2022] limited_edition and hand signed by the artist Collagraph Edition number 30 Image size: H:10 cm x W:10 cm Complete Size of Unframed Work: H:16 c...

"Scotland 0030" Photography 36" x 44" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture ...