Items Similar to Le Bourg de Batz
Want more images or videos?
Request additional images or videos from the seller
1 of 2
William Strang, R.A., R.E.Le Bourg de Batz1913
1913
About the Item
William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Reference: Binyon 654, only state, edition of 58. In very good condition, printed in black/brown ink on an ivory laid paper, with full margins, 16 3/4 x 13 3/4, the sheet 20 x 17 1/2 inches.
A fine strong impression of this large composition. Printed with a light veil of plate tone.
Le Bourg de Batz is a commune in western France; the town lies between the Bay of Biscay and its salt marshes, which Strang illustrates. The historic church of Saint-Guénolé or Winwaloe (towards the left of the composition), largely dating from the 15th century, stands in the town centre. The church contains a 16th-century sculpture of the Madonna and Child, and its 17th-century belfry provides a significant local landmark. Climbing to the top of the tower gives a good view over the salt marshes and the Le Croisic peninsula.
- Creator:William Strang, R.A., R.E. (1859 - 1921, British)
- Creation Year:1913
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531592103
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2000
1stDibs seller since 2016
99 sales on 1stDibs
Typical response time: 8 hours
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Printemps BretonBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...Category
1920s Realist Landscape Prints
MaterialsEngraving, Drypoint, Etching, Aquatint
- La Fumee du BateauBy Jean-Francois RaffaelliLocated in New York, NYJean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...Category
1910s Realist Landscape Prints
MaterialsDrypoint, Etching
- L’Hiver a Paris ou La Neige a ParisBy Félix Hilaire BuhotLocated in New York, NYFelix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...Category
1870s Realist Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Orage en BriereBy Jean-Emile LaboureurLocated in New York, NYJean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...Category
1930s Realist Landscape Prints
MaterialsEtching, Drypoint
- Laburnums and BatterseaBy Theodore Casimir RousselLocated in New York, NYTheodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...Category
Late 19th Century Realist Landscape Prints
MaterialsEtching, Drypoint
- BohemiaBy Max PollakLocated in New York, NYMax Pollak (1886-1970), Bohemia, drypoint with wash and pencil additions, c. 1925, signed in pencil lower right and titled lower left. In very good condition, printed on a chine coll...Category
1920s Realist Landscape Prints
MaterialsWatercolor, Pencil, Drypoint
You May Also Like
- Sunset in IrelandBy Sir Francis Seymour Haden, R.A.Located in Middletown, NYDrypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...Category
Mid-19th Century Realist Landscape Prints
MaterialsEtching, Drypoint
- Twickenham ChurchBy Sir Francis Seymour Haden, R.A.Located in Middletown, NYA luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...Category
Mid-19th Century Realist Landscape Prints
MaterialsEtching, Drypoint
- LE PONT AU CHANGEBy Charles MeryonLocated in Portland, MEMeryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...Category
1850s Realist Landscape Prints
MaterialsEtching, Drypoint
- On the HardLocated in Middletown, NYAn elegant and delicate seascape of Brightlingsea Hard, Essex circa 1925 18/75. Drypoint etching on cream laid paper, 5 1/2 x 7 7/8 inches (138 x 198 mm), full margins. Signed and ...Category
1920s Realist Landscape Prints
MaterialsDrypoint, Laid Paper
- Circus Night.By Martin LewisLocated in New York, NYSigned in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...Category
1930s Realist Landscape Prints
MaterialsDrypoint
- 1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry MeghanBy Frederick NashLocated in London, GBFrom a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...Category
Early 1800s Realist Landscape Prints
MaterialsEtching, Engraving
