Tanna Kasimir-Hoernes

Tanna Kasimir-Hoernes "Broad Street, New York" Etching W/ Aquatint C.1930

Circa 1930

John Collette "Drilling" Original Drypoint Etching W/ Aquatint C.1980 Plate dimensions 6" wide x 9" high The frame measures 13.25" wide x 18.5" high Pencil signed, titled and numb...

Moses Strikes the Rock Louvre Museum Etching Late 19th Century Remarkable detail in this fine etching done by the Louvre in Paris. The Louvre has the largest collection of original ...

Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820 Remarkable early 19th century etching Plate dimensions 14.75" wide 11.25" high The frame measures 24.75" wi...

Early 18th Century Etching "Badminton in the County of Gloucester" C.1724 Bird's eye view of Badminton House, in Gloucestershire; the seat of the Duke...

18th Century Engraving "Birdseye View of Grand Country House at Hamstead Marshall" C.1924 Bird's eye view of the grand country house and gardens at Hamstead Marshall in Berkshire, o...

18th Century Engraving "Birdseye View of New Park in Surrey" c.1724 Bird's eye view of the the New Park in Surrey, the Seat of the Honorable Earle of Rochester From the 1724 editio...

John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...

We have seven of Julian Trevelyan's 'Thames Suite' of prints, plus other prints and oil paintings by him - and other Modern British Artists. To see the others, scroll down to "More f...

To see our other prints and architectural views, scroll down to "More from this Seller" and below it click on "See all from this Seller." Louise Ibels (1891-1965) Castle Ruins...

John Harris after Harry Hall The Merry Beaglers Restrike print - c. mid twentieth century 48x65cm Aquatint with hand colouring The most famous beagling...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Andrew Ingamells Jesus College, Cambridge Etching and aquatint 58 x 84 cm Signed in pencil and numbered from the edition of 150. Inspired by David Loggan’s celebrated engraving of the College in 1680, this view of Jesus College was the first of Ingamells’ series of views of Oxford and Cambridge. It took six months to complete and has long-since sold out from the publisher. The Master and Fellows of the College own both the original drawing, which the engraving is based upon, and the copper etching plate...

"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...