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Verona - Etching - 19th Century

19th Century

Melun - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Fra...

Mansion is an original etching artwork on paper realized by Ernest Herchez (1870- ?). Hand-signed on the lower right, numbered, edition of 9/30 prints. The State of preservation is very good with some foldings. Sheet dimension: 23 x 36 cm. The artwork represents a beautiful mansion on the background and fences on the front gate...

Harbour is an original etching on paper realized by Italian artist Stefano Della Bella (1610 –1664). Plate signed on the lower left. Included a Passepartout: 40 x 60 cm Titled on...

Landscape is an original artwork realized by the French artist Léopold Lévy (1882-1966) in the first half of the XX century. Etching and drypoint on paper. Hand-signed by the artist on the lower right corner; signed on plate on the lower left margin. Very good conditions, except for some small spots on the surface of the sheet. Very beautiful artwork representing a natural landscape with some human figures. The composition is characterized by great softness; the strokes are refined and very rapid and smart. The whole composition is very well-balanced and is characterized by a soft chiaroscuro. Léopold Lévy (Paris, 1882 - Paris, 1966) a French painter and engraver. The edition of De la nature (De Rerum Natura) illustrated with 41 original etchings is considered one of the most beautiful artist books of the XX Century. He was one of the friends of Charles Edmond Kayser...

French Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...

Image dimensions: 22.2 x 27.8 cm. Grecia is an interesting hand-colored etching on paper, realized by an anonymous artist in the first half of the XIX century. With the inscriptions in Italian, this original print describes the geography of Greece with the great charisma of the antique maps. In very good conditions, except for a usual yellowing of the paper at the edges and minor defects and signs of the time, and some light yellow strips...

Spruce. 1967, paper, etching, 18x9 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947,...

Eric Ravilious’s Dog II [2022] limited_edition Etching Edition number 33 Image size: H:21 cm x W:21 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Limited edition print of a man on a train with his hat blowing away. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty etching. Buy Mychael Barratt printmaker works with Wychwood Art gallery online. Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

An original etching by American artist Wes Olmsted depicting Crawford Notch in New Hampshire.

Anupam Sud - Etching on Paper How Does Your Garden Grow Edition 2 of 20 14.5 x 17.7 inches (Artwork size) & Paper Size 22.5 x 29.5 inches 2005 ( Unframed &...

Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...